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MYSTERY OF THE
TEXAS TWOSTEP
CHAPTER FIFTY FIVE:
ROLLERCOASTER
Written by Rick
Archer
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LIMBO
MONTH FOUR
WEDNESDAY MORNING, JANUARY 02, 1980
AN UNEXPECTED RAY OF
HOPE
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It was
Wednesday, January 2. Yesterday it was
Jennifer. Today it was Glen. As I drove home after
my disastrous talk with Glen, I was very depressed and
very worried. Given my lifelong
tendency towards depression, I expected to go into a horrible
tailspin thanks to Jennifer and Glen's knockout
blows.
With my career hanging in the balance, I could not
afford to collapse now.
Strangely
enough, a timely phone call saved me from a rapid downfall.
The moment I
opened the door,
the phone rang in my office. Without
thinking, I hustled to catch the call. A man named Ralph was calling
to inquire about Beginning
Twostep classes. He had been one of my
Disco students
last summer. Ralph had gotten my
January schedule in the mail and wanted to ask a few
questions. Despite my
despair, I mustered enough energy to talk to him anyway. Considering I
had five Beginning Western classes starting next week, it wasn't
tough to find a night to fit Ralph's schedule.
After Ralph
hung up, to my
surprise I realized the call had cheered me up a little. That is when
I noticed I
had four messages on the answering machine.
The phone had been disappointingly quiet
during the Holidays. However, maybe potential students preferred to wait
till the new year to begin calling. Or at least that's what I
hoped those messages meant.
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Before I could
listen to the messages, the phone rang.
It was
Deborah Gordon from the Class Factory.
"Where
have you been, Rick? I've been trying to call you
all morning. Don't you answer your phone
messages?"
Taken aback, I
replied, "I had an early morning dance lesson,
Deborah. I just walked in the door.
What's the matter?"
"I have good news and
bad news. You should ask for the good news
first."
"I could
use
some good news. What do you have for me?"
"I was
out of town last week This is my first day
back in the office. It
looks like we have a ton of mail-in
registrations for your
Beginning Country-Western
class next week."
I
stopped breathing, then I crossed my fingers.
"How many?" I
quickly asked.
"I haven't
counted, but at a glance 60 or so.
There's a huge pile here. I think your class is
going to be a
big hit in the new year."
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Unbelievable. Just when I was ready to jump off
the cliff, Deborah had handed me a parachute. This was exactly like my
last-second reprieve from Fright Night.
Just when things looked the worst, my charmed life
had come through for me again. Overwhelmed with shock that my
Western
program had received an unexpected lifeline, I said
a silent prayer of thanks to the Universe.
"Hey, that's
great!" I replied. "In fact, that's amazing! But what's the bad news?"
"You said your room
can only hold 30."
I laughed with
relief.
As problems go, this would be easy to handle.
"I see your point. Yes, that is a problem,
but I have an easy solution. Now that
Disco is dead, I have openings every night of the
week as I transition over to Western. Give me an hour
to think about it and I will set up some alternate sections to
accommodate the overflow. Out of curiosity, do
you have anyone signed up for my Beginning Disco
class on Tuesday?"
"I
doubt it, but let me look.
Let's see, it looks like you have two couples
signed up. Do you want me to cancel the
class?"
"Probably, but not yet. Classes don't start till
next week. Between now and
then we might get some more people to make it
worth our while. In the meantime, I will call you
back in an hour."
After I hung up
the phone, I sat there in astonishment. My
heart was pounding wildly. Given the extent of
my depression, it was like I had just been handed a new lease on life.
I gave the 60 registrations considerable thought. This development gave
me hope that maybe my Magic Carpet Ride would continue
after all. I was also glad to see Class
Factory bounce back to life. Given the
miniscule Disco registrations over
final four months of 1979, I had been worried that Class
Factory was in serious trouble. I based this
conclusion on the talk I had
with Ted Weisgal last October at Miller Theater. I assumed
the fearsome Ted the Dread had accelerated the
demise of Class Factory.
