|
MAGIC CARPET RIDE
CHAPTER
FOURTEEN:
LOVE IS IN THE AIR
Written by Rick
Archer
|
|
|
Rick
Archer's Note:
I was surprised to discover Mark Twain had a
strong interest in Mysticism. Twain's fascination with the Unseen
World was based on a vivid precognitive dream. Back when he was
23, in a dream Twain saw the dead body of his brother Henry. The
details included Henry's large metal coffin resting across two chairs.
In the coffin, a bouquet of flowers lay across Henry's chest.
There was a notable red rose in its center.
A few short weeks after the dream,
Henry died due to injuries sustained in a boat accident.
Heartbroken, Twain attended the wake. To his
amazement, the tableau was just as it had appeared in the
prophetic dream. Henry was lying in a metal coffin
supported by two chairs. However the bouquet of
flowers was missing. Moments after Twain entered the
room, a woman appeared behind him carrying a large bouquet
of flowers. Twain gasped as the woman placed the
bouquet of roses on Henry's chest. Sure enough, there
was a red rose in the center. This was the Coincidence
of all Coincidences.
Deeply shaken, Twain was desperate to
understand what could explain his prophetic dream. He
became one of the first people to join the Society for
Psychical Research. Twain's encounters with the
Supernatural continued. He is said to have experienced
an unfathomable number of coincidences in his life.
Frequently he would think about a person only to receive a
letter from that person the next day. Twain told
a story of the time he predicted exactly when and where he
would run into an old friend. Sure enough, he was
right. Mark Twain made another interesting prediction.
Since he came into the world with Halley's Comet, Twain
decided he would die when it returned. Sure enough,
thanks to a heart attack, Twain went out during the comet's
next visit at age 75.
Twain's interest in Coincidence was well-known.
After a while, there were so many coincidences, Twain reached the point
where he could not continue to dismiss them as curious accidents.
He proposed a theory he called 'Mental Telegraphy', a term
roughly akin to our modern ESP.
"A mind can act upon another
mind in a quite detailed and elaborate way over vast
stretches of land and water. Somehow one mind can
influence another mind through thought alone." --
Mark Twain
|
|
APRIL 1978, the disco years,
Age 28
one step beyond
|
|
Having wasted an
entire
week with sulking, I was in serious trouble.
Committed to developing a new level out of thin air, the
following week was an ordeal. With a heavy heart,
during the final week of March I forced myself to return to the Pistachio Club every
night for research. As always, I was completely on
my own when it came to scouting for moves. Where's Janie when I need her?
Struggling to find new moves, I turned into
a nervous wreck. This was shaping
up as the toughest test of my life.
In addition to humbling myself under daily criticism from my boss, I had to feed this monster I had created.
With my students demanding more
and more partner dance patterns, the pressure to satisfy
their demands was overwhelming.
I was sick
with worry
day and night.
I was young, 28, but teetering on the edge of exhaustion
nonetheless. I had my Child Abuse job by day, my Disco job by
night, and now I had a third job spending every night after class
in a fruitless attempt to come up with new patterns. Typically I got to bed at midnight,
tossed and turned, then rose at dawn full of dread. I
was under way too much pressure.
There is an animal known as
the shrew. The shrew is forced to eat its own weight
daily to survive. Since the shrew cannot survive on
leaves like other animals, every waking moment is spent
foraging for seeds, insects, nuts and worms to stay
alive. The margin for error is so slim that the shrew is forced to hunt constantly
or die.
That was exactly how I felt. I was constantly forced
to forage for new Disco patterns or die.
Since I had no teacher to help me, the constant search to find new partner
dance moves was killing me. It was feed the beast or
lose my dream job.
|
|
Lacking even one
new move, there was no way I
could create an entire
eight week Advanced course in one week. So did the
Universe bail me out again? Not this time. As a
result I had to use a little moxie of my own. It crossed
my mind that all I needed to do was stay "One Step Ahead".
