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CHAPTER FOUR:
SKI TRIP
Written by Rick
and Marla Archer
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JANUARY 2001
HOW ABOUT A CRUISE TRIP?
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The
New Year was upon us. Immersed in depression, all I
could see was darkness. Fortunately, there was one
thing I still enjoyed, basketball. For two hours, I
could forget my troubles. Unfortunately, on the first
Saturday of the new year, I
played badly. I couldn't make a basket if I tried.
After the game, my friend Alan Fox commented on my rough
day. I blamed it on Christmas Eve and my recent
separation. Alan was sympathetic. Maybe I should
get out of town for a while, try a cruise trip to clear my
mind.
"Rick, a Houston
businessman named George Mitchell just talked Carnival
Cruise Line into sailing ships out of Galveston.
This is a recent development that started four months ago. So far,
progress has been very slow. As a result, Carnival is running
promotions like crazy. If you want, I could get
you an inexpensive inside cabin to yourself. Make
it a short trip, four days, $400. It will give you
a chance to regroup."
Alan Fox was owner of Vacations to Go, a Houston-based
travel agency. On his suggestion, three years ago I had previously tried a
studio-related cruise trip to Jamaica. The
1998
Jamaica trip had
generated 30 guests. We would have had more,
but who can afford to fly to New Orleans? And what
about the considerable hassle of a six hour drive? Although the guests had a
good time, I was miserable. Locked into my 1998
problems with Carnell, the studio was not fun anymore.
As a result I was beyond apathetic. The abject poverty of Jamaica only served to
make me more depressed.
As I considered Alan's suggestion, the
last thing I wanted to do was go on another cruise trip.
If I wanted to be miserable, I could just as easily do that
for free here at home. I told Alan to forget it.
I
would have never guessed at the time,
but
Alan's cruise trip idea had planted a seed.
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TOM EASLEY:
NOT A NORMAL GUY
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Tom Easley was a colorful
character from the early days of SSQQ. He quickly
became one of my best friends. Our friendship
was typical guy stuff.
We teased each other, played tricks on each other, competed
in sports, talked about sports, talked about girls, hung
out at the dance clubs together. So why do I
say that Tom was not a normal guy? Tom loved being
the center of attention. He had a quick wit and
kept us in stitches with his 'I don't get no respect'
sense of humor. And why didn't he get any respect?
He practically begged us to give him a hard time!
For example,
Tom was guilty of DELIBERATELY wearing some of the
ugliest clothes in the history of man. You don't have to
take my word for it. I
have evidence.
A Picture is
worth 1,000 words. This frightening picture was
taken at the 1987 SSQQ Halloween party. Take a good
look at the smug guy trying to act cool, then ask yourself this question: Why would a woman hotter than Olivia
Newton-John in Grease hook up with an eyesore
like Tom Easley?
Regarding the
Halloween picture, I think we can agree that Tom and
Margaret's outfits are
horribly mismatched. What are they up to?
Curiosity got the better of me, so I asked Margaret to explain
why she was willing to be seen in public with this embarrassment. Margaret replied that
she and Tom were attempting to
portray a high-brow concept known as 'Beauty and the Beast'.
I cracked up. Gee, Margaret, I couldn't have said it better
myself.
In the Introduction, I stated that
SSQQ was the closest thing to a Wedding Factory ever
invented. Tom and Margaret were a perfect example.
Margaret was fresh out of a divorce in 1986. She
heard that SSQQ was a good place to make friends, so she
took a Saturday morning private lesson from me in order
to join in the dancing as soon as possible.
By coincidence, Tom and my other best
friend Mike Fagan were at the studio that morning.
They were there to take a dance class in a different
room. After their class was over, Tom and Mike
came down to say hi to me. Tom was hit by
lightning the moment he saw Margaret. Instantly
smitten, Tom wasted no time inviting Margaret to visit
him and his friends at his annual Beach House Weekend
the following Saturday. Margaret did just that.
She only planned to stay for a couple hours, but had so
much fun she ended up spending the entire weekend.
That was the
start of a whirlwind romance. Tom and Margaret
married a
year and a half later in November 1987.
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January 2001. I never knew it
at the time, but the end of my ten year
marriage to Judy was also the dawn of an incredible new
era for the studio that would revolve around dance cruises.
So we can assume I changed my
mind and decided to take Alan Fox on his cruise trip
offer after all, correct? No. Or better
said, not yet.
Considering I was hovering one step from Rock Bottom at the
time,
first I needed a major attitude change.
Fortunately, thanks to my long-time friend Tom Easley, that shift in
consciousness was just around the corner.
In mid-January 2001, I
received a phone
call from Tom.
"Hey, Rick, my wife doesn't want
to go skiing with the group in February. Margaret
suggested I give you a call and see if you would be
willing to be my roommate."
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FLASHBACK TO 1983
THE EARLY DAYS OF SSQQ
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Rick's Note: Before I tell the story of
the 2001 ski trip,
I would
like to share a memory from my
distant past. Why? Throughout this
book I will repeatedly assert there was a spirit about the
dance studio that made it special. Rather than ask my
Readers to take me at my word, perhaps the stories in this
chapter will help explain why I felt that way. The
story of the 'Going Away Party' is a good place to
start. This was the event that turned my
group of friends from an incestuous mob into a procession of
couples headed to the altar.
I share this story
because it will help to explain the shift of consciousness that
took place during
my ski trip.