However, thanks to today's good news, I reevaluated my
conclusion. Although I still believed Ted was a
major threat, that did not necessarily mean
Deborah had to fail. Based on today's
phone call, Deborah's Class Factory was doing just fine. Perhaps Houston
was large enough to sustain two adult education
programs at the same time.
Now I thought
about my own business. Based on the miniscule
reservations for my January Disco classes reported
by Deborah, it was safe to say Disco was no longer a
source of income for me. I could hand any
remaining Disco students to Victoria and forget
about it.
Fortunately I had all these new
Western students to soften the blow. Hopefully over the Christmas Break countless
Houstonians had put 'Learn to Western Dance' on their
list of New Year's Resolutions.
I tried to calm down.
Earlier at Glen's studio I had taken a terrifying
plummet downward only to be rescued by Deborah's
phone call. This
was quite a rollercoaster ride. From the
lowest of lows to a sudden high. Given this
unexpected
ray of hope, what should I do about all these students headed
my way? The side
room I rented from Lance Stevens could hold 40
people if necessary. However, since the
Death of Disco had left gaping holes in my dance
program,
I had no problem finding time slots for new classes. At
the same time, I was reluctant to add more Beginner
classes. Let me explain. Students did
not have to register for classes. They were
welcome to show up and register at the door.
So what if we got 50? I would tell everyone to
squeeze in, then promise to add an overflow
class in a different time slot next week. As things
stood, I had a Beginner class every night of the
week. Why not just let the Class Factory
students join these existing classes? I would
rather have 5 robust classes than 8 thin classes.
Large classes make for better energy. So I
called Deborah back and listed all five nights at
the existing time slots.
Afterwards I sat back
and contemplated my latest stroke of luck.
Based on my
Cactus Club vision of Western Horror, I
had told myself I would never teach C&W as long as I
lived. Considering my misguided case of Cosmic
Blindness where Cowboy was concerned,
I angrily labored throughout 1979 under the faulty
perception that Country-Western dancing was a plague
upon Western Civilization. Thank goodness for
Fright Night. Once I realized that Western
dancing might turn out better than I had
expected, I witnessed the welcome return of my
long-lost ambition.
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Thanks
to Fright Night,
the following
morning I had called Deborah to insert a C&W listing for her January-February
catalogue. Considering she had been trying to
contact another Western instructor at the time, I caught the
train leaving the station at the last possible
moment.
Sometimes it's
better to be lucky than good.
Come to think
about it, I had
always been lucky when it came to my career.
I could think of a dozen lucky breaks I had received
back at the start of the Disco Era. In fact,
my chance meeting with
Deborah back in July 1978 was one of the most important
breaks of all because it had jump-started my career as
an independent Disco instructor. By
giving me a source of students that did not belong
to my boss Lance Stevens,
I was able to call my own shots throughout 1979.
Class Factory
had established my career during
the Disco Era and now it was proving invaluable again
here in the new Western Era.
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088 |
Suspicious |
Lucky Break |
1980 |
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At the
exact moment Rick is convinced Country-Western is worthless and his dance career is over, Deborah of Class
Factory calls to say the phone is ringing off the hook and the mailbox is full
with C&W Registrations. |
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087 |
Suspicious |
Lucky Break |
1979 |
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Just when
Deborah of Class Factory is about to hire a different Country-Western
instructor, Rick is able to secure her help thanks to last night's Fright Night
Awakening. Timing is Everything. |
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066 |
Serious |
Lucky Break
Coincidence
Act of Kindness |
1978 |
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Deborah Gordon of Class Factory
hands Rick the break of a lifetime with a promise to send him students that will
belong to him, not to Lance Stevens |
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FRIDAY MORNING, JANUARY 04, 1980
TOO GOOD TO BE TRUE?
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It
was Friday morning, January 4, 1980. The
phone was ringing. It was Deborah Gordon
from Class Factory.
