Black Magic Woman
Home Up Bombshell

 

 

THE YEAR OF LIVING DANGEROUSLY

CHAPTER EIGHTY:

BLACK MAGIC WOMAN

Written by Rick Archer 

 

 
 

Rick Archer's Note:  

Which hand would deliver the death blow to my dance career, the Dancing Cowboy or Victoria Vicious?  I doubted seriously the dance program could survive if she carried out her threat.  Nor was she bluffing.  Victoria was more than willing to destroy me for defying her, especially if she lost her marriage.

No one at the studio had the slightest idea that Victoria had turned Evil.  Let me explain.  By canceling Annabelle's and skipping Camelot, Victoria remained out of the public eye during her September descent to madness.  Even though she taught twice a week, her classes involved a small handful of people who were relatively new to the studio.  The important people, i.e. the studio regulars, had no idea what was going on.  Unfortunately, Victoria was far more popular with these people, especially with her female friends.  If the ladies thought I was treating Victoria unfairly, she was bound to win a public relations war.  Playing Dirty was child's play for her.

Dance lessons can be set aside at the drop of the hat. The whole game is based on 'Fun'.  When it isn't fun anymore, people will simply head to the Exit Door and find something else to amuse them.  If Victoria destroyed my reputation and things got ugly, any student who wished to avoid the controversy would simply quit taking lessons.  After Victoria's Blackmail Threat, I had two choices.  Fight fire with fire or resume pretending to be her romantic parachute. 

 

Victoria thought she had the Upper Hand, but she was wrong.  I had an evil option of my own.  All I had to do was whisper one word: Stephanie.  If Victoria wanted to threaten my child, I could just as easily threaten her child. 

"Guess what, Victoria, I also know how to use a phone.  All I need to do is call Michael.  I will promise to say whatever is necessary to help him get full custody of Stephanie."

Let's see how tough Victoria would talk then.  Underneath her cold Medusa exterior beat the heart of the Helpless Sniveling Whining Woman.  Victoria would have gone out of her mind at the thought of losing her daughter!!  One good counter-threat and I bet Victoria would have folded like a rag. 

I gave playing dirty some serious thought, but ultimately I did not have the heart to turn evil.  That was not my nature.  To be honest, my Mystical beliefs played a major role in my decision.  Without my Mystical belief that this Dance Path was my Destiny, I would have told Victoria to go to hell, let Disco run its course, gotten a job as a computer programmer, married Jennifer and led a normal, happy life.  But that is not what I did.  I chose to appease Victoria.  Why?

 

Throughout my Year of Living Dangerously, I made sure every difficult decision included my Mystical point of view.  Call me crazy, but I sincerely believed Heaven had moved a Mountain to get me this far.  This Magic Carpet Ride was no accident, I was sure of that.  Since I believed this dance program was my Destiny, I also believed Victoria was part of that Destiny.  I was certain Victoria had been sent by the Universe to help me build my Disco program.  For that matter, I was starting to feel the same way about Joanne regarding her help with Western dancing.  

Looking at Victoria's lunacy from a Mystical point of view, I intended to exhaust other options first.  Realistically I could have lashed back.  However, I decided retaliation would only make things worse.  In life, there is a right way and a wrong way.  Deep down, I very much wanted to part with Victoria on good terms.  My Quaker upbringing had taught me that if at all possible, 'Peace' was the best answer.  Considering my program was built on a legacy of good will and kindness, I believed using violence to acquire custody would ultimately harm the studio in some way.  That meant playing dirty was out of the question.  Hopefully I could find a way to bring Victoria back to her senses.  If so, I believed the day would come when Victoria would give me the studio willingly. 

Given my Mystical belief that teaching dance was what I was meant to do, I made several risky decisions based on my Faith.  First, I had to protect my program.  Victoria was threatening my 'child'.  If I wanted to protect my dance career, I could not risk giving Victoria sufficient reason to take the nuclear option.  That meant my best path was further appeasement.  Given how angry I was, this was not a popular choice.  However, with an eye on my ultimate goal, appeasement was the wisest path.  Or maybe not.  When dealing with a monster, appeasement had a way of backfiring.  Witness Adolf Hitler. 

