Dance Curse
Home Up Moonlight Madness

 

 

THE YEAR OF LIVING DANGEROUSLY

CHAPTER SIXTY FIVE:

DANCE CURSE

Written by Rick Archer 

 

 
 

Rick Archer's Note:  

Needless to say, following the Lighthouse Accident, I went on Supernatural Alert.  It was beyond eerie that I was thinking about Victoria's 'Accidents come in threes' theory right as we took the floor.  Ritz, Spats, Lighthouse.  Every single one of these accidents was caused by something completely out of my control. 

Darn it, we tested those fans ahead of time!   Since Victoria's toes did not touch anything when the fans were motionless, it never occurred to us that her toes could reach the lower part of the curved blade.  It was our bad luck that Victoria tested the fan in the wrong spot.  In her defense, she was upside down during the test and my face was buried in her face.  How were we supposed to know the blade above was slightly angled?

Victoria's toe had to be in the precise place for the blade to strike.  If Victoria had been facing a different direction when the blade hit, she would have fallen in front of me where there was no danger.  So she had a 50% chance of missing the problem altogether.  Furthermore, those four fans covered only a third of the ceiling area above the dance floor.  That gave her an even greater chance of being spared.  Nor did either of us realize that someone had turned the fans on during our performance.  It was bad luck all around.   

All I knew was that here was another weird accident and I was not happy.  It bothered me no end that I had taken every precaution I could think of, but something went wrong anyway.  My feeling of helplessness was very difficult to deal with.

 


THE YEAR OF LIVING DANGEROUSLY
 

 
   077

Serious

Strange Accident
Dance Curse 3

 1979
  When a ceiling fan blade nips Victoria's toes at the Lighthouse, Victoria narrowly misses serious injury
 
 
 
 

JULY 1979, the disco years

THAT SHAKY FEELING

 

Victoria cried the entire way home following the Lighthouse accident.  Considering how badly she could have been hurt, Victoria was extremely shaken.  She spent most of the trip with her face buried in her hands.  As for me, the similarity of this ride home to my ride home with Patricia following Spats was eerie to say the least. 

Car Talk in the week following the Lighthouse was intense.  As one might guess, our topic of conversation was the accident.  I was pleased to note Victoria did not blame me.  Victoria accepted that the ceiling fans were at fault.  She confirmed again that something hit the top of her toe to knock her off balance, so what else could it be?

Understandably, Victoria was seriously spooked by this accident.  The more we talked, I discovered Victoria was very superstitious.  Like me, Victoria believed in Fate.  Certain that something 'Fateful' had taken place, Victoria was convinced this accident was an act of God.   At first, I thought I had found someone I could talk to about my belief in Fate.  But I changed my mind when I found I was being blamed after all.  And why was that?  One night Victoria came up with the theory that there was a dark cloud hanging over me and now it was raining on her as well.  Prior to the accident, Victoria had listened to my retelling of the Ritz and Spats stories and concluded I was innocent of any mistakes.  However, now that Victoria was on the receiving end of danger, the Lighthouse incident changed her mind. 

"Rick, you know how superstitious I am.  I grew up believing plane accidents always happen in threes.  Does that rule apply to dance disasters as well?  You have three disasters, but I only have one.  Maybe we should stop here before it is too late."

I shrugged my shoulders.  "We can stop if you want, Victoria.  I don't want you to be afraid."

"I don't know.  Let me think about it.  We have that Foley's performance next week.  Maybe we should try one more time."

"I'm game if you are, but I am not the one on the dangerous end of the risks."

That thought made Victoria pause. 

"I hate to say this, Rick, but you have had three accidents.  I feel there might be some sort of Dance Curse hanging over you." 

Oh great, just what I need.  First the Epic Losing Streak, now a Dance Curse.  Feeling rather fatalistic myself, I was in no mood to argue with her.  Little did she know, but I had been wondering the same thing.  I took a long, deep breath, then replied.  "I certainly hope not.  I will simply tell you that in my heart, I did nothing wrong at the Lighthouse.  We were the victims of bad luck.  I hope you will trust me and try again."

Victoria looked at me long and hard.  "I don't know, Rick.  I'm inclined to try one more time.  But I might change my mind." 