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The
movie
Big Chill told the touching story of college friends who
reunite many years later at a much different stage in their
lives. The affection they
felt for one another was reminiscent of the affection my
group of friends shared during the formative years
of SSQQ in the early Eighties.
This was a very special time for my dance studio.
A group of students who met in our dance classes
made a habit of going dancing together after class
during the week
and on weekends as well. This started in 1982
during the Urban Cowboy-inspired
Western Era here in Houston. Over time they became bonded
together like a close knit family. I took immense
pride in seeing the important role the studio had
played in the lives of my friends. I never saw a more
inseparable group of people in my life.
Let me add that
I was one of the Gang. My social life revolved around
this group of friends. There was no teacher-student
barrier whatsoever. All for one and one for all.
Our
extended family numbered around 50 people.
Things were quite platonic for about six months.
However, as we got to know
each other, "nature" would not be denied.
Once the
platonic days were over, we became
rather incestuous. People
would date within the group, then switch partners.
Feelings got hurt, tears were shed and things were
certainly awkward at times. But typically someone new came along
to court the abandoned one. Soon enough, everyone was happy again.
The incestuous period lasted for a year or so.
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However, here in
mid-1983, not everyone was content to play musical chairs.
Recently various members of our group had begun pairing up.
Several couples were so serious, we could see they were
moving towards a larger commitment.
Lately we
noticed that certain members of our group seemed to be staying
together longer than the usual time span.
Oddly enough, that made the rest of us nervous. We
cherished our status as singles happy to play the field.
'Commitment' was for old people, count us out. But there
was no denying it. Some of our friends were so serious, we
feared they were moving towards Never Never Land. Who would be the first to take the plunge?
I first met Tom
Easley in 1982. As I mentioned, Country-Western dancing
was all the rage and Tom needed to learn the Texas Twostep.
Like me, Tom wrapped his entire social life around the studio.
I would see him two, three times a week. Sometimes it
was dance class, other times it was at
a club where Tom would be hanging out with our group of
friends. Tom was a popular member of "The
Gang". He was also one of the leaders.
One
day Tom had an idea. Why not rent a beach house down
in Surfside and spend a weekend together? Great idea. Tom got such a good response, he ended up renting three
adjacent
beach houses for three days of sand, surf, and
hijinks. Although I did not go, I heard it was a big hit
with 60 guests.
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Phyllis
was a popular member of the Gang. Warm,
outgoing, pretty, she was tough to resist. Tom
and I had a big crush on this lady. Only one
problem. Phyllis would not go out with either
of us. For that matter, we couldn't figure who
Phyllis was dating.
Unbeknownst to the
rest of us, on a recent
trip to Florida, Phyllis had reconnected with her
college sweetheart after a ten-year gap. On
the spur of the moment, Frank and Phyllis decided to get
married. Upon her
return, Phyllis made an
earth-shattering announcement.
"Hey,
everyone, Guess what?
I'm getting married!"
Uh oh.
A huge hush came over the crowd.
Her announcement
hit like a ton of bricks as every person in
the room stared in shock. Given that every man
present had lusted for this sexy lady without
success, a dozen different men simultaneously looked
at each other trying to figure out who Phyllis had
chosen. The men were not alone. The
women were just as curious to know who had captured
her heart. A look of horror
crossed everyone's face as we looked in vain to solve the mystery. Who was the lucky
guy?? I looked at Tom. He shrugged and
whispered "Not me!"
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Meanwhile poor Phyllis stood there wondering
why no one was happy for her. Finally
she realized what the problem was. No
one in the room had the slightest idea who she was
marrying. That is when Phyllis revealed Frank's
identity, adding she would be moving to
Florida soon. Were we happy about this??
NO!
Indeed, the
threatened departure of Phyllis made us all uneasy.
We were more sad for our loss than
happy for her gain. Most of us were in our mid-thirties. We liked our
freedom, but at the same time we felt this strange new
longing to settle down. If this could happen to
Phyllis, were any of us safe? Just then
I noticed that
Phyllis was hurt by our tepid response. Pulling
her aside, I told her what I thought the problem was.
"Phyllis, I think I know what's going on
here, or at least I think I do. The
people in our group are not the marrying
kind, or at least that's what they want to
believe.
The thought that 'one of us' is
getting married is almost inconceivable.
Your announcement is sort of like telling
Peter Pan it's time to grow up. I
think they are very threatened by your
decision."
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It took a while to get over the shock, but
we rallied and scheduled a going-away event.
The Gang would meet for dinner,
then head over to
Texas for a night of country-western
dancing. To our surprise, Phyllis said
Frank had decided to fly in for the event. Little
did we know that Phyllis had been coaching
Frank in advance on the Texas Twostep.
Once the ladies discovered
Frank knew how to Twostep, they gave him a warm
Texas welcome and made sure he
danced every song. By the end of the
night, Frank understood why
this group was so important to Phyllis.
The
Going Away party at Texas
was a turning point, our Big Chill moment. I had
never been more touched by the fondness
these people felt for one another.
As
it turned out, Phyllis did indeed open the
connubial
floodgates. At the end of the year,
Doug and Ava officially became the first couple to get married. I
was pleased to be asked to participate as a groomsman.
Hindsight reveals that over half the people
at the Going Away Party would marry someone they met at the
dance studio. That included Tom and
myself.