There were no guarantees I was taking the right path, but I had decided to pursue Country whether I liked it or not.  I had no idea if Country dancing could take the place of Disco, but it was my only chance.  My Instinct insisted something bizarre was going on.  For example, it bothered me greatly that this strange Meyerland class had been handed to me out of thin air.  Why me?  I had no business being asked to teach this class.  Of course there were realistic reasons to explain Sandy's phone call.  I believed Sandy when she said others had been contacted and they all said no.   The Meyerland women wanted an instructor, so no doubt after other people turned them down, they would eventually think of asking me.  Another thing that bothered me was the similarity between the start of my Disco career where a series of lucky breaks allowed me to succeed despite so many handicaps.  The unexpected opportunity to teach this class plus Joanne's reluctant willingness to help struck me as VERY FORTUNATE indeed.  Or should I say "Suspiciously Fortunate"?  

The weirdest part was Joanne.  I thought it was rather eerie that Joanne of all people had mysteriously come back into my life to provide a lifeline to a possible future to my dance career.  Her tip about 'Slow Slow Quick Quick' unsettled me due to its perfect timing.  Some random guy in a club just happened to whisper the 'Four Magic Words' into Joanne's ear.  The timing was incredible.  Joanne passed this message on to me at the exact time I was on the verge of quitting.  This was pure Déjà Vu.  First Victoria had been sent to teach me how to build a Disco program, now it felt like Joanne had been sent to teach me how to build a Western program.  It was so eerie, I felt like Joanne was fulfilling a Destiny of her own.  However, if Victoria attacked the studio at such a vulnerable stage, I did not think I could salvage my dance program.  Since I did not want to see my hard work go down the drain, my only choice was to knuckle under and continue to kowtow to Victoria's dictates.

My third decision was very serious.  No, I did not want to marry Victoria, at least not "the Medusa version".  Nevertheless, I could not justify abandoning her.  Why not?  Deep down I believed we were linked in a profound way.  Who can say, perhaps we were soul mates from a previous lifetime.  Due to my belief in Reincarnation, maybe we had been married once before.  For that reason I had a "for better or worse" inclination about me.  If Dance was my Destiny, then Victoria's presence was Karma.  I could never have gotten this far without her.  Therefore, like it or not, I felt Victoria was my responsibility.  That meant I had no choice but to take the bad with the good.  No matter how big a pain in the ass she was, deep down I thought Victoria deserved my continued loyalty.  Victoria had advanced my career, now I hoped to save her marriage and save my career in the process.  Fighting back would never accomplish these goals. 

Victoria's furious backlash at the coffee shop forced me to change my mind about something else.  Prior to the attack, I was going to tell her to leave the studio.  However, Victoria had made the point that the program was just as much hers as it was mine.  Now that I thought about it, I agreed.  Victoria had turned me into Houston's best known dance teacher.  Now, based on the laws of Karma, I owed a debt to Victoria.  Rather than attack her and lash back, I decided Victoria had every right to be here.  In other words, I agreed the studio was her Child too.  I may have gotten the program started, but she had adopted it and helped it thrive.  I decided Victoria's year of hard work gave her every right to keep her job.  My non-violent approach was a gamble, I knew that.  I had briefly thought about taking the studio from her by force, but changed my mind.  If that meant guaranteeing her job for life, so be it.  Too bad it had to be the Evil Victoria and not the Good Victoria.  However, I had made my Devil's bargain, so now I had to deal with the consequences. 

Having concluded my complicated relationship with Victoria was Karmic, I decided I was stuck with her whether I liked it or not.

 
 
 

THURSDAY, SEPTEMBER 27, 1979

SURVEILLANCE

 
Perhaps a warning to my Readers is warranted.  Some very strange things are about to happen.  As you evaluate my decisions, just remember one thing: I had already reached the conclusion that I was 'karmically' stuck with Victoria whether I liked it or not.

It was Thursday morning, September 27.  When I returned home after spending Wednesday night at Jennifer's apartment, I was upset to find Victoria had left three answering machine messages last night, each one increasingly ugly.  Unbeknownst to me, Victoria had been calling me at home while I spent Wednesday night with Jennifer.

Clever move.  In Hindsight, I suppose my absence on Wednesday night triggered Victoria's suspicion that I had spent the night elsewhere.  This was a serious mistake on my part.