Considering how superstitious I am, Victoria's fears weighed heavily on my conscience.  Maybe I really was cursed.  Given my tendency to believe that Fate plays a major part of my life, these three accidents were so odd that I could not help but raise an eyebrow.  Victoria did not know it, but I already believed I was cursed by the Epic Losing Streak.  Thanks to Patricia, the Losing Streak had reached its 15th year.  Since things with Victoria were going badly, there was no end in sight to the Epic Losing Streak.  The way I looked at it, if I was a Curse to Victoria, she was a Curse to me.  That put Victoria in the middle of two curses at once... the Losing Streak and the Dance Curse.  In other words, Victoria was a Double Curse.  Considering how I felt about her attack of Cold Feet, that came as no surprise. 

 
 

August 1979, the disco years

FOLEY'S DEPARTMENT STORE

 

Just a few days after the Lighthouse incident, Victoria and I were scheduled to do a weekday dance exhibition at the Foley's store downtown.  Foley's was Houston's major fashion store of the day.  It was Houston's answer to Macy'sFoley's had decided to introduce a new line of Disco dancewear.  The store wanted to use a dance performance to help lure their female customers to come check out the dance apparel section. 

Perhaps the Reader wonders why new Disco apparel was being sold in a city that was trending Western.  Indeed some of the Houston fashion stores were already selling fancy Western merchandise.  The thing to remember is that this new Western trend was unique to Houston only.  Meanwhile Disco was raging out of control in every other city in the country.  Hmm.  Maybe I should move to Dallas.  Don't think the idea didn't cross my mind.  

Always the fashion plate, Foley's was Victoria's second home.  One of Victoria's dance students worked there.  Louise had recognized Victoria as she strolled the aisles and the two women struck up a friendship.  Louise came up with the idea of asking Victoria to perform.  Victoria had said yes without hesitation, but now she was having second thoughts. 

 

Due to her superstitious nature, Victoria was having trouble dealing with her fear of another accident.  I might have my three accidents, but she had only one.  By her logic, maybe she was in line for two more.  The personal connection with her Foley's friend Louise is probably the only reason Victoria agreed to go through with this.  That plus the fact that Foley's had featured promises of our performance in the morning newspaper.

Victoria was a born worrier.  She could not seem to shake her increasing sense of fear.  It wasn't that she didn't trust me, but there was definitely some nagging doubt.  It was very hard to overlook that scary near-miss.  Maybe she wouldn't be quite as lucky when the next accident happened.  Her confidence was shot to pieces.  Realizing she needed to shake it off, I asked Victoria to do the same Sidecars-Jackknife move again in practice.  With Glen acting as a spotter in case of difficulty, we did the move perfectly.  Victoria was encouraged, but not convinced.  So we did it a second time.  Again no problem.   Victoria gave me a baffled look. 

"I don't understand, Rick.  I was not at all fearful just now.  You had me completely under control just like always.  However, doing the move again triggered a memory.  When we did this move at the Lighthouse, I felt totally under control just like today.  Except that I suddenly toppled over when the fan hit me.  I guess if something is meant to be, it is meant to be." 

Victoria was starting to sound like me.  Que sera, sera.

 

Acrobatics are exciting.   Not only are they flashy, everyone knows they are risky.  There is a 'daring young lady on the flying trapeze' quality to dance acrobatics.  Victoria had been fearless up till now.  Not anymore.  Like a person who has fallen in a gymnastics accident, Victoria was certain if it can happen once, it can happen again.  Once someone knows fear, it is difficult to regain trust.  Like a baseball player who gets hit in the head with a pitch, the memory of danger makes it difficult not to flinch from that point on.  Same for Victoria.  Victoria reminded me over and over again to be careful. 

With the Lighthouse accident present in her mind, Victoria outlawed further use of the scary Sidecars-Jackknife move for Foley's.  So instead we agreed to substitute a flashy move called Around the World to replace Sidecars

Acrobatics are difficult to explain in writing, but I will do my best.  One of the first acrobatic moves I learned was a cheerleader move called Rock the Cradle.  The man starts by cradling the woman in front of him.  Then he flings the lady onto his back.  She returns back to the Cradle Position by reversing the motion.  In other words, the woman goes halfway around the right side of a man's body clockwise, stops for an instant, then reverses her momentum to return to the front counter-clockwise.  I had used this move with Suzy back at the Ritz to a nice round of applause shortly before disaster struck.  This was not a dangerous move.

However, thanks to Glen, Victoria and I had learned a difficult variation.  Known as Around the World, the move starts the same way as Rock the Cradle, but this time the woman does not stop on the man's back, but rather keeps going.  In other words, the woman makes a spectacular 360 degree orbit around the man's body.  Thus the name. 

