|
the hidden hand of god
CHAPTER
FORTY FOUR:
SIDE CARS
Written by Rick
Archer
|
|
|
Rick
Archer's Note:
As my story unfolds, we will see how Gaye Brown-Burke helped
me face my childhood demons as well as
finally lick the
debilitating Phobia.
Gaye was a Godsend. I have learned the hard way that
it is nearly impossible for a diseased mind to cure itself.
Mental illness weakens our willpower to the extent that we
are unable to make ourselves take the difficult steps
necessary to lick our problems. In my case, my Phobia
was so powerful I doubt I could have regained my confidence
without Gaye's assistance. Once she rolled up her
sleeves, we made steady progress.
One of the odd features of our relationship was the total
absence of any discussion regarding my career problems.
Isn't that why I came to the Vocational Guidance Service in
the first place? Seriously, if
ever someone needed career guidance, it was me.
The Realistic reason is that Gaye chose to ignore my career
issues. After I explained my Epic Losing
Streak, Gaye decided my problems with women were more
serious than my problems with career.
Once a week for the next two years I faithfully appeared at
her office to discuss my latest mishap.
I am sorry to say that Gaye did not help me get rid of the Epic Losing Streak.
Like they say,
Rome wasn't built in a day. Although my problems were
far too
serious for a quick fix, we definitely made progress.
The Mystical reason is I already had a career waiting for
me. My theory is the Invisible Being in charge
of my Dance Path knew I had a future career in the
works, so it was women I needed help with, not my mysterious
upcoming
career.
In the process, Gaye worked wonders. Thank goodness it
was not my Destiny to stay crippled for life.
|
THE LOST YEARS |
050 |
Serious |
Messenger
Lucky Break |
1975 |
|
Gaye Brown-Burke singlehandedly rescued Rick from an incredibly serious
Depression. Over the next two years she would give Rick the tools
he needed to continue his fight to escape the Epic Losing Streak |
|
|
NOVEMBER 1975, the lost years,
Age 26
SIDE CARS
|
|
During the
Fall, I kept to my low-risk, low-return strategy of
dating women I could walk away from when something
inevitably went wrong.
I recall
four women who came and went with the usual Alice in
Wonderland rapidity. I would tell Gaye the story,
she would roll her eyes, chew me out, then make me
promise to return next week at the end of the hour.
I would give her a wry smile and reassure her I would be
back for more punishment.
What would
happen if I actually took a big risk for a change?
Beats me. I refused to take one. I am
referring to Becky of course. I was
mesmerized by her looks, her confidence, and her dancing
ability. I wanted so much to ask her out.
However, as usual,
my ever-present Phobia prevented me from approaching a
very
attractive woman unless she made the first move. Repeating
the same mistake I had made with Katie, I was
too terrified to ask Becky out without
prior encouragement.
Some men might have the guts to approach a woman of
Becky's caliber without fear
of rejection, but that would not be me. Instead I kept
hoping some situation would pop up to allow me to break
past the
student-teacher barrier without risking too much. I was dying to see
what Becky was like behind her teacher's mask, but not once
did I dare reveal my interest.
Consequently, Becky's September-October line
dance class came and went without me making the
slightest move. It aggravated me no end to see
myself repeat the same mistake with Becky as with
Katie. Some fools never learn. However, one day
something very unusual happened. Without warning,
a magic opening
appeared.
Following my
October birthday, I was 26 and still going nowhere.
How are we coming on the career issue? Hmm.
Don't ask. At
the start of November, I signed up to repeat
Becky's line dance class. When
Becky introduced herself to the new students,
she mentioned she had been a
cheerleader in college. With a smile, Becky
recalled how
her male colleagues threw her high in the air after every touchdown.
Now I was even more intimidated at the thought
of asking this accomplished woman out for a
date. Becky was so
far
out of my league. Why would a woman with so much
going for her be interested in a nobody
like me?