 

I had not anticipated Victoria would begin checking on me at night.  I am sure she could tell I was angry over her Blackmail Threat.  Who wouldn't be?  I suppose there was something about my air of defiance that set Victoria to thinking.   Let's face it, Victoria was smarter than me, at least in certain ways such as cunning.  I considered myself bright enough, but a woman's intuition gave her an edge I could never hope to equal. 

What should I do?  I decided not to call Victoria back.  I knew she would confront me during Thursday Car Talk, but at the moment I was in no mood to cooperate.  A lot of good it did me.  Victoria called me on my business phone that morning.  These were the days before Caller ID, so I answered every call automatically.  I said I had work to do and we could talk about it tonight.  Victoria started to argue, but I stood my ground.

"Save it for later, Victoria.  Goodbye."

I was tiptoeing a dangerous line by standing up to her.  I had spent July, August, and September dealing with this sad, whining jellyfish.  Now to my dismay Victoria had turned into a Snarling Tiger Woman who controlled me through vicious threats.  There's an old saying, "Marry in haste, Repent at leisure."  Why had I ever entertained thoughts of a romance with this maniac?  Because Victoria's dark side had remained hidden at the start.  She was the perfect example for why long courtships made a lot of sense. 

Following Victoria's Blackmail Threat to destroy my studio if I did anything to anger her, I had decided to comply.  From here on out, I would behave like a French citizen in a town subjugated by occupying Germans.  My plan was to cooperate in Victoria's presence, then turn around and see Jennifer at night after class. 

 

However, now that Victoria was checking up on me, any thought of spending the night with Jennifer was out of the question.  Now that Victoria had established a higher degree of control, my hopes for an immediate end to our neverending impasse seemed remote.  I glumly resigned myself to further rounds of the waiting game.  On the other hand, I could always see Jennifer for a while, then head home to check my answering machine.  As long as I had Jennifer, I could tolerate this unfortunate turn of events.  Vive la résistance!

Trapped under Victoria's thumb, I had a lot to lose.  I was keeping three major secrets from Victoria.  I did not want Victoria to know about Jennifer.  I did not want Victoria to know her ancient nemesis Joanne was back in the picture.  I did not want Victoria to know I was digging a secret tunnel under Stalag 17 known as 'Country-Western dancing'.  More and more, I was looking to Western dancing as my potential escape route.  I was still very unhappy about my unwelcome decision to pursue C&W, but if it helped me extricate myself from Victoria's tentacles, I was ready to try anything. 

 
 

THURSDAY, SEPTEMBER 27, 1979

C&W CIRCLE TURNS

 
On Thursday afternoon, September 27, it was back to the drawing board to prepare for Meyerland Week Four.  Joanne immediately noticed how upset I was.  I still had not recovered from my discovery that Victoria had been calling me at home last night.  My anxiety over this latest development made it difficult to concentrate.  Nevertheless, now that I had decided C&W dancing might be the only solution to my problems, I did the best I could. 

During Meyerland class last Sunday I had noticed how quickly my students improved once I explained that Polka footwork was 'step together step'.  It had taken them two short minutes of practice to see how this simple idea made learning to dance the Polka so much easier.  'Step together step' was a useful hint that saved these people a lot of trial and error.  Although I was pleased to simplify the Polka for my students, I also felt aggravated.  It had taken six hours of my time with Joanne to figure out Polka footwork was based on 'step together step' footwork.  My students had learned this same thing in two minutes because I told them the secret.  I was astonished at how much easier it is to learn how to dance when there is someone around to explain how it works.

 

Two thoughts raced through my mind, one negative, one positive.  The negative thought was to curse being forced to learn how to dance Country without a teacher.  Who has the patience to invest six hours in learning the Polka the hard way?  On the other hand, my hard work allowed me to justify the trust these people had placed in me.  Besides, if I actually did carry this Western project to Stage Two, I realized this knowledge might come in very handy someday.  As a teacher, it was my job to show these people these shortcuts.  The faster they learned, the more valuable my role as teacher became. 

That said, it was difficult developing a Western dance system from scratch.  Who teaches the teacher when there aren't any Western teachers?  With that, a funny thought crossed my mind.  As a boy, whenever I tried to help my mother do one of her jigsaw puzzles, the first thing I did was turn the box over to look at the picture.  My mother would snatch the box away, then lecture me. 

"Richard, don't do that.  If you ever want to learn how to solve puzzles, don't peek at the answer first!"