I married my first wife Pat in 1984. Tom
and Margaret followed suit in 1987. My friends from the Big Chill Era
deserve credit as the founding fathers of the studio's amazing Wedding Factory.
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FLASHBACK TO SKI
TRIPS OF THE EIGHTIES
LEADER OF THE PACK
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Although I had
natural ability as a teacher when I started my dance career,
I had virtually no experience as a leader. I grew
up as an only child with few friends. Although I
appreciated the fine education I received at my private
school, I was the scholarship kid surrounded by rich kids
for nine years. I was treated as an equal in class,
but otherwise my classmates left me
alone. No one was mean to me, but they "knew" I
was not one of them. Growing up alone, I often felt like an outcast.
Due to limited social interaction during my nine-year stay, I lagged
far behind my peer group in social skills. However, I
was willing to learn.
My initial leadership moment came in August
1977. The first class I ever taught
was Disco line dancing. As we neared
the end of my summer class, I knew from
personal experience how
difficult it is for beginners to find the
courage to go dancing at a club alone.
So I persuaded 30 students to go dancing
with me to the Rubaiyat on the final night of class.
To my surprise, once they got to the club, all they did was
sit there
and watch. They were too scared to get
on the floor. So I announced a line
dance and told them to follow me. For
half an hour I led one line dance after
another. That broke the ice. By
the end of the night, they didn't need me
anymore. The men were asking the girls
to dance and people were falling in love.
That was my very first experience as "Leader
of the Pack", a role I would come
to play many times over the course of my
career.
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I learned a valuable lesson that night.
To be effective as a dance teacher, I had to
find a way to encourage my students to
practice. The best way to make them
practice was to go with them. Worked
like a charm. A group spirit began to
emerge as students would join me on these
nightly adventures. This is how I
realized the social element was just as
important as the dance side. Why limit
our activities to dancing? I got in
the habit of planning social activities for
my students. We went to movies
after class, played Sunday volleyball at a park,
got together at someone's house for birthdays,
Charades and Trivial Pursuits.
Creating a monthly social calendar in
addition to my dance classes, I was right
there in the middle as my students got
to know one another. As Leader of the
Pack, I suppose I deserved the lion's share
of the credit. However, I could not
have a created a place as wonderful as SSQQ
without the help of people like Tom Easley.
Tom helped in several ways. I was not
a natural leader, but Tom was, so I began to
copy him. Earlier I mentioned how Tom rented three
beach houses at Surfside for the weekend. Tom's
beach weekend was a good example of
an event that helped our dance community
come together.
The success of
Tom's beach event caused me to think
on a larger scale. I liked to ski.
And I liked my friends at the studio.
Why not organize a ski trip for the whole
gang? Starting in
1983, for six years running I organized an annual ski
trip. The
experience I gained from organizing these trips
helped immensely. Despite my slow
start in life, my dance career taught me how to lead.
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BACK TO THE PRESENT: FEBRUARY
2001
LAKE TAHOE SKI TRIP
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When dance classes resumed
in January 2001,
word of my separation swiftly made its way through
the grapevine. In mid-January my
friend Tom gave me a call. He got
right to the point.
"Hey, Rick, I need a favor.
I want to go
skiing at Lake Tahoe with the gang, but I need a roommate
on short notice.
I
heard a rumor you might be available."
"What about Margaret?"
"Margaret doesn't want to go this
year. Why don't you come with me
instead?"
Although I was very suspicious of Tom's
motives, it did not take long to say yes.
As they say, don't look a gift horse in the
mouth.
Tom's
invitation to go skiing was a real blessing.
Alan Fox had been right about one thing. I very much needed to get out of town and nurse my
wounds. I might add there was a practical
element. My departure would give Judy a
chance to move to her new apartment
without me around. More than likely
she was dealing with some blues of her own.
Tom and I
met at the airport in February.
I had not seen him for several years. With painful memories of
Tom's hideous Halloween costume locked in my mind, Tom was so clean-cut I
barely recognized him. Amazing what
a good woman can do for a man. I gave Margaret high
marks for turning Tom from a fashion rebel into a handsome
guy.
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I had a sneaky
feeling Tom had taken pity on me, so I asked him about it.
I was surprised when Tom
stuck to his story that Margaret did not feel like going
skiing this year.
Knowing how much
Margaret liked to ski, I was skeptical. However,
despite considerable prodding on my part,
Tom insisted he
was not doing this as a favor, but rather he simply needed a roommate.
As the other
skiers assembled, I was amazed at all the
familiar faces.
In particular, I was struck by all the
people who had met their spouses at SSQQ. Tom and Margaret, Charlie and Beverly, Gary and Linda,
Doug and Sharon, Irving and
Sharon, Ted and Margie. It was the
reunion of the legendary SSQQ Wedding Factory. It was
also the reunion of eight people who had been part of the Big
Chill Era from 20 years ago. The roll call did not
stop there. Many of the people on the trip had met at
the studio during the Nineties. Counting heads, I
realized over half the people in this group of 40 had taken
lessons and met at SSQQ. I felt happy to
be back with the Gang again. However,
this was also a bittersweet moment. Other than Tom, I
had rarely seen any
of these people during my marriage to Judy.
Considering I
was the founding father of the annual ski trips, why was I
a stranger now? Because I had not seen these people in
years. Once a person learns to dance, they
move on to other things. Unless they dropped by the
studio for a special event such as the Halloween Party, our
paths never crossed. Furthermore, I had not skied with
the Gang since 1988 due to a particular bad break-up
with a girlfriend during the trip. Thanks to tainted
memories at the time, I did not want the responsibility
anymore, so I handed it off.