 

Around the World is difficult.  In order to make this move work, the woman must be able to keep her momentum.  Any loss of momentum sabotages the difficult Stage Two connection.  Stage One begins with the woman leaping into the man's arms to the Cradle Position.  The man steadies the woman, then swings her clockwise onto his back with her legs arriving first.  Stage Two begins the moment he feels the woman on his back.  The man reaches behind his back with his left arm and wraps it around the back of her knees.  She quickly folds her legs around the man's left forearm.  Without any break in the motion, the man uses his left arm to swing her back to the original Cradle Position. 

In other words, he uses his right arm to get her to his back, then uses his left arm to return the girl to the front.  The knee and left arm connection has to be made in a split second or the momentum is lost.  That is the tricky part of the move.  We had great difficulty learning the sharp timing necessary to make it work.  The woman has to lock her legs around the man's left arm at the exact moment he begins swinging her back in front.  The secret is to perfect the timing.  I messed this part up a good twenty times before I finally developed the confidence to swing her forward without hesitation. 

Fortunately, Victoria was in no danger while I figured it out.  Her hands were free to break her fall if something went wrong.  Since her legs were connected to my left arm, any time the move did not work Victoria would dangle till I put her down gently.  Victoria and I had failed so many times that she understood the only real danger was the embarrassment of not making the move work properly.  Fortunately, thanks to lots of practice, we had gotten so good that 'dangling' was a thing of the past.  While training for Foley's, we never made a mistake on any of our acrobatics.  That helped Victoria rebuild her confidence.  We chalked up the Lighthouse accident to bad luck, not to any flaw in our dancing.  Her enthusiasm returned and we were ready to try again.

The Foley's performance was well-promoted.  Victoria proudly pointed to an ad in the morning newspaper.  'Come see Dance Superstars Rick and Victoria perform at Foley's today!'  Always the glory hound, Victoria was excited when a crowd of 100 people gathered to watch us show off.  Several of our students were present because Victoria had told them about the event. 

Our performance started well.  Our routine proceeded flawlessly and the crowd began to clap.  Then came Around the World.  They call it 'Breakneck Speed' for a reason.  For me to succeed, I had to whip Victoria around my body as fast as possible to maintain the critical centrifugal force.  If I failed to catch her legs properly, that is when the dangling begins.  But this time, something different happened, something that felt weird.  Just as I tried to snag her legs with my left arm, Victoria's legs slipped right through my arm.  What the heck had gone wrong?!  

This mistake had never happened before.  Previously all Victoria did was dangle.  Not this time.  For some unknown reason my left arm and her legs did not connect properly.  Unable to break her momentum, Victoria went flying into the air with her arms flailing wildly in front of her. Thanks to her considerable momentum, Victoria briefly resembled Supergirl in flight.  She flew about four feet before hitting the floor on her stomach with a giant thud.  From here, she skidded on her belly another six feet till she came to a stop against a display stand on the edge of the floor.  The collision knocked the wind out of her and left her crumpled up in a ball.  Victoria laid there motionless as the frightened crowd screamed in horror.

I raced to her side to see if she was all right.  Victoria had still not moved when I arrived.  I think she was stunned.  Several anxious seconds passed.  Finally Victoria turned her head to see me standing over her.  She tentatively moved an arm, then a leg.  Thank goodness everything worked.  I was so relieved.  Once Victoria realized she was okay, she slowly sat up.  However she said nothing.  She just sat there dazed from her latest accident.  I was incredulous.  I did not have a clue what had gone wrong.  Nothing like this had ever happened before.  

Victoria had taken quite a jolt, but she only needed a couple minutes of sitting to recover.  Perhaps she got up too soon.  Victoria stumbled as she got up and fell back down.  She cursed softly under her breath, then succeeded on her second try by letting me help her up.  People began to clap for her, but that ended abruptly when Victoria lost her temper and screamed at me in front of the crowd.

"What the hell did you do wrong this time?!?!  Why didn't you catch me?  How stupid can you be?  This is the last time I am ever going to trust you!!"

I knew it was her fear talking, but Victoria's sharp words stung me to the core.  I did not appreciate being made the Villain in front of all these people.  With 100 people staring accusatorily, I hung my head in shame.  I did not have an answer.  Nor could I comfort her.  Victoria was too disgusted to let me near her. 

Victoria was not hurt except for a bad bruise or two.  However, she was too shaken to resume dancing.  Just then Victoria noticed everyone staring at us wide-eyed.  Feeling humiliated, Victoria looked at me and barked, "Let's just get out of here." 

