08 16 2020
Marla, here is the
chapter I have been working on for the past two weeks. If you
get a chance, maybe you can take a look at it and see what I can do
to make it better.
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CHAPTER ONE:
TWO MOUNTAINS
Written by Rick
Archer
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SUBCHAPTER 001
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INTRODUCTION
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Rick Archer's Note:
The
Magic Carpet Ride is a book about Fate.
There is
no way to prove the existence of Fate 'scientifically'.
That said, I believe the unusual events of
my life offer strong empirical evidence to suggest Fate plays a vital role in our lives. I am not alone in
this hunch. Many report odd events in their lives
which have led
them to wonder if
certain things are meant to be.
At this
point in the Age of Man,
roughly
80-90% of Americans believe in God. That
number drops to 50% when asked if they believe in
Fate. After reading my story, I predict it
will be extremely difficult to ignore the
possibility that Fate plays a prominent role in the
affairs of mankind.
The
Magic Carpet Ride is a trilogy that
covers 70 years. After dividing my story into
separate books, I have chosen to release them in
reverse order.
Gypsy Prophecy covers a twenty year span
from 2000 to 2020. It deals primarily with the
'Love Boat' Cruise Era created by my wife Marla.
Destiny covers a ten year span from 1974 to
1984. It tells how a series of uncanny lucky
breaks created SSQQ Dance Studio, my life work.
St. John's covers the immense problems I
faced throughout childhood, high school, college,
and graduate school. As my
dear wife once said, "Rick, you have to tell them
about your childhood. Otherwise no one will
ever understand just how screwed up you were when
you started your dance career." Hmm.
That's Marla for you.
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Life can only be understood backwards; but it
must be lived forwards.
-- Søren Kierkegaard
In the
Magic
Carpet Ride,
you will meet two versions of myself. I tell
each story from the point of view of my age back in
the days when I was young and stupid. However,
if the story is important, periodically my older
self will break in and explain what I came to
understand as my life progressed.
I am 70
years old as I put the finishing touch on the
Magic Carpet Ride trilogy. I
have led an unusual life.
For example, in 1977 a job
as a dance instructor fell in my lap. I was
competent at first, but the moment Saturday
Night Fever came along, I was so overwhelmed
by the surge of interest, I found myself woefully unequal to the task.
Fortunately,
thanks to a suspicious series of lucky breaks, I was
able to extricate myself from one jam after another.
Despite the uneasy feeling that my continued success
was well beyond my talent level, I created a dance studio known as
SSQQ (short for Slow Slow Quick Quick).
SSQQ was a pretty wonderful place if I may say so.
In fact, there is good reason to believe SSQQ was the largest
independent studio in the country at the turn of the
Millennium.
However,
I was reluctant to take too much credit.
Look at it this way. I realize
it is blasphemy to suggest Leonardo da Vinci might
have painted the Mona Lisa by numbers,
but who can say where 'Inspiration'
really comes from? In my case, all I had to do
was follow a series of Stepping Stones.
In hindsight, these stones diagrammed a
preordained path called Destiny. Or at least
that's the way it looked to me.
Convinced these stones had been laid out by a Divine
Architect,
I concluded I was leading a charmed life
of some sort.
However, I did not dare tell
people my secret. It had nothing to do with
false pride, but rather a fear I would be
laughed at. Who wants to be written off as
crazy? But then something terrible happened,
an event I will cover in the Gypsy Prophecy.
To my astonishment, I was prevented from resuming my
dance career due to a series of bad breaks.
Now I was confused. Early in my life, I
believed God wanted me to teach dance, but now it
felt like God wanted me to do something else.
My instinct told me to go ahead and write
my story.
As it turned out, I already
had an outline of sorts. During
my life, I kept careful track of every incident that
struck me as out of the ordinary. These events were the Stepping Stones I referred to.
As I write, my Supernatural List has reached 100 events. I have broken these events down into
two categories: Suspicious and Serious. I
suspect a confirmed skeptic could find
reasonable explanations for 80 of the Suspicious events.
However the 20 Serious events are extremely
difficult to explain using the rules science refers to as
'Reality'. In my mind, the totality of
these unusual events is what convinced me there is
more to this world than meets the eye.
In 1984, the
unusual events ceased to occur.
The List was around 90 at the time. Although
my life continued to have interesting
adventures, over the next 18 years the only incident
curious enough to make the Supernatural List was the time my
daughter Sam almost drowned. Nothing else
occurred weird enough to raise my eyebrow.
That
changed dramatically in 2001. Out of nowhere
my Magic Carpet Ride resumed with a
flurry of suspicious new events.
The Gypsy Prophecy is the story of
how my marriage to Marla was foretold well in
advance.
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SUBCHAPTER 002
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DEATH OF A MARRIAGE
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Christmas
Eve, 2000. Sunday evening.
No good deed
goes unpunished, right? A problem which originated
from a good deed was the straw that ended my second
marriage.
At 5 pm on
Christmas Eve
the phone rang. Judy answered the
phone