There was a solid argument to be made that using the jigsaw picture would save time, but I saw my mother's point.  She was suggesting I develop a sense of perseverance.  Right now I was being forced to solve the 'Riddle of the Polka and the Twostep' without the benefit of looking at the picture.  I was flying blind, but at least Joanne was willing to fly beside me.  Ah, Joanne.  Where would I be without her?  Joanne was a trooper.  These Helen Keller dance lessons were just as hard on her as they were on me.  Good grief, at our first practice it took me three hours just to figure out there were six footsteps in a unit of Polka.  More recently it had taken me another three hours just to figure out the 'step-together-step' trick.  Although working with Joanne had been something of a nightmare, I recognized that she was my angel.  Without Joanne, I could have never gotten anything done. 

 

Last week Joanne and I had perfected our 'Transition Turns' to Polka, i.e. 180 degree transitions from forward to back and back to forward.  Yesterday we had figured out the same thing to Twostep.  Our system allowed the woman to dance forward once in a while, something Joanne said the ladies would appreciate.  Today we concentrated on a different pattern, the 360 degree Polka Circle Turn.  A Circle Turn typically starts with the man passing the lady, then immediately swinging her past him in one continuous process.  In other words, if the woman was going backwards when the move started, six Polka steps later she was back in the same spot.  Round and round they go.  Joanne explained a Polka Circle Turn was the most popular move in Western dancing.  Unfortunately, I had no idea what it looked like, so I told Joanne to lead me as best she could in a Circle Turn. 

Joanne barely moved me.  Grunting loudly, she exclaimed.  "Rick, you weigh a ton!"

"I already know that, Joanne, but don't give up.  Try again."

Joanne wrapped her arms around me and threw me around some more while I tried to figure it out what she was doing.  One time we both lost our balance and fell down.  As it turned out, our mistake was trying the move from a standstill position.  Lacking any momentum, of course Joanne had trouble moving me.  So why weren't we dancing to music?  Since I couldn't stand to listen to the music, I insisted we practice without the music.  However Joanne could not dance without music.  Weren't we a pair?

One reason I liked Disco so much was my love for the music.  Disco music made me want to dance.  With Western music, just the opposite.  The more I listened to Joanne's Country music, the more I wanted to quit.  If I did not have this growing Mystical sense that God wanted me to do this, I WOULD HAVE QUIT!!

Finally we came up with a solution.  Joanne would play her song, but I would refuse to listen to it.  That helped a lot.  By tuning out the music, it was easier to pay attention to Joanne's feet.  As for my decision to not listen to this music, oh gee, what a loss.

 

We caught a break when Joanne accidentally discovered the secret of 'Momentum'.  Our mistake had been Joanne's inability to throw me around from a dead stop.  Once we began to travel ahead of time, Joanne was able to move me better. 

That discovery led to a Light Bulb moment, better known as the magic of 'Corners'.  By starting near a corner, Joanne was able to successfully swing me in front of her, then immediately pass me on the next set of three steps.  I did not know it at the time, but a 360 degree Circle Turn becomes a 270 degree Circle Turn in a corner.  The corner made things easier.  We were getting closer.  Now we had to figure out how to make the same move work on a straightaway.

Our progress was glacier, but fortunately I had the gift of persistence.  Every time Joanne and I screwed up, I would bitch and moan to myself.  I did not dare complain out loud because Joanne was easily discouraged.  Instead I would think of Thomas Edison, the patron saint of Try, Try Again.  Groaning inwardly, I would insist we start over.  No matter how bad the frustration, I had too much invested in this to quit now.  

 

I kept losing my balance until I remembered my 'step together step' strategy.  Why not give that a try?  No matter what Joanne did, I whispered "step together step, step together step" to myself.   We still stumbled at times, but something started to click.  Joanne's eyes grew larger as she sensed my balance improve. 

"That's it!!" Joanne cried. "You're getting close.  I have an idea.  I think you are too far away from me.  The guys in the club always get close.  Sometimes they practically hug me.  Start dancing the Polka on the straightaway, then get close when you pass me in the corner." 

To my distinct satisfaction, the four-way combination of Momentum, getting closer and saying 'step together step' did the trick on the straightaway as well as the corners.  Joanne stepped away and clapped her hands.  "You have it!!  That's the Polka Circle Turn!"