The following week,
prior to the start of class two of the students approached
Becky. I watched with interest as they asked if
Becky knew
anything about dance
acrobatics. Gary and Denise explained they were
getting married early next year and wanted to do something
spectacular at the end of their wedding dance.
Perhaps Becky knew something about a specific move from her days as a
cheerleader. While I watched with
curiosity,
Becky
said she would help if she could. Did Gary have
anything in mind? Yes. Gary knew
exactly what he wanted. However,
so far he had been unable to make it work properly.
Becky
replied, "Gary, see if you and Denise can demonstrate
at least something of what you are talking
about."
So Gary
and his fiancée got into an odd position where Denise
sat on Gary's thigh. They didn't
have a clue what they were doing, but when Gary tried
unsuccessfully to lift Denise in the air, Becky saw enough
to figure out what they were after. Becky called
their move 'Side Cars', adding that she knew
the pattern well from her
cheerleader days.
|
|
Denise said, "Can you show us how it works?"
Without warning, Becky said sure. Then she turned and looked
at me.
"Rick, come over here for a moment. I
can use you to explain to this couple how
the man and the woman connect to each other."
I
was shocked. This was the first time Becky
had spoken directly to me in two months. I
had no idea why she picked me, but I was
flattered to be asked. Becky used me to
give a rough idea of how the move looked.
Becky explained to Gary that Stage
One started with the woman clasping her hands
behind the man's neck while the man put his
hands on her hip bones. Then Becky turned to
me. She placed my hands on her hips, then
put her own hands around my neck.
Aroused by the touch of her, my
eyes bulged so much they nearly fell out of their socket.
Wow, this could be
interesting.
Now
Becky told me to lift her up into the air in front of
me. This much I could do. Becky
initiated
the move by jumping up in a half-hearted way, but she was so
light I placed her much higher than she expected.
After Becky landed, she looked at me in
surprise. "You are
stronger than I realized."
Becky turned her attention back to the couple. She gave
a little demonstration hop to hint how it
worked, then pointed to my
left hip.
"Ordinarily I could go even higher than
I just did if I jumped harder. At
the high point, I would
twist my body in order to land my left hip against
Rick's left thigh
on my way down."
Then
she turned to me. "Lift me again and try
to put me on your left thigh."
So
that is what we did. Becky jumped hard, I
lifted her high, then she twisted her body to
aim past my left side. I guided her to my
left thigh, then lifted her up again and placed
her on the floor. I could barely
believe this was happening.
|
Becky smiled. "Perfect. Good job."
Then she turned back to Gary and Denise.
Becky said Stage
Two involved adding the man's right hip.
First the left side, then the right side, back
in the air, down to the floor. Placing the
girl on both hips explained why it was called Side Cars.
From the right hip, the man will send her back
in the air. From there he could either set
her down or move on to the Straddle in Stage
Three.
When
Gary asked if she could demonstrate Stage Three,
Becky hesitated. "There is a certain
amount of risk involved in going further."
Gary
replied, "Can you at least describe it?"
Stage Three sent the woman back up to a high
point in the air directly in front of the man. At
the high point, the woman
spread her legs and came down to straddle the man
at his waist. Her right leg was on his left side and her left
leg was on his right side. Gary
and Denise were puzzled at Becky's explanation. Gary said, "I am not sure I am
following this. Is there any way you can actually do
the move with Rick?"
I
gasped at the thought. My imagination
suggested this straddle was a rather intimate
position. Becky thought about it
for a moment, then said, "Yeah, I guess so. Let me ask
Rick."
Then Becky looked at me.
To my surprise, she didn't bother to ask. I guess she assumed I was all for it. If so, she
was right. "Rick, I want you to try this move with me.