This much I could do. There were 60 minutes in a dance lesson. After
reviewing the previous week's patterns and dancing to music
for 5-10 minutes or so, I had at most 30 minutes to introduce
something new. Teach one new move, dance it to music,
tell a joke, see y'all next week. I cannot begin to explain the
relief I felt. Scouting for one or two new moves a
week was much easier than creating an entire series of
patterns all at once.
|
march-April, 1978
THE double-hump CAMEL CLASS
|
|
My latest headache
was caused by Lance Stevens. No surprise there. Stevens threw me a curve
by calling the
new class "Intermediate II". Due to
confusion created by Stevens' fuzzy thinking, no one
(including Stevens) could figure out the difference between Intermediate
class I and Intermediate II. To the average person, the titles
suggested the classes could be taken in either order. As a result, my
newest class was swollen with students who thought so highly of
themselves that they SKIPPED both the Beginner class and
Intermediate I. Instead they signed up for a class advertised as
"Intermediate" that was actually "Advanced".
|
|
So why was this a problem?
Students who had never taken a partner dance class in
their life joined students with three months of
lessons under their belt. In my worst nightmare, I
never anticipated my Advanced class would see a surge of
students who knew NOTHING about Disco Partner Dancing.
The majority of the newcomers were women who figured it was no big deal to
skip the Beginner and Intermediate class. "All I have to do is
follow!" I wanted to scream at Stevens for
setting me up for yet another impossible task. The first night was a
zoo.
Still new to the teaching game, this
was my first exposure to a headache called the "Double
Hump Camel Class".
There are two kinds of camels, single
hump and double hump. For
those familiar with Standard Deviation, every class
has a distribution known as the Bell Curve which resembles
the Single Hump camel. A balanced
Bell Curve has some good dancers,
some bad dancers, and a majority of average dancers.
Tonight's class had ZERO average dancers. There was no
middle ground. If I made the experienced dancers
happy, I made the beginners miserable. Vice verse if I
catered to Beginners.
Thank you, Lance
Stevens, for making my life chaotic.
No one was happy.
If I taught a tough
move to keep the experienced students happy, the
new people were overwhelmed. When I
simplified for beginners, the experienced students were bored
out of their wits. Many of the veterans left early due
to my need to cover basic material for the newcomers.
It really helped to
be the only game in town.
Ordinarily disgruntled students would seek a studio
with a better-organized program. But in my case, there
was still no competition. So the veterans had no
choice but to return in Week Two in hopes that things had
improved.
|
What was
that phrase again? "The Harder I work, the luckier I get."
In the
second week, I got lucky. However, before I got lucky, first I
used some ingenuity. With a week to prepare, I had given some
thought to a possible solution. First I taught the
Pistachio Step to make the Beginners happy. Then I
taught new move called
'Cuddles', a
variation on the Pistachio Step.
Although Cuddles was technically a new move, I chose it
because it was easy to learn.
Cuddles is a fun
move where the man wraps the lady
up in his arms, then swings her out again. I had to grin. The
men had such a field day 'cuddling'
these pretty girls in their arms, they didn't care
whether the woman was a Veteran or a Newcomer. The
women liked the move too.
Judging by their giggles, the girls didn't mind at all,
especially if the guy was cute.
Amused, I had a sudden inspiration. I told the
men to put their lady partners in Cuddles, then told everyone
to stay put and listen carefully.
"All right, guys,
I have wisdom to impart, so pay attention. You've got your arms
wrapped around
these lovely girls.
Now think about it.
Not one woman has attempted to leave your arms while I
speak.
Seriously, these exceptionally attractive women are more
than happy to let you hold them while I yap away.
What did you ever do to deserve this? So that
raises a question.
How many drinks would you need to buy this same woman to
get her to stand still in this position at the club for
up to three minutes? Only in
my dance class can you achieve this delightful bonus for a
fraction of the time and money you would spend at a bar.
Most
women require convincing to get this close to a
stranger, but not our girls. Our girls are happy to cooperate
and you are lucky to have them. So what is my
point?"
Pausing for effect,
I delivered the punch line.
"You
can't lose with the stuff we use!"
|
|
The class roared.