I was very pleased.  Thomas Edison would have been proud.  The mystery of the Circle Turns was solved, at least for Polka.  Twostep Circle Turns would have to wait. 

"Joanne, it seems to me in the Circle Turn, I pass you, then you pass me in consecutive steps.  Am I right?  Do the man and the woman simply take turns passing each other?"

Joanne gave it some thought.  "I think you're right.  I wonder why I didn't think of that."

Probably because Joanne had no reason to think of it.  Joanne could just follow while I had to spend hours figuring it out.  Well, we almost had it now.  Boy Pass Girl, Girl Pass Boy, round and round we go.  The more we practiced, the better it felt.  However, Joanne stopped me.  "Uh, Rick, there's another problem."

"Now what?" 

"You are still nowhere near the beat of the music."

"What music?  Is there music playing?" 

Joanne rolled her eyes.  Sometimes my unabated sarcasm regarding C&W was tough for her to bear. 

"Very funny.  You aren't dancing to the beat of the music at all."

"How far off am I?"

"You're not hitting a single beat, not even by accident."

Joanne was right.  Joanne's music was so fast, it was easier to move at the speed I was comfortable with.  I thought of my friend Charles, the one who always insisted I play the Disco song 'Rough Diamond'.  He was never near the beat because he was too busy thinking all the time.  Or perhaps he had not yet acquired the skill necessary to keep up with a song that fast.  I had no trouble hitting the beat to Disco music, but Western music was a different story.  The only way I was ever going to get on the beat to the Polka would be to actually listen to the song.  Nope, forget it, that was not going to happen

Hating country music with a purple passion, I reminded Joanne that she was in charge of making sure I was on the beat during Meyerland class.  It was her job to whisper 'speed up' or 'slow down'.  When we demonstrated to music, she would count '123, 123' under her breath while I matched my speed to her voiceThat way I could avoid hearing the music.  The entire time, one overwhelming thought occupied my mind.  Why did Disco have to die young?

 
 

THURSDAY, SEPTEMBER 27, 1979

BLACK MAGIC WOMAN

 

My next showdown with Victoria took place on Thursday night, September 27.  As usual, she demanded I follow to her car after dance class.  Victoria wasted no time.  In the darkness, she asked a question that paralyzed me with fear. 

"Rick, are you seeing someone behind my back?"

I was shocked!!  This woman was uncanny!!  Was it intuition or was it an educated guess?  Either Victoria had the dark powers of a witch or she possessed an overabundance of woman's intuition.  Fortunately I kept my wits about me and said no.  However Victoria was not convinced.  She sensed something was going on. 

"Rick, I don't believe you.  I think you are seeing someone.  Who is she?"

Choosing to lie, I replied. "You're wrong, Victoria, totally wrong.  You have nothing to worry about."

 

Victoria's eyes narrowed.  Unable to control her suspicion, Victoria began to probe.

"As I said when we talked this morning, I called you three times Wednesday night and you did not answer.  If you are hiding something from me, I swear I will ruin the studio.  And maybe I will kill you for good measure."

No, Victoria wasn't going to kill me.  Then she wouldn't have me around to torture anymore.  Her real fun was making my life a living hell.  I had hoped the issue of phone surveillance would not come up again, but I should have known better.  Fortunately, I had spend the day conjuring up a better alibi just in case.

"Look, Victoria, I don't answer your calls because I don't appreciate your threats.  This is beneath you.  I have not answered the phone because I resent how you treat me.  I am not your slave, I am not your property and I refuse to be placed under house arrest.  I am not obligated to answer your calls.  You are a married woman, so what right do you have to call me at 1 am to check on me?  Go ahead, Victoria.  I dare you to tell every one of your girlfriends that I am the world's worst person because I refuse to answer surveillance calls at 1 am.  See how far that gets you."

I was taking a real chance, but I guessed right.  Although Victoria resented my impertinence, this transgression was insufficient reason to go scorched earth.  Victoria realized her Blackmail Threat required more evidence.  Victoria frowned and furrowed her brow.  So what was Rick up to? 