Let me show you how it works."
|
|
Undaunted, I said I was
game. Becky proceeded to give me 5 minutes of coaching
with the other students watching. The first three stages were not
difficult. It was simple lifting. Now Becky mentioned
there was a fourth stage to the Sidecars pattern known as the Jackknife. From the Straddle, if the man was
strong enough, he could swing the girl's feet up to the ceiling.
Becky said the fourth stage was only for experienced
dancers, so she preferred I just put her back
down and skip the Jackknife stage.
Curious, I asked what
the danger was, so Becky explained it to me.
|
"If
the move is done correctly, after the Stage Three
Straddle,
the man can lift the girl above his head. At the highest
point, she will come to a brief stop above the man's head.
I would be vertical to the floor..."
I interrupted Becky at
this point. "You would be upside down above me?"
"Yes. I would be upside down and
my face would be touching your face. My toes would point
to the ceiling while I pressed my cheek against your cheek."
"What is the danger?"
"There is no
guarantee that I won't keep going past the 12 o'clock balance
point. There is precision involved. If you throw me
too hard or I was lose my balance I might
sail past the safety
point and fall helplessly to the floor behind
your back. The only way to learn this without risk is to have a
spotter. But since no one here knows how to spot, I would rather you just put me down after Stage Three.
No need to take any chances. Do you understand?"
After I nodded, Becky decided I was
ready to try the whole move, but then she hesitated.
"Rick, I think
you can do this. But I repeat there is risk involved. Do not
let go and do not drop me. But if you do
drop me, pray that I am too hurt to get back up.
Because if I somehow survive, you better run and you better run fast
because I'm really fast.
Unless I am crippled, I will catch you
and possibly kill you.
Do not... repeat... do not drop me!
Do you understand??"
As Becky stared straight
into my eyes, I solemnly promised I would not drop her. I was
also impressed. I thought she was pretty brave putting her life in
the hands of a complete stranger. Without further discussion,
Becky grabbed my neck with both hands while I put my hands on her
hip bones. As she jumped into the air, I pushed her hips as
high as I could till my arms were straight. Once her hips were
at eye level to my face, I began the left hip/right hip
progression. Then it was time for the
Third Stage
Straddle. Since Becky was very light, I had no trouble handling her.
After the Straddle, it was time to finish. I swung Becky high into the air.
Becky was so easy to lift, to my surprise she just kept going and
going till she
hit the High Noon balance point. Becky
magically stopped in mid-air above me. Although I could not
see, I imagine her toes pointed
straight to the ceiling. I felt I had her body under control, so I
decided to let her pose for a while.
Totally by accident, Becky
had hit the dramatic
Jackknife balance point. Her face was against
mine and her body made a straight line to the
ceiling. Since Becky was completely under control, I held her
still. One chimpanzee, two
chimpanzee, three chimpanzee. The applause was
warm and spontaneous. This was a very brave girl. After
giving Becky her chance to display her skill, I brought her safely back to earth. Becky landed
perfectly, gave into her knees to cushion, then bounced up in triumph with a big
smile.
|
|
As Becky
took a well-deserved bow, the
onlookers were amazed. They rewarded us with
further claps, cheers and whistles. Hey, I almost applauded as well.
I was astonished at our success. Becky and I had executed this complicated,
quite
dangerous move to perfection
on our very first try. In particular we
were able to hit the dramatic Jackknife position without
any prior training. Not bad considering I had no
idea what this move was even
supposed to look like. Give credit
to Becky. She had a technique using her arms on
my neck which made her body very light and easy to
control. Even though I was the one lifting her, it
felt like Becky did all the work. Becky used her
powerful arms against my neck as leverage to maneuver her body
up and down, up and down. I could not believe her
athletic ability. Only a great athlete could have pulled off
that trick with so much ease.
Becky stared at me with new appreciation
during the applause.
Not only was Becky happy to be safe, she was
impressed. However, she did not say a word to
me. All she did was smile. Then her
expression changed to curiosity.
"Rick,
have you done this before and didn't tell me?