Fortunately, the ski group continued their
February tradition throughout the Nineties
and into the Millennium.
Thanks to good times and
shared adventures, over the years this tight-knit group formed deep and
lasting friendships. In addition to
their annual ski trip, they saw each other
during the year at birthday
parties and holiday events.
Whether Tom's
invitation was deliberate or not, he was determined to take my mind off my problems.
The subject
of my divorce never came up during
the trip.
However, that did not stop Tom from taking advantage of my
bedraggled state of mind. He wasted no time paying me back for all the
times I had teased him over his odd taste in clothing during the Good Old Days. Due to
my divorce-related depression, I was
not looking so good.
On the first night
of the Lake Tahoe ski trip,
Tom had the nerve to insult my
pitiful, hang-dog
appearance in front of our friends.
"I invited Rick on the ski trip
for a specific reason. I wanted to be sure I looked better than
someone else in the group."
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Ouch! This Tahoe trip was not the first
time Tom played nursemaid following a divorce. He had
been my roommate on a ski trip to Steamboat Springs shortly after
my
first wife Pat
left me
in 1986.
Two wives, two divorces, two ski trips with Tom as my
hand-holding roommate.
Although I am a
fairly good skier, I got off to a rough start at Tahoe. I had only skied once during my ten
year marriage to Judy, so I fell several times.
Fortunately I was alone, so I suffered in private. By
chance, I ran into Tom and several other friends at the mountain-top lodge.
I was pleased when they invited me to join them for the
second half of the day.
Tom did not let up with insults. Every time I
fell skiing, Tom was certain to crack a joke that would
leave the group in stitches. To my surprise,
Tom's reverse therapy made me start to smile. Despite
my intense regret, I was feeling better now that I
was around friends again. Slowly
but surely, the good memories began making a breakthrough.
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To my relief, as
the rust wore off, I was able to keep up with the
experienced skiers. Our group consisted
of Tom, Ted, Margie, Michelle, Jim and myself.
Considering we had all been part of the Big Chill Era, the stories returned and so did the
laughter. We had so much fun talking about old times,
we decided to stick together for the rest of the week. It was great to reminisce
with my friends about
the Good Old Days. I thought of that wonderful Russian
folk song, Those
Were the Days.
Those
were the days my friend
We thought they'd never end
We'd sing and dance forever & a day
We'd live the life we choose
We'd fight and never lose
For we were young
and sure to have our way
During the Big
Chill Era, we were too young to know these were the best
times of our lives. However, here on the ski trip we
knew it now and we cherished the memories.
The six of us were so happy to be reunited it was
ridiculous.
It gave me
goosebumps to observe how happy my friends were to reunite
at Lake Tahoe. It reminded me of all the good will the
studio had created over the years. That realization initiated a
major thaw in my bad
attitude. As I cheered up, I began to think of ways to
instill a similar spirit in the studio's current generation.
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A
HISTORY OF CONTRIBUTION
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During our trip
to Tahoe, I noticed that Tom was at the center of many
stories from the Big Chill Era. Tom's Look-Alike
Party. Tom's Annual Beach House adventure. Ski trips,
Halloween Parties, the Going Away Party for Phyllis.
These shared moments were just the tip of the iceberg.
There were so many special moments, it was easy to see how
my friends became permanently glued together for life.
It crossed my
mind how much Tom had contributed to development of the
spirit of warmth that permeated the studio. For
example, water volleyball was Tom's idea. However, Tom
was not alone. Each person in my ski group had made
contributions. The annual ski trips had been my idea.
The Look-Alike Party was Ted and Margie's idea. The
Pyramid tradition at the Halloween Party was Jim's idea.
The Going Away Party was Michelle's idea. One thing
everyone agreed on was how great the studio was.
Someone pointed out SSQQ was listed first on Google as the 'Number
One Dance Studio' in America. I blushed as my
friends offered me their compliments.
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Did I deserve
the credit? Yes, I suppose so. After all, the
studio was my life's work.
The success of the studio was a
testament to a good work ethic, being professional,
and quite a bit of luck.
Speaking of lucky, I attributed my charmed life to
God.
However,
the success of the studio went further
than that. I
thought about something a friend named Larry Carlton
once told me. SSQQ had a reputation for throwing the
best Halloween Party in town. I typically got the
credit. But what about all the unsung heroes who made
the party special?
One day in 1995 I mentioned to
Larry that my wife Judy had created a life-size Dracula for
the Haunted House. What a shame our cardboard coffin
was so lame. One week later Larry and several other
men carried a giant wood coffin into the studio. Turns
out Larry taught 'Shop' at a local high school which
included auto mechanics, electrical skills, and...
carpentry. His students had made this coffin
specifically for our Halloween Party. Did I ask Larry
to do this? No. I had no idea what he did for a
living. When I thanked Larry for his awesome gift, he
smiled.
"I did
this because I feel a sense of ownership. I am not
the only person who feels this way. I
recognize SSQQ is a special place that has captured
the heart of many. We all go out of
our way to contribute. SSQQ is great because your
students want to help you keep it great."