In the dark, I could see Victoria focus her evil eye on me.  This was my introduction to Black Magic Woman, a frightening addition to Victoria's growing collection of split personalities.  Thanks to her uncanny guess about Jennifer's presence, Victoria was starting to give me the creeps.  Fortunately, Victoria was still not sure.  Either my defiance was a well-thought out strategy to deceive her or maybe I was telling the truth.  However, more than likely, she figured I was fibbing.  Fearful of being fooled, Victoria decided to read me the riot act. 

 
 

"Look, Rick, there will be no more Joannes, there will be no more Patricias.  There will be no more women PERIOD!  I will be VERY UPSET if I discover there is another woman.  Do you understand me?"

"Where do you get your nerve, Victoria?  You are a married woman and I am not your lover.  What gives you the right to tell a single man that he belongs to you?  You seem to think that just because you have threatened my dance program, that entitles you to assume we are in a committed relationship.  I promise not to seek a new companion, but I also refuse to answer your phone calls at night."

Since Victoria had no evidence beyond my unanswered phone calls, I figured I could protect Jennifer.  No doubt Victoria felt insecure.  Victoria knew from experience there were women who smiled at me.  Since the Class Factory was always sending new students who had no idea who she was, Victoria was certain there were always going to be threats.  Now that she was not around to patrol Friday Camelot, Victoria's ancient fears had to be working overtime.  She assumed on the nights she was not around, the women at the studio would see me as available.  As it turned out, Victoria had a right to be paranoid.  Her inability to maintain full vigilance had allowed Jennifer to enter my life.  Victoria anticipated there was some hussy ready to flirt with me, so best lay down the law before I got any ideas.  It was just her bad luck that her worst fear had already come to pass.  So we now had a cat and mouse guessing game. 

Victoria's parental duties and marital problems prevented her from maintaining blanket coverage of my comings and goings.  Victoria simply could not patrol the studio or house 24/7 to keep an eye on me.  For one thing, there were no cell phones in those days to tether me.  Nor could she drive an hourlong round-trip to my house at night to spy on me.  Keep in mind the woman was MARRIED.  What do you suppose Michael would say if she got up and began dressing in the middle of the night? 

"Gosh, Victoria, where are you going at 1 am?  Are you going to go check on that disloyal Playboy again?  That sneaky bastard better not be cheating on you.  Be sure to drive safely, darling!"

Thinking about Michael made me wish I could call him and compare notes.  I was never quite sure what the truth was between Michael and Victoria.  No doubt the past three months of bickering had poured toxic acid on their marriage.  It did not help that Victoria changed her story on the status of her relationship with Michael practically every time I inquired.  I monitored things as best I could, but there was great uncertainty on what to believe.  However, the thought of facing Michael's understandable bitterness acted as strong deterrent to my desire to contact him.  Seriously, if I could just work up the courage to talk to the guy, maybe together we could figure out a way to reel Victoria back to Reality.  However, I was too young and too stupid to attempt such an obvious solution.  What a shame.   

Here in the car, while I was thinking about Michael, Victoria was thinking about me.  She peered at me through the darkness.  No doubt she was conducting a Vulcan mind probe of some sort.  Could Victoria read minds?  I wouldn't be surprised.  No doubt at least one of her Sybil-like personalities had that ability. 

"I have very strong instincts, Rick.  You are hiding something, I am sure of it.  You might as well tell me who she is."

I turned so white I feared I glowed in the dark.  Given how close Victoria was to pinning the tail on the donkey, it was time to bluff.  "Yes, of course I am hiding something.  I am doing my best to conceal this anger I feel.  I accept the terms of your threat, but that doesn't mean I appreciate the way you are pushing me around.  By the way, I have a question.  Where do you and Michael stand?"

Victoria noticed I had deliberately changed the subject, but decided to answer the question anyway.

"After we talked on Tuesday at the coffee house, Michael and I really got into it.  He wants me to move in with you and give him some peace [I had no way to know if this was the truth or not].  I told him he had no right to push me out of my own house.  I said if he didn't like the way things were going, then he could leave.  After informing him that no one could push me out of my own house, Michael screamed at me for my constant indecision.  He told me if I didn't make up my mind soon, he would file for divorce.  He said he wasn't going to put up with this nonsense any longer.  I said that was fine with me.  I suppose with child support, I will make ends meet.  So cheer up, Rick, I've changed my mind about moving in with you.  Besides, I never did want to live in your dumpy old house anyway."

"That's good to know.  Thank you for sharing."