How did you manage to hit that Jackknife position?
I didn't show that to you because it is too
dangerous. But you did it so perfectly I
wasn't scared, so I just stayed there till you
brought me down."
"No,
I've never seen this move. It was easy. You are
light as a feather, Becky. You did it yourself. When I swung you up, I
was about to bring you down, but stopped when I felt you hit some sort of balance point.
Since your
body felt under control, I saw no reason to
rush bringing you down. I was amazed at how easy
you are to
control."
Becky nodded
thoughtfully. "I had no
idea you were that strong, Rick. I didn't expect
to hit that pose, but you threw me so high I
decided to stick it. I agree with you. You had me under control at all times.
By the way, you are very good at this.
You should have been a cheerleader!"
I was flush
with excitement. I could not believe Becky had
trusted me to perform this dangerous move. Let me add it had been quite a treat to have
this voluptuous woman in my arms. During our
training stage, we were in close contact. I could not
believe what an amazing body Becky had! I smiled
just thinking about it. Wouldn't it be to nice
to put my hands on that incredible body again some time?
Nor did I feel any guilt over my impure thoughts.
Hey, I earned the right! Acrobatics definitely had
its
advantages.
Suddenly I realized Becky was looking at me longer than
necessary. She said nothing, but I got the feeling she was sizing me up. Maybe she was just as surprised as I was
at how well we had just clicked. Would we click in
other ways? Or maybe she
was giving me a chance to say something. A woman who looked like Becky did not need to
make the first move. Was her lingering gaze a
secret
encouragement? If so, I did not
have that kind of courage, not with all these people looking.
What if she laughed at me? I was terrified
of making the first move, but I knew this was my chance. If
Becky had just said one
single word of encouragement, anything, I would have acted on my crush.
But I choked. Just as I was trying to think of the right thing to say,
the window of opportunity closed.
Without
warning, Becky put her dance teacher mask back on and abruptly turned her attention back to the dance
couple. Seeing the moment was
lost, a wave of futility engulfed me. In a manner
identical to Katie, I had missed a golden opportunity
due to a case of
cold feet. I was ashamed of myself. There
was a difference between Becky and Katie. With
Katie, I never said something because the thought never
occurred to me at the right time. With Becky, I
was well aware of my big chance, but failed in the
clutch. Beset by a renewal of powerful
self-loathing, I retreated behind several students while
Becky talked to Gary and Denise.
What was
wrong with me? I had prayed for
an opening and the Universe granted my wish. I had
impressed the girl with my athletic ability, but at the critical
moment, I
blew my big chance. Why was I always so pathetic?
At this point, Becky resumed her class. When no one was looking, I turned
and walked out of the room so no one would see the shame
written on my face. Right now, I hated myself with a purple passion. Becky had picked me for this
difficult move without hesitation. This suggested
she knew I existed. Perhaps she had
her eye on me the entire time and I just never knew it. I had impressed her today and she had smiled
back with
appreciation. How much more encouragement
did I need?
After
talking over what happened with Gaye, eventually I got
my self-contempt under control. I sheepishly
returned the following week, but Becky never said a
word. To my dismay, I realized my Invisibility
Cloak was back. However, all was not lost.
There were five remaining classes to try to say
something. Each
week I showed up thinking that maybe I would get
a second chance. Throughout each class all
I did was think about asking Becky out. So did I ask her out? Are you kidding?
Heck, no! I wouldn't dream of asking a
woman out that I might develop feelings for.
Since Becky was perfect for me, that meant she
was automatically off limits.
|
|
Here is what
bothered me.
I had been dancing virtually non-stop for the
past year and a half.
I was a good dancer. Not a Superstar, mind
you, but better than most. There were probably a handful of
heterosexual men who could dance to
Disco music better than me, but so what? I
was good enough to hang with the best. The dance
floor was meant to be my Stage, the place where I
could impress a woman. So why did I panic
when the perfect opportunity came along?