The fact that my corny speech had been received so well
was the lucky part. Everyone was enjoying the
moment so much I assumed the birds and the bees
had something to do with my impromptu success. Why
not take further advantage of the good mood? I
decided the best thing to do was
play some music and let them practice their
Pistachio Step and Cuddles pattern. However, I threw
in a bold new twist. Normally I had people dance
with one partner for two minutes. Tonight I told
the class I wanted
everyone to dance with at least 6 or 7 different
partners. By playing a long song, I promised to lower the volume every two
minutes or so and announce "switch partners". In
addition, I asked the veterans to make an attempt to
dance with beginners and help them if necessary.
To my amazement, my long-shot gamble worked. I put on the 15-minute
Disco version of 'Romeo and Juliet'.
Yes, you read that right. 15 minutes. Everyone got in the spirit and pitched in
to help.
The veteran women coached the beginner men while the
veteran men helped the beginner women.
No one seemed to resent my ploy. Even people who
came together switched. Everyone was having
too much fun to care. It is my theory that several love affairs
were spawned on the spot. Better yet, a group
spirit was forming. We were all in this together.
The evening was saved because Beginners
and Veterans magically merged into one unit.
So let's have a little chat.
Do you see what I mean by Luck? Okay, I am willing
to take some credit. I deliberately chose a lesson
plan that had some challenge, but not too much.
However, the goofy lecture was totally unplanned.
The idea just came out of nowhere. So did the idea
to play the long song and insist on switching partners.
Was it Luck? Or was it Talent? Or was it
Divine Intervention?
No one knows the true origin of
Inspiration. Personally, I would LOVE to claim
credit for the bright idea. But over time, I have
come to believe some of my best ideas are given to me
from beyond. Can I prove this? No, of course
not. But when Lucky Breaks both big and small
continued to occur time after time, I began to question
my own cleverness.
This had been a
close call.
This was yet another night when the
Great Imposter survived by the skin of his teeth.
My lingering impression was that yet again I had been
rescued from a really tough spot. This book is
long enough as it is, so I can't share every single
incident. Instead I ask the Reader to accept the
Cuddles story as an example of how one gamble after
another always seemed to pay off. Using my Fake it till you Make it strategy, I had successfully fooled
yet another class into
thinking I knew what I was doing. But did I really
succeed on my own merit?
I was very pleased
to see the warm spirit emerge in what I had expected to
be a nightmare class.
However, now
I had a new problem.
After Cuddles, there were
no remaining moves in my piggy bank. What was I
going to teach next week? There was only one solution...
continue to use my 'One Step Ahead'
strategy. During the next week,
I headed over to
the Pistachio Club to scout for new material.
Mixing review, practice and one new move each week, I
hoped to maintain my masquerade and live to fight for another
day. Yes, I was a woeful, inadequate, and totally inexperienced.
But I was also ridiculously lucky. My Luck
compensated for the brutal fact that I barely knew what
I was doing. As long as I could stay One Step Ahead, I might
just pull this off. But there was no guarantee of
success.
All it would take
would be one slip, one mistake.
Given my
small margin for error, I was a nervous wreck.
|
APRIL 1978
AND JANUARY
2006: 28 YEAR DIFFERENCE
GREG AND SUSAN BROER
|
|
As I mentioned earlier, it is important to me to point out connections between past, present and
future events.
The
timeline for the
Magic Carpet Ride currently
resides at
April 1978. However, for our next
story, let's start in the future and work backwards.
Using our Time Machine, let us race 28 years forward.
|
|
It is
January 2006.
One night before
class started at the
studio, an attractive couple walked up to me with a big smile. I
had no idea who they were, but their warm
expression suggested they knew me. The gentleman stuck out
his hand to greet me while his pretty wife beamed.
Visiting
from out of town, Greg and Susan Broer wanted to
thank me for assisting in their wonderful marriage of 27 years. Greg explained
how I had paired him with Susan in a dance class back in
1978. Given the details Greg shared, I suspect this
matchmaking took place about the same time as
my Great Imposter period. As it turned out, pairing them
together led to
love at first sight. One year after meeting in dance
class, Greg and Susan got
married.