"Don't get too comfortable.  I will be calling you later tonight and I expect you to answer the phone."

"Call me anytime you want.  The answering machine loves hearing from you.  Not only that, I intend to unplug the phone so I don't have to hear it ring."

"Like hell you are!  You are going to leave the phone plugged in and you are going to answer it.  Do you hear me?"

"Let me ask you a question.  Do you have sex with Michael?"

"Are you out of your mind?  Hell no!  I can't stand him!"

"How am I supposed to know that?  Why should I trust you?   Maybe I will start calling you at night.  What would be a good time?  Maybe I will talk to Michael if he answers.  Do you have a problem with that?"

"Drop dead, asshole.  I hate you just as much as I hate him."

 "Gee, what a surprise.  Will I see you at Camelot tomorrow night?"

"I doubt it.  I don't see the point anymore."

"You're probably right.  Well, have fun arguing with Michael.  See you later."

"Go to hell!"

As I got into my own car, I breathed a huge sigh of relief.  Despite being dominated by the Black Magic Woman, at least I didn't have to worry about her moving in with me anymore.  Shortly after I got home, the phone rang.  Unbelievable.  I picked up the phone, said "Leave me the hell alone!", then slammed it down and prayed it had not been Jennifer. 

Sure enough, the phone went ring ring ring again.  This time I didn't answer it.  Instead, I asked myself a question.  How many women have the nerve to demand a man be in love with her?  How many women demand to get married in the face of obvious hostility?  Was it possible to be blackmailed into marrying a woman?  Appeasement was one thing, but my Mystical Beliefs did not stretch as far as marriage.  I had never met a more aggressive woman in my life.  Were there other women like Victoria or was she one of a kind?  I thanked my lucky stars for having the sense to avoid crossing the Forbidden Threshold during Moonlight Madness.  Otherwise I would never be able to get rid of her. 

 
 

THURSDAY, SEPTEMBER 27, 1979

JENNIFER'S FEAR

 

After tonight's Car Talk, I wanted to call Jennifer.  I had two phones, business and private.  Since Victoria always called me on my private phone, I figured Victoria would not anticipate my use of the business line late at night.  So I used that number instead of my private home phone.  Jennifer listened carefully as I explained that Victoria was convinced I was seeing someone.

"How certain do you think Victoria is about my existence?"

"It is hard to tell.  She is experiencing tremendous anxiety, so she must be on hyper-alert.  Her husband is applying strong pressure on her to choose between him and me.  I try very hard to put myself in her shoes, but I have never been able to figure out why it is so hard for her to make up her mind.  You want to know something funny?  Back in the days of Camelot, whenever someone asked Victoria about Michael, she would always sing her praise for him.  As for her opinion of me, all she can do is insult me over my inability to match Michael's paycheck.  Why do you think her choice between me and Michael is such a riddle for her?"

"Maybe Victoria is in love with you."

"No, I don't agree with that.  I think 'Obsession' is the better word.  If you love someone, you don't bully them around all the time.  You treat them with respect and show thoughtfulness.  That is hardly Victoria's style.  She thinks she can force me to love her, but she should know better.  Victoria is the craziest human being I have ever met."

I decided to omit how Victoria kept bringing up the possibility of moving in with me.  That was the last thing Jennifer needed to hear.

"If Victoria previously praised her husband, then he must have done something to alienate her."

"I think Michael was guilty of taking Victoria for granted during the pursuit of his career."

"Lots of men do that.  My mother spent several nights a week alone with us kids while Dad was at the office.  Mom wasn't happy about it, but she understood that sometimes a man has to put in extra work to become successful in his career.  This is a sacrifice normal women have no trouble making."

"Maybe so, but Victoria decided to rebel.  I think she wanted to prove to Michael that she is just as talented as he is.  She forced her husband to take dance classes as a way to get him to pay more attention to her.  That worked for six months, but in April Michael withdrew from dance classes and Friday Night Camelot.  Victoria has never explained what happened, but that is when the real trouble started.  I think Michael got tired of seeing his wife gone all the time and told her to quit teaching only to have her defy him.  So he retaliated by quitting dance lessons and Camelot.