I felt
incredibly gratified by Larry's observation. He sensed
that I cared about SSQQ in a way that far transcended
running a business. To me, SSQQ was more like a
mission. It was touching to know that many of my
students felt the same way. Although I never said it
out loud, I felt like the studio was blessed. Why did
I feel that way? Let's use Larry's gift as an example. Larry
is the only person I ever told about my disappointment in
the cardboard coffin. It was quite a coincidence that
Larry not only possessed the skill to help, he also felt a
keen desire to dedicate hours of his time without being
asked. To me, it was like I had made a Wish and
someone had asked Larry to grant it.
Another example
would be Tom. Here I was at
Rock Bottom. Out of nowhere my friend Tom, a man I had
not spoken to in several years, called to invite me on the
ski trip. Here again it was like I made a Wish for
help and
someone arranged for Tom to grant it. Do you see my point?
A Realistic-oriented person will say that Tom's invitation
was luck. I say it was Fate. When things like
this happen time after time, after a while it becomes easier
to admit the spiritual answer makes more sense than
constantly relying on 'luck' and 'accident' as
our explanation.
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THE ACCIDENTAL
DANCE TEACHER
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In a previous
chapter, I said I would be discussing Fate soon. Okay,
you are still reading, so I assume you have an open mind on the subject.
I would now like to explain how I acquired my belief in
Fate.
Why have I gone
into so much detail regarding the Tahoe ski trip?
Because I believe it was a Fated Event on my path to Marla.
Because it brought about a major transformation within me. Being with Tom and the
others had a strange effect. As I skied with my friends from yesteryear, I recalled how I helped build
this network back in the Eighties. In particular I
focused on the married couples. Every time I looked at them, I was reminded that my studio was responsible for
bringing these couples together. That realization had a
profound impact, and not necessarily a happy one. In a manner similar
to Ebenezer Scrooge, I was haunted daily with the memory
of how special things had once been at the studio, but were
no longer present. I became painfully aware of how badly
I was out of touch with the 2001 version of the studio.
This realization hurt terribly, especially since I had no
one to blame but myself for turning into an ill-tempered
grouch much of the time.
Seeing these people made me feel like I had been shirking my
responsibility for a long time. It was not just my
students I had let down, it was a promise to God I had made
26 years ago. Let me explain. I acquired my belief in God
thanks to an event
I consider to be a miracle. Immersed in thoughts of
suicide during a crisis in high school, a woman who had
never met me took me aside and more or less talked me down
from the ledge. Her name was Maria Ballantyne.
The incident was so touching, I was convinced God had sent
her to help me. I have
written about this in the Hidden Hand of God.
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I was so certain Mrs. Ballantyne's unexpected intervention was
a gift from God, I believed I had witnessed
a case of Divine Intervention. However, I was not sure
about Fate. That belief kicked in six years later.
I had just been thrown out of graduate school. I had
been planning to become a clinical psychologist. No, I
did not do anything terrible. My grades were good and
I showed infinite respect to my professors.
However, the
head of the department was convinced I had the wrong
personality to be a therapist. Without coming out and
saying it bluntly, my social skills were much too
inadequate. I was far too insensitive to be of any
use. Unfortunately, due to my arrested development
dating back to my difficult childhood, the man was probably
right. Adding to my woes, a girlfriend named Vanessa
betrayed me in an especially cruel way.
Feeling like a
loser in love and career, I staggered back to Houston.
Age 24, I found myself resting yet again at Rock Bottom, a
familiar spot. Immersed in overwhelming depression,
I prayed for help. Soon after, I came across a weird
book with a strange title, The Mistress
Book. To my surprise, the book was dedicated
to a woman named Vanessa with the tag line "Who's sorry
now?" Any man with a grudge towards women
named Vanessa was surely a friend of mine. Taking this
as an omen, I bought the book.
The book
suggested dance lessons might solve my problem. Since I already
knew I had little talent when it came to dance, I was
very skeptical. However, a series of strange
coincidences convinced me that taking dance lessons was
God's Will, so I surrendered.
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My first dance
lesson was abysmal. I was so upset when I got to my
car, I actually blamed God for twisting my arm to do
something I clearly had no skill for.
Why would God set me up for failure? That made no sense!
It also hurt. Isn't God supposed to help those who help
themselves? Here in the midst of my Epic Losing
Streak, I had never felt so abandoned.
Seriously, had God forgotten
about my dismissal from Graduate School? Had God forgotten about the Curse of
Vanessa? I understood that life has its ups and downs, but wasn't it my turn to
catch a break??
It was humiliating to realize how much I had counted on
dance lessons to snap out of it only to fail so horribly.
The pain was so intense, right
there in
the parking lot, I broke down and cried my eyes out.
That crying
spell was actually a blessing because it calmed me down.
To my surprise, I felt a strong desire to continue dance
lessons after all. Considering how bad I was, I don't
know what got into me. Actually I do know the answer.
So many things had gone wrong in my first dance lesson, it
bordered on the absurd. Was this a test of some sort?
It struck me that my failure today was not completely my
fault, but rather some reverse psychology ploy to take these
lessons very seriously. It worked. Basically I still felt
these lessons were important to God, that this is what He wanted me to do.
So guess what?
Sitting there in the car, I made a solemn promise to God
that I would take lessons as long as necessary until I was a
good dancer. I figured two or three months tops.
Wrong. Considering my
slow progress plus a lack of any practical reason to continue,
it took a serious leap of faith to stay with dance lessons
for over three years. So why didn't I quit?
Because I had promised God I would stay with this. I am completely
serious.