"Rick,
good grief, the phone is ringing off the
hook. These people have John Travolta
on their brain. Do you know any Western teachers out in The
Woodlands? I have a pastor from a
church in Woodlands inquiring about western
lessons. He has a group of 50 people
from a church who are begging for a teacher.
The man saw your class listed in my catalogue and
called me.
This guy says no one at
his church has ever been western dancing,
but they all want to learn. The
problem is that he can't find anyone in his
area who knows how to teach western.
The pastor said he called a dance studio out there,
but struck out. The dance studio
person told the pastor he didn't even know what
country dancing
looks like.
Doesn't
anybody in this city besides you know how to
teach this stuff?"
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I shook my
head in consternation.
"Don't ask
me why, Deborah, but all indications
point to me as the only Western teacher in
Houston. I don't know the name of a single person in
Houston who is teaching Western other than me."
"Well, that
doesn't make any sense, Rick. Why are you the
only person in the city who teaches
Country-Western? Were you raised on a farm
or something?"
I laughed out loud. "No, Deborah,
we've talked about this. I'm a city slicker just like you."
"Would
you like to teach the Woodlands class? You would need to drive
out there."
"I would like
to help, but I can't be in two places at the same time.
"Perhaps
you know someone who can help? Or maybe you can train someone."
"Let me check with my business associate Victoria to
see if she would be willing to drive out there. I will call
you back if she shows some interest. In the meantime, keep me
posted if you need more space for the new western students."
"Oh, I almost forgot to
tell you. You are up to 100 registrations spread out over all
five days. You are going to be very busy next week."
And with that, Deborah said
goodbye. Although I
had promised Deborah I would speak to Victoria, why bother? To begin with, she
was still out of town for the Holidays. Furthermore, Victoria adamantly refused to have anything to do with Western. I expected
she would change her mind soon
enough. The threat of
poverty has been known to change people's minds. Take me for example.
Meanwhile
two things Deborah said were still ringing in my mind.
"100
students."
"Why are you
the only person in the city who teaches Country-Western??"
This
situation made little sense. After all, in a city this large, one would assume
there would be other western teachers. However, so far I had
heard nothing to contradict the notion. No one
else had surfaced. It seemed absurd,
but I was beginning to wonder
if it was true. Was
anyone else in Houston teaching Western dancing besides me? If
not, then this situation was
utterly ridiculous!!
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Right now I
was on top of the world. I had 100 Western students prepared to
take class from me next week. I was the one in a million western
teacher. I had the entire city all to myself and I was in the best
mood in ages.
And that is
when the rollercoaster began its descent.
People have told me I think
too much. I think they
might be right. No doubt the Reader
agrees. That said, there is little I can do about my bad habit.
It is in my nature to analyze everything. And, sorry to say, my
next mental conversation took me to a very dark location.
My depression
started the moment I asked myself for the millionth time why I was the
ONLY Western teacher.
It would have been one thing if I was one of the 'few' Western
teachers. I would have been okay with that. But to be the
only one??
The entire
situation was weird. A preppie who grew up
hating Western should be the last person
to occupy the point position for the coming explosion of
Western students.
This was roughly akin to asking a city boy to
teach Navajo Indians how to weave wicker baskets. Seriously,
Why me? Why not some
cowboy who had grown up dancing in the Texas farm
country? Why not somebody who had gone to Texas A&M and learned how to
western dance up there? Joanne had told me all the best
western dancers in Houston were from Texas A&M. Someone told her that
A&M had regular kicker dances. So why wasn't there some Aggie
offering lessons at the moment?
To be honest, there probably was a
smattering of Western teachers around town, but none of them operated in
my sphere. Out of all the people I asked, I stood alone.
That is when
a terrible thought crossed my mind, a truly wicked, evil terrible thought. There might be a
very unpleasant reason why
there were no other western instructors hanging around.
What if I was
a fool? Instantly, the Rollercoaster started to
plunge. The next thing I knew, I
was suddenly enveloped in a cold sweat panic. What if I was
the most, self-deceived delusional idiot that ever walked
the earth?