Since Becky loved to
dance, what was I waiting for?
On the day we
performed Sidecars, if I had possessed the courage to stick
around, I could have gone up to Becky after class and started
a conversation about our acrobatics success. If she frowned or
showed little interest, I could have taken the hint and
backed off, no harm done. And if
Becky was interested in me, she could meet me halfway by showing interest. If she
seemed receptive, surely I could
take it from there, maybe find the courage to ask her to go Disco dancing
with me. If I had a brain... which I didn't...
I could have pointed out how much fun it would
be to try a couple acrobatic moves like Side
Cars on the dance floor.
Besides that, where else was Becky going to find
a guy who could join her side by side in the various line dances popular
at the time?
Of course Becky was a better dancer than I was, but so
what? I did not have to be
a better dancer than
Becky.
I just had to be a better dancer than most men. That
much I could do. I doubt seriously that Becky knew
many guys who were superior to me. I was certain I could hang with
her
on the dance floor. For
crying out loud, I had invested a year and a
half in
dancing just so I could impress a woman like
Becky. Who knows what would have developed from
there?
But it was no
use. For the next five weeks, my Rejection Phobia kept me paralyzed from
making any kind of move. In the process, my
continued cowardice made me sick in my stomach. I cannot
even begin to explain how angry I was at myself. I
felt like the soldier pinned down on the beach at D-Day.
I knew I had to move, but I was too scared to force myself to
move. What was my problem? I
remained caught in the vise grip of an illness I could not
conquer.
|
To my
surprise, at her final class in December, Becky announced
she had decided to stop teaching for a
while. I took this news very hard. I had
assumed Becky would continue her class in January which
would give me another chance to work up the courage to
ask her out. However, that was no longer a
possibility. This was my last chance. I had to say something
on the spot or risk never seeing her again. It was now
or never, but I
said nothing. And so Becky became
Epic Victim #15.
After our final
class, I went home overwhelmed
with shame.
Like any
other guy, I wanted to date the prettiest girls, but I
was terrified of having a pretty girl turn me down. Even
worse, I was afraid of competition. The memory of losing
Emily, Vanessa, Rachel, and Katie to men who were
superior burned
a hole in my psyche. I assumed that Becky was dating
some super-jock professional football player or
some groomed to zoom hotshot lawyer. What chance did I have? As usual, I gave
up without even trying. Me and the
helpless dogs on
the electrified grid... too stupid to jump.
A special woman like Becky
or Katie did not need to make the
first move. That was the man's job.
Everyone knew that, even me.
Becky had just become another one of my
lost causes. Dating
back to Vanessa's 1973 deceit, I had endured two
straight years
of defeat with no end in
sight. With my life still dominated by Phobia,
1975 would go down in history as a truly humiliating
year.
Would 1976 be
any better? Not at this rate.
|
A
GLIMPSE INTO THE FUTURE
|
|
THE LOST YEARS |
051 |
Suspicious |
Messenger
Cosmic
Blindness |
1975 |
|
Rick had a chance following the Side Cars acrobatic exhibition
when Becky showed interest, but failed to act. Due to Rick's
preoccupation with Becky, he missed a clue
that hinted at his future profession. |
|
I was so
despondent over my inexcusable
failure to ask Becky out, I
overlooked a key experience. While it is true that I was
the slowest learner imaginable when it came to Ballroom
leads and patterns, Becky had
helped me discover an innate talent for acrobatics.
At the time, did I suspect
my prowess at Side Cars presaged
my upcoming dance career? No, of course not. I was so
focused on my fruitless Alice in Wonderland pursuit of women
that I could
never
have imagined
throwing Becky into the air might be
a clue to
my future career. My Dance Path was a year and a half old,
but I did not have the slightest idea where I was headed.
Nor would I find out anytime soon. The Lost Years
still had a year and a half to go.
|
|
|