To my
astonishment, the moment I became a reasonably good dancer,
a part-time job as a line dance teacher materialized out of thin air.
I did not ask for the job; it was handed to me. I was
in over my head. I knew very little about the
technical aspects of dance and I was not much better as a
dancer than my own students.
However, I was funny and I discovered I had a knack for teaching.
After years of feeling like a failure, I was
pleased to finally find something I was good at. So I
stayed with the job, humble as it was.
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Two months after
I started, a
crisis developed when Saturday Night Fever
arrived. My boss ordered me to teach partner dancing,
something I knew nothing about. Making matters worse,
I was given two weeks to learn or he would teach it himself.
I was in serious trouble. My boss did not like me and
refused to help. To my dismay, I could not find anyone
to teach me. Making matters worse, no one in the clubs
knew either. They could do Freestyle and line dancing,
but partner dancing was non-existent. Uh oh. I
was in big trouble.
What was the
problem? I was learning the hard way that Partner Dancing was a lost
art. Interest in partner dancing had disappeared
twenty years ago when the Twist came along. Assuming
this was the end, I was incredibly disappointed. But I
had to try something. With the deadline just days
away, I went back to the Disco. A complete stranger
took pity on me and explained that Disco partner dancing is
a modified form of Swing dancing. This last-minute
rescue was the clue I needed. I learned just enough to
fake my way through several months where I barely knew what
I was doing.
Opportunity is
often concealed by misfortune. By turning my handicap
into an asset, I have a strong hunch I was the first person
in Houston to offer a partner dance class. I am not
saying I was any good at it. Hardly. In fact, I
had been promoted way past my level of competence. But
it did not matter because I was the only teacher in town.
This gave me just enough time to learn on the fly, trial and
error. There I was
standing at the crossroad of this
massive social phenomenon. I was literally the only game in town at a time when
learning to partner dance had suddenly become the hottest
ticket in Houston.
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My streak of
good fortune did not stop there.
I made several serious mistakes that should have cost me
my job. Due to my woeful inexperience, on several occasions I
taught partner
dance moves incorrectly. These mistakes led to women
getting hurt. My boss did not like me to begin with.
If he had found out, game over. But somehow the women
forgave my incompetence and my
mistakes remained concealed from the boss.
Every time I was on the brink of abject
failure, a lucky break helped me meet the challenge and live
to teach another day. Despite my mistakes, despite my
lack of dance ability, despite my woeful inexperience,
despite all my gambles, my
fledgling
dance program continued to grow and grow.
I could not help but notice how weird this was. A man
with limited dance ability, weak social skills and virtually
no prior training had just become the leading Disco teacher
in the city. If this was made into a movie, people
would walk out of the theater thinking it was comedy.
And who would blame them? It was preposterous to think
some guy who never entered a contest and refused to perform
was dominating better-trained professionals with
natural dance ability.
Seriously, I had
no business being this successful. Finally I couldn't take it anymore. I was convinced
the only reason I succeeded had to be Divine Intervention.
In my heart I
knew I lacked the talent to accomplish this on my own.
And yet here I was, taking this
Magic Carpet Ride in spite of my many
shortcomings. Thinking back to the Mistress Book,
I felt like God had moved two mountains to put here.
Even better, I loved what I was doing. For that reason, I asked God to let me
continue teaching dance for the rest
of my life. Did I get an answer? Yes and no.
There were no bugles at the time. However, at
this point I think it is safe to say my wish was granted.
In the process, I became convinced this was my Destiny.
Did I ever tell
anyone about the uncanny streak of good fortune and
coincidence that got me started? No. Who would
believe me? For fear of ridicule, I never told a
soul.
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THE
SUPERNATURAL DRY SPELL
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Fate:
The development of events beyond a person's control,
regarded as determined by a supernatural power.
The unexpected
appearance of Mrs. Ballantyne in the midst of the worst
crisis of my life is what inspired my lifelong interest in
Fate. At the time, I was unable to think of a single
Realistic Reason to explain her highly coincidental
appearance at my grocery store. Plagued by
uncertainty, I began to read every book I could find on
Mysticism. No, not Black Magic or Witches or Evil
Spells, not that kind of Mysticism. I was more
interested in seeing what people thought about the meaning
of Coincidences. I found what I was looking for in a
book called Memories, Dreams and Reflections.
The book was written by Swiss psychiatrist Carl Jung, a man
who was just as interested in studying Coincidence as I was.
"The problem of
Synchronicity has puzzled me for a long time, ever since my
middle twenties when I was investigating the phenomena of the
collective unconscious. I kept on coming across
connections which I simply could not explain as chance groupings. What I found were 'coincidences'
which were connected so meaningfully that their chance
concurrence would represent a degree of improbability that would
have to be expressed by an astronomical figure.
Dr. Jung had a
suggestion. Keep a List of every unusual experience.
As the List grew larger, at some point Dr. Jung predicted we
would be stunned by the utter improbability of it all.
And that is exactly what happened to me. Personally, I
thought Mrs. Ballantyne's coincidence was one in a million.
That was almost good enough right there. But it was
the cumulative effect that convinced me. Assigning a
modest 'one in ten' to every coincidence, the odds
that every weird thing that happened to me was an 'Accident'
were so remote that I soon saw what Dr. Jung meant by an 'Astronomical
Figure'.
Age 20, the List
stood at 25 events. Age 23, the List stood at 34
events. Then things began to accelerate. Age 24,
the List stood at 43. Age 27, the List stood at 58.