Grabbing my hand, Victoria wordlessly walked straight through the crowd dragging me in tow.  Our accident had brought a shocking end to yet another failed performance. 

 
 

JULY 1979, the disco years

GREASED LIGHTNING

 

Victoria's feelings were bruised more than her body.  Since she was not hurt, Victoria wanted to escape the embarrassment.  And so she weaved her way through the Foley's Fashion section as swift as possible.  Racing to catch up, I felt the same way.  Neither of us wanted to answer questions or receive sympathy.  Once she was out of sight of the spectators, Victoria slowed down.  I trailed her wordlessly as she made her way through a maze of aisles.  Halfway through the building, Victoria found a semi-deserted area for us to talk.  She began a heated harangue over my failure to do my part correctly.  Angered by her sharp words, I couldn't take the criticism. 

"Look, Victoria, I have performed this stunt flawlessly many times.  I agree Around the World is a tough move, but there has never been a single mistake like this nor have you ever been hurt.  It wasn't something I did wrong.  Your legs slipped right through my arm." 

Victoria replied, "Well, that's what you say, but how can it be my fault?  I never felt your arm catch me.  I did my part correctly, but you let my legs slip right through your arm.  It felt to me like you deliberately let my legs slip.  Explain to me what went wrong."

"I don't know what went wrong.  All I know is that your legs slipped through my left arm like they had grease on them."

As Victoria stood there glaring hate darts at me, I noticed her flashy new skintight Disco pants.  That gave me an idea. 

"I have a hunch, Victoria.  Let me feel the texture of your pants."

Victoria looked down at her brand new shimmery stretch pants.  She had bought them especially for the performance.  I don't know what kind of fabric those pants were made of, but as I ran my hand across them, I could feel the pants were incredibly slick.  There was absolutely no friction.  I had my answer.

"Your pants are the reason for the accident, Victoria.  There can be no other explanation.  I did everything right, but your legs slipped through my arm like they had lubrication on them.  My arm was there just like it was supposed to be, but your legs were made slippery by those fancy Disco pants of yours."

Victoria began to feel the smooth fabric with her own hands.  Sure enough, her tight pants were slick as snake oil.  Finally she nodded.  This made sense.  Neither Victoria nor I had any way to know ahead of time that her brand-new super cool Disco outfit would cause a problem.  If there was any lesson to be learned, it would be to have a 'dress rehearsal' to avoid wardrobe malfunctions.  Who knows, maybe if we had practiced beforehand in that outfit, we would have caught the problem ahead of time.  As it is stood, here we were burdened with yet another freak accident. 

Once Victoria realized her 'Greased Lightning' outfit had caused her demise, she eased up.  Maybe it wasn't my fault after all.  Nothing further was said while we made our way to the car.  Although Victoria's sleek outfit was to blame, that didn't stop me from feeling guilty.  I told myself I had no way of knowing in advance just how slippery her legs were.  I reminded myself I had NEVER experienced a problem with this move before.  But Guilt does not always respond to reason.  This made two occasions where Victoria had gotten hurt on my watch.  Knowing Victoria, I doubted I would get a third try. 

 
 
 

 

THE DANCE CURSE

     
 

By the time we got to the car, Victoria was suspicious again.  "I am still not convinced my pants were responsible.  I think you are hiding something.  You did something wrong, I am sure of it.  I think you are using my pants as an excuse."

Suppressing a rising anger, I disagreed. 

"I am telling you that I did my part correctly.  I reached back with my left arm and felt your legs go right through like my arm wasn't even there.  Until now, I have a perfect track record on this move.  So do you.  I executed this move the same way at Foley's as I did the ten previous times.  I didn't do a single thing differently.  Your slippery pants have to be the problem."

Victoria half-accepted my explanation that her slick Disco pants were the likely culprit, but I could tell she still held considerable doubt.  Victoria was convinced I had to be responsible in some way.  However, as we talked it over, Victoria felt her pants repeatedly and slowly persuaded herself that I was telling the truth.  Now she changed her tune.  Realistically, I was not to blame, but Mystically-speaking this was all my fault due to the Dance Curse.  Ritz, Spats, Lighthouse, Foley's...  four accidents in a row!  Victoria could not get over the fact that I continued to claim innocence. 