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086 |
Serious |
Lucky Break
Cosmic Blindness |
1979 |
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Fright
Night: After spending nearly a year believing Country-Western was worse than the
Black Plague, Rick is stunned to discover 'Cowboy' is not a disgusting honky
tonk, but rather an exquisitely beautiful dance hall.
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Back when I first visited Cowboy during
Fright Night, I had
wondered if I was Cosmically Stupid for remaining oblivious to the
club's splendor for ten months. How can
anyone stay in the dark for ten months? If I could be THAT BLIND
about Cowboy, what else could I be blind
about? I remembered how crowded the floor was at
Cowboy. If there are no teachers, where did
they learn to dance?
That is when it
hit. No one taught them to dance. It was so
easy, they watched someone and figured it out on the spot.
That is when
I began to wonder if I was the victim of
an
horribly cruel joke related to my 'one
in a million' teacher status.
Suddenly the ghost of Lance Stevens appeared before me.
"Archer,
you have to be out of mind to listen to kicker music!! This is the worst music I have ever
heard. It is worse than Disco and I never
thought I would hear myself say that.
I
hate kicker music and
I hate
rednecks. Plus the
dancing is so easy even those dumb
ass farm
boys can do it.
Don't bother
teaching any Western dancing. There's nothing to it and there's
no money in it."
I
was so frightened by the memory of those words that a giant
chill came over me. I had to sit down on my bed
because I could not stand up at the moment. Stevens'
negativity upset me so much I thought I would throw up.
If Stevens was right, then I had gone through all of this for
nothing!
What
if every dance teacher in the city BUT ME understood that
Western dancing was a complete waste of time?
What if Western dancing was so easy
virtually anybody
could pick it up out on the dance floor with little
effort?
What if every dance teacher in
Houston BUT ME understood
that no one but someone who had no idea regarding
the truth would
sign up for lessons?
That is when I
thought of the Meyerland Club. 50 people 'who
had no idea regarding the truth'
had signed up my class under the assumption that Western
dancing was complicated enough to require lessons.
What if 100
Class Factory
students had signed up for the
same reason, the assumption that that Western dancing was
complicated enough to require lessons? ?
Right now I was so scared I could barely breathe. I
was having the panic attack of the century.
I tried to rally. After all, on paper, interest in
Western dancing was high.
I had 100 Class Factory
registrations. That seemed to contradict my worst
fears. But my rally faded quickly.
Fooled by all the media hype that 'Western
dancing' was the NEXT BIG THING, what would they think
when they realized their mistake?
What would my students think once they
realized how
pathetic Western dancing was?
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That thought
gave me the chills. What if the dumbest, most
clueless 100 people who lived in Houston were coming
to see me next week?
I thought about
all the people who had told me they had no idea what Western
dancing even looked like. These Class Factory
people were probably
signing up because they didn't know any better. But
once they found out, they would tell their friends.
In a matter of days, the rumor would spread far and
wide that Western dancing was a scam. It
was so simple people did not need lessons.
Then what?
Once the cat was out of the bag, everyone in Houston would
realize they had been deceived into thinking Western dancing
was the next great thing. By the end of January I might be lucky to have five people
sign up for my next Beginner class.
That
horrifying thought completely took the wind out of my sails.
Just when I was feeling
like Grand Master of the Texas Twostep, I realized
I might have this mystifying head start
simply because everyone in the Dance World already knew better.
I was
crestfallen. The simplicity of the dancing had to be the answer.
I
was so new to Western dancing it had never occurred to me
that people with actual knowledge were too smart to
bother.
There was nothing to it, was there?
I was wasting
my time.
I
took a long, deep breath. I was scared now, really scared,
the kind of scared you get when the doctor says you might
have colon cancer.
I had started the morning on top of the world, but the rollercoaster was
plummeting and I was crashing to earth.
I
could not help but wonder if I was about to be named the winner of some booby prize for Chump of the year. If
Western dancing had a flat tire, then I was doomed.
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