Then came the start of the Magic Carpet Ride. Age 28,
the List shot up to 73. Age 29, the List stood at 88.
I was astonished. 30 coincidences in the space of two
years!! The word 'Preposterous' crossed my
mind. No one deserved to be this lucky, but here I
was, a young man with limited dance talent and limited
experience who had just become the best-known Disco teacher
in the city.
With each new coincidence, any doubt I
had regarding the existence of God dwindled away.
Somewhere during this incredible two-year span, I simply
gave up worrying about it. In the process of tracking
all the strange things that happened to me, I reached a very
serious conclusion... there really is something
called Fate.
I thought about
something Bing Crosby once said.
"Honestly,
I think I've stretched a talent which is so thin it's
almost transparent over a quite unbelievable term of
years."
I recalled that
Kirk Douglas had said something very similar.
"For me,
the one thing in my life I always knew
was that I wanted to be an actor. That in itself is an
asset. I think half of success in life comes from
finding out what you want to do, and then going ahead and
doing it. Of course, you need fierce determination,
and you need to love your work. But let's be honest:
You need a hell of a lot of luck. I had that by the
bushels."
Well aware
that I could have made both statements about
myself,
I concluded I must be leading
a charmed life. What else could it be?
If my lucky breaks had been
limited to one or two, I could have overlooked my perpetual
good fortune as one of those things. But as the List
kept growing, so did my belief that my dance
career was being guided by a Higher Power.
Something very
special took place in 1980. Age 30, I had just
finished two years as a dance teacher. At the time I
subleased space at a dance studio known as Stevens of
Hollywood. The owner, Lance Stevens, seriously
disliked me. Was his animosity justified? No.
I showed the man infinite respect despite his hostility.
I might add I made him a lot of money. Do you want to
know what I think was his problem? Mr. Stevens knew
from the start that I was unqualified for the job. He
wanted to replace me, but for some strange reason could not
find anyone. To his astonishment I continued to
succeed in spite of my limitations. So put yourself in
his shoes. This was a man who did not believe in the
Supernatural. And yet he was forced to watch in
disbelief as I dodged one bullet after another.
Meanwhile my program grew ever larger. Unable to
reconcile my uncanny success with my obvious lack of dance
ability, I think my existence defied his sense of Reality.
Someone as pathetic as me had no business succeeding to this
extent. Finally, Mr. Stevens couldn't take it anymore.
Using the flimsiest of excuses, he evicted me.
I was given less
than two weeks to find a dance studio large enough to
accommodate 600 students a week. Forget it.
Dance programs as large as mine cannot find adequate space
in this short of time. By coincidence... there's that
word again... my current dance teacher had just moved to a
new location a month ago. Unfortunately Glen had
gambled and lost. Hoping for an infusion of new ballet
and jazz students, if anything Glen had lost students in the
move. His new studio was much too large and he was
having serious trouble paying his exorbitant rent. As
it stood, I was the convenient answer to his problem, he was
the convenient answer to my problem. It was a huge
lucky break for both of us, almost like it was (dare I say
it?) meant to be. Thanks to being in the 'Right
Place at the Right Time', my dance program never skipped
a beat. This new studio would be my home until the day
I retired 30 years later. During that time, SSQQ
became the largest independent dance studio in the country.
Kind of makes you wonder, doesn't it?
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095 |
Serious |
Lucky Break
Coincidence |
1980 |
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Following Rick's
eviction from Stevens of Hollywood,
Glen Hunsucker offers a last second
rescue to Dance Arts
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Something odd
happened after the big move. Now that my program had
found a secure location, the pace of the Supernatural Events
slowed down. Age 34, the List stood at 102. That
is when the Supernatural Dry Spell kicked in.
Indeed, the moment my List of
'Suspected' Supernatural Events crossed the
100 threshold, the Supernatural Events came to a complete stop
in 1984 . Oddly enough, I never noticed. Although I
typically added two or three events per year to my List,
they occurred so randomly that their disappearance was not
obvious. It took me ten years to figure it out.
So how did I
catch on? In 1994, I
brought my daughter Sam, age 3, to a water volleyball party at
Tom Easley's house. Unfortunately I forgot to bring a
water vest
and Sam did not know how to swim. Irritated at my
negligence, I made a solemn
vow. I absolutely positively swore that no matter what
I would NOT take my eyes off Sam when she was in the water.
And I kept that vow. Sam did okay with a float, so
during breaks in the action I let her paddle around while I
watched like a hawk within arm's reach. Right before the
next game started, Sam and I put our arms on the edge of the
pool to rest for a moment. Sam was on my LEFT six
inches away. Tom swam over to speak to me. At
the exact moment I turned to look at Tom on my RIGHT, Sam
let go of the ledge and sank straight to the bottom of the
pool. Did I see it? No. I had my back
turned.
Did I hear it or feel it? No.
Did Tom see it? No. Fortunately, our friend
Carol sitting nearby did see it happen. She reacted instantly
and dove in.
Although Sam was not hurt, I was in shock. The one
moment I took my eye off Sam the entire day, she had done
the unthinkable and let go of the ledge. That was
Coincidence number one. Equally bizarre was Sam's
decision to let go. She was old enough to recognize
how dangerous this was. That was Coincidence number
two. Coincidence three is that both my mistake and her
mistake occurred simultaneously. For these reasons I
was on instant Supernatural Alert.
I concluded there is a
difference between Rick's Will and God's Will. The
irony here was that I had staked my honor on keeping Sam
safe, yet failed due to a distraction plus Sam's
inexplicable decision to let go of the pool's edge. To
this day I have no idea why she let go. That said, Sam
was not hurt. So it was not her Fate to suffer.
That is why I decided this event was staged to teach me a
lesson. No
matter how hard I try, I cannot outwit Fate.
“With
God, all things are possible.”
-- Matthew 19:26
Hmm. If God
wants Sam at the bottom of the pool, it will happen.
Never had this scary concept been more clear. When I
got home that night I quickly added this incident to my Supernatural List. That is when my jaw dropped. It had
been TEN YEARS since I made my last entry.
Isaac Asimov
once said, "Having
no unusual coincidence is far more unusual
than any coincidence could possibly be."
Here again, I could have said the exact same thing.
Good grief,
my life had been normal for ten years and I never even
noticed. Not only that, it would be SEVEN MORE YEARS
before the next Supernatural Event (I have Marla to thank
for that, but let's not get ahead of our story).
During my
17-year Supernatural Dry Spell, Sam's strange accident was
the only event worthy of making my List. Curious, I
traced back to what was going on in 1984. That was the
year I suddenly
realized my struggle to succeed against tough odds was over.
The studio's reputation was so positive at this point, I
recalled thinking the
future success of the studio was guaranteed.
What was the
Turning Point? Word of mouth. Once
Doug and Ava became the first to marry in late 1983, 1984
saw a flurry of ensuing marriages. Love was in the air
and the studio's rumor mill went crazy. So many students
had found love at Cupid's Playground, they turned
around and told their friends, their co-workers, neighbors,
relatives, you name it. Want to find a Boyfriend? Go to SSQQ.
Want to find a Girlfriend? Go to
SSQQ. Once the studio acquired its reputation as the
easiest place in the city to find love, my worries were over.
In 32 years, I never had a single reason to advertise.
Yes, I
attributed this to Fate. I never lifted a finger to
create the studio's fine reputation.
It just 'happened'. When I told my friends about my observation, several
of them praised me. They
said my talent and hard work was responsible.
Unfortunately, their praise made me feel very uncomfortable.
As I have said, I did not believe I
possessed the talent to create something this special on my
own. Lance Stevens thought I was the luckiest bastard
on earth. Maybe so, but I secretly attributed my success to Divine Intervention.
Although I was
convinced credit for this wonderful place belonged to the Lord, did I tell
anyone? No. Sensitive topics such as Fate and
Divine Intervention belong in a church, not in a polite
conversation. Even if someone is willing to listen,
these topics are extremely difficult to explain. It
would require a BOOK to list all the reasons why I had reached
my conclusions. Plus there was no guarantee people
would believe me. Besides, I was too busy running the
studio to write a
book. Nevertheless,
in the privacy of my own thoughts, I was certain the studio
was my Destiny.
Why had I received all this good fortune? I believed I had
been entrusted with a duty to take good care of the studio.
I felt this studio was my sacred responsibility, something
similar to Winston Churchill's 'Walking
with Destiny', but certainly on a far less dramatic
scale. I also decided God had
stopped sending me lucky breaks because I did not need them
anymore. Having learned my lessons, at this point I
was more than capable of running the studio on my own.
So for 17 years my life was just as normal as the next guy.
Then one day I met Marla.
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104 |
Serious |
Coincidence
Telepathy
Cosmic Blindness |
1994 |
|
Rick's
3 year old daughter Sam falls to the bottom of a swimming pool the only time he
turns his head the entire day. Fortunately a friend sees the danger and
dives in to save Sam from any harm |
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Here was the
problem with my Supernatural Dry Spell. No longer dependent on divine help
to succeed, over a period of 17 years
I lost sight of my relationship with God. Of course the studio
was still important, but somehow it had turned into a
job, no longer quite so sacred. Here on the Tahoe ski trip, I felt
ashamed of myself. I had lost sight of my
spiritual commitment to nurture the special sense of warmth
that once permeated the studio. I felt
immense sorrow.
During the
Golden Era of the studio, my friends called me
'Leader of the Pack'. What was wrong with me? Where had that person
gone to?
Although I was happy to be
reunited with my friends, at the same time I felt keen regret.
Throughout my career, I had always been a
better leader when I was single, aka the Seesaw Effect.
Being single had
given
me the freedom
to organize activities.
However, married life during the Nineties
had
changed that. I would rather spend weekends with my
wife and daughter than go dancing with the Singles crowd.
As a result, the close ties I helped create in the
Eighties were allowed to wither in the Nineties. I had
no one to blame but myself.
Thank goodness
my friends had kept this fine ski tradition alive without me.
As I skied with
people who had met through SSQQ, the camaraderie
I witnessed was just like old times.
The strength I drew
from this group was a shot in the arm
because it reminded me of what I had once accomplished. That was the
moment I snapped back to my senses. I had just
discovered the secret purpose of this trip. Seeing my
old friends had ignited a powerful desire to do it all over again.
If I could snap out of my depression and get my head screwed
on right, I knew I could recapture this energy. On the plane trip home
I made a solemn
promise to try again with my current generation of SSQQ students.
It was time for the Leader of the
Pack to make a comeback.
On the plane ride home, I
gave it some thought. It was too late to try a ski
trip. But what about Alan Fox and his cruise trip
suggestion?
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