"I'm sorry, Rick, but I just can't believe anyone can have four accidents in a row and not be responsible somehow.  I want you to listen to me.  Let's say I have a girlfriend who keeps having car wrecks.  My friend has a perfectly reasonable explanation for the first accident, so I extend sympathy to her.  Then she has a second accident... but she says wasn't her fault... and a third accident... but she says it wasn't her fault... and a fourth accident... but it still wasn't her fault.  Four car wrecks and she claims that not one single time was it her fault.  At some point I have to wonder if my girlfriend is changing the facts or leaving out some of the details.  Four accidents is lot of accidents.  Is my girlfriend telling the truth?  Some part of me believes she must be fibbing.  No one has four accidents in a row where they are guiltless!  It defies the imagination, it defies the odds.  Surely my girlfriend has to be responsible in some way.  That is why I have trouble believing you.  I have no way of knowing what went wrong with your first two accidents, but I worry that you must be leaving something out to make yourself look better."

I was so upset at Victoria's accusation I was shaking.  I did not agree with Victoria's conclusion, but at the same time it was hard to ignore the proof.  Today's accident had me spooked.  After a moment to calm down, I replied.

"I see your point.  On the surface, your logic makes perfect sense.  But just because you say the odds are against me, I am not going to back down.  All four accidents were out of my control.  I did not turn out the lights at the Ritz.  A woman shoved me in the back at Spats.  You agree you were perfectly balanced at the Lighthouse.  As for Foley's, my arm was in position just like it was supposed to be.  Go ahead, you tell me why these accidents were my fault.  You and I train together and we never have a problem.  So it makes no sense to me what is going on."

"All right, Rick, maybe you are blameless.  But what if you have a Curse?  If you are cursed, then the odds don't matter anymore.  Bad things happen anyway.  I hate to talk this way, but I think you are jinxed somehow.  Have you ever wondered if you have some sort of black cloud hanging over you?  Four consecutive accidents where you claim to have done nothing wrong makes no rational sense."

Victoria scored a direct hit with that suggestion.  I stared at her feeling dumbfounded.  Victoria was the first person I had ever met who openly believed in Fate just as much as I did.  These dance accidents were so weird, I had given up looking for a Realistic explanation.  Now I found that Victoria felt the same way.  Since my accidents made no rational sense, Victoria had looked to the Supernatural for her explanation.  And you know what?  I agreed with her.  This was not a particularly cheerful subject, but then Victoria said something that almost made me chuckle.

"Rick, you have nearly killed me twice on the dance floor.  If I didn't know better, there is some kind of Voodoo Curse following you around.  I bet Patricia did it.  I wouldn't put it past her to put a Curse on both of us."

Fortunately, I suppressed my laugh.  I half-grinned, half-frowned at that one.  Considering how angry Patricia had been at Victoria for meddling all the time plus her anger over the busted lip, she definitely had a motive to seek revenge against both of us.

 

"So you think Patricia visited a Voodoo Queen and put a spell on us?"

Victoria frowned.  "I wouldn't put it past her.  I know for a fact you are cursed."  Victoria paused.  "On second thought, maybe we both are.  Someone is definitely trying to kill me."

Victoria's suggestion hit home.  It certainly felt like I was jinxed in a supernatural way.  That said, I was willing to try again.  However, Victoria was against it.

"No way, Rick!  I am not putting my neck back on the line here.  No more acrobatics.  I'm not taking any more chances, especially not with you!"

The Foley's accident broke Victoria's spirit.  Coming on the heels of the Lighthouse accident, this subsequent failure took a major toll on Victoria's already fragile mind.  This performing dream of hers was not working out like she had planned.  Victoria had survived two close calls, but what about the third?  In the World of Superstition, Victoria was certain that evil things come in Threes.  Based on that, she was convinced there was another accident waiting to happen.  She had escaped harm the first two times, but would she be as lucky when the third accident struck?  Convinced she was due for a third accident, Victoria wasn't going to chance it.  Her mind was made up, so I called and canceled our next performing opportunity.

Victoria's fear was rubbing off on me.  This latest accident sowed a seed of doubt that gnawed like acid at my confidence.  I had four straight failures haunting me.  Was Victoria was right or wrong?  Who could say.  No matter which way I looked at it, I was having a hard time maintaining confidence in my ability as a performer.  The thought that I had a Dance Curse weighed heavily on my mind.  On one level, my rational mind continued to believe I was blameless in all four accidents.  On another level, the Dance Curse seemed real.  I hate to say it, but I had started to believe Victoria.

When Fate is involved, anything is possible.

 
 

 

THE YEAR OF LIVING DANGEROUSLY

Chapter SIXTY SIX:  MOONLIGHT MADNESS

 

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