She once told me that during a screaming match, she reminded Michael how many times he had been missing at night to work overtime at the lab.  Why was it okay for him to be gone at night for work purposes, but it wasn't okay for her to be gone two nights a week?  What right did he have to chew her out for being gone?  What's fit for the goose should be fit for the gander.  They didn't speak for a week after that.  Ever since, I believe the two of them have been locked in a gigantic power struggle.  Michael is full of rage and bitterness at her frequent absence.  Maybe it is impossible for him to find a way past his hurt feelings to mend the rift.  That's my take."

"That makes sense, but where do you fit in?"

"I am just a pawn, Jennifer.  I don't think deep down Victoria really wants me.  I believe she keeps me around to gain an advantage over Michael in their arguments.  If I were to guess, Victoria uses me to rub salt into his wounds.  Based on my experience with Triangles, Victoria has the Upper Hand because she can play two men against each other.  Meanwhile neither Michael nor I have the sense to work together."

"That's a good idea.  Why don't you call Michael?"

"It takes a lot of courage to call a man who hates my guts.  Victoria says he blames me for ruining their marriage.  I don't expect him to be receptive to hearing me out."

"So why you don't just walk away from Victoria?"

"Because Victoria is vindictive.  She may be bluffing about destroying the dance program, but that is not a chance I am willing to take.  My approach is to be patient and non-violent like Mahatma Ghandi.  As long as I keep her at arm's length, time is on my side.  The only danger is if she finds out about you or if I do something to put her back on the warpath again."

"I don't know if I agree with you.  Victoria sounds like the kind of woman who will never let go.  She gets too much pleasure from bossing you around."

"You sound discouraged."

"I guess I probably am.  Things seemed so bright between us and now I realize I have walked into a horrible firestorm.  If I do something to cost you your dreams, I would hate myself."

My heart sank.  "My gosh, Jennifer, you sound like you are pulling back.  Is something wrong here?"

"Oh, I don't know, I just have a lot on my mind.  I'm sorry, but I just can't talk anymore about this right now.  Let's call it a night."

 
 

THURSDAY, SEPTEMBER 27, 1979

BLACK MAGIC WOMAN STRIKES AGAIN

 

I was deeply worried as I hung up the phone.  I hated it when Jennifer spoke like she did tonight.  Her pessimism was really getting to me.  I felt like she did not think I had the guts to stand up to Victoria.  This is what I mean about 'Soothsayer Mode'.  It frightened me that Jennifer was so convinced we were doomed.  "Beware the Ides of Victoria!

Whenever I asked Jennifer to knock it off, she never wavered in her fatalistic assessment of Victoria's power over me.  Insisting I belonged to Victoria whether I liked it or not, Jennifer spoke like there was no hope for us.  Sad to say, Jennifer might be right.  My life was moving so fast I could barely cope.  Jennifer was upset, I had Victoria's blackmail threat hanging over me, Victoria was a train wreck waiting to happen, Disco was on its deathbed, and I had my unwanted Meyerland class to deal with.  Moving from crisis to crisis, I felt totally out of control.  Just then my home phone rang.  I looked at the clock.  It was nearly 1 am.  The answering machine picked up; it was Victoria.  I listened to her talk as she left a message.

"Pick up, damn it!  Rick, I'm warning you, pick up the goddamn phone or I will make your life a living hell.  I want to know who you've been talking to!  Now pick up the damn phone!"

Unbelievable.  Victoria must have played a hunch and called my business line while I spoke with Jennifer.  The busy signal would be tough to explain.  Now she was even more certain I was seeing someone.  I shook my head in frustration.  Clever move, Victoria. 

 

Before she could hang up, I impulsively picked up the phone. "What is your problem, Victoria?"

"I want to know who you were just talking to."

"Victoria, I was talking to my mother, do you mind?"

"You are so full of shit.  No one talks to their mother this late at night.  Who is she?"

"My mother's name is Mary.  Victoria, it's late.  Goodnight." 

Moments after I hung up the phone, the phone rang again.  This time I did not answer.  After ten rings, the phone went silent.

Previously I did not think I could ever hate a woman more than I hated Vanessa.  Move over, Vanessa.  I had never hated anyone quite like I hated Victoria at this moment.  How did she manage to outsmart me at every turn?  The woman was a witch, the Black Magic Woman.  There was no other possible answer. 

 
 

 

THE YEAR OF LIVING DANGEROUSLY

Chapter EIGHTY one:  BOMBSHELL

 

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