Now here is the cool thing...
they gave me all the credit!
Susan said, "I
came to your class nursing a broken heart. A friend had
recommended that I try something fun. She told me
about your classes and I figured Disco
dancing fit the bill. I walked into your class without
a partner. You told me to stand there while you
surveyed the room deciding what to do with me. Just
then a handsome stranger walked in the door. I crossed
my fingers and hoped you would notice him. Thank
goodness you
did."
Now it was
Greg's turn. "You pointed to me and said, 'Why don't
you dance with this lady?' I had already noticed
Susan, so I was more than happy to do
just that. I walked straight over."
Susan
interjected, "The way we clicked that night, it seemed
like Fate had put us together. We laughed and laughed.
You had a funny way of keeping things light. I liked
Greg so much, I wondered if you had some great
psychic premonition that we were soul mates. Greg and I
agree the moment you asked us to dance with each other
was special. Your good deed has carried a lot of
sentimental value for us over the years. You are the person
we credit for putting us together.
Back at home, we refer to you as our Matchmaker."
|
Guess what crossed my mind? Behold the Power of a Simple Act
of Kindness. Hmm. Where have we heard that before?
Although I was very
touched by their kind words, I had
no business taking credit for their
romance.
I preferred
to give credit to the Universe.
Perhaps
I was unconsciously influenced to pair this lovely
couple together.
In the
world of Mark Twain, we are
all connected. Let's stay
Greg and Susan really were Soul Mates.
If that is
true, then
it is possible the Universe used me as an agent to
assist in Greg and Susan's fated meeting.
In my chapter on the Partner Dance Crisis, I spoke
of my belief in Messengers such as Janie and Sue
Ann.
A 'Spiritual
Calling' is what God needs us to do on Earth.
We can all be "called upon" to deliver a service at
different points in our lives.
'Calling'
is such a sacred word, it embarrasses me to suggest
I was chosen to play a special role in
people's lives. Please forgive if I offend anyone by saying
I was called upon. I think back
to a special moment in college. I had just
read a story where a man named Edgar Cayce had
used his psychic powers to diagnose a young girl's
life-threatening medical problem. Touched by
how Cayce dedicated his entire life to helping people, I told God I
too would like to be
of service to people someday. Perhaps my wish
was granted.
So let me share another peek into the future.
In 1999 the
emergence of email allowed me a way to keep a careful record of the
various marriages spawned at the dance
studio. To my astonishment, over a stretch of 11 years,
I confirmed that the studio
averaged over one new marriage per month.
Extrapolating that over the course of my 40 year
career, I estimate 400 marriages such as Greg and
Susan's were assisted by the spirit of warmth that
permeated the dance studio. How many other
institutions can make such an unusual claim?
|
I believe God
blessed our studio with Magic. Of course I did
not dare state this publicly. God forbid I give people
any reason to think I was crazier than they already thought. However,
I was willing to call attention to this unusual and quite
special
phenomenon. The idea that Slow Dance leads to
Romance not only made people smile, it became a
remarkable
self-fulfilling prophecy. People were so
tickled by the sweet thought that their very own dance
studio doubled as an Enchanted Garden for Lovers, they
whispered glad tidings to their single friends. Talk
about Love Potion!
This cheerful idea
had a magic of its own. Convinced our dance program
was the best place in town to find love, my students shared
the possibility with their friends. Next thing you
know, the studio was swamped with singles chasing each other
all over the place. 'Slow
Dance and Romance' swiftly grew into a Legend
which drew a steady supply of new students to our door
year after year. This legend was more responsible for the
continued growth
of the studio than any other single factor.
The appearance
of Greg and Susan in 2006 reminded me there had definitely
been a serious air of Romance in the early days of my career.
Back in those days I was too shy to get to know my students
on a personal basis. However, I did notice my classes
attracted a lot of single people who thoroughly enjoyed "Cuddling" with
each other. Assuming Greg and Susan
were the tip of the iceberg, I have good reason to believe
my dance program was responsible for creating marriages
right from the very start.
|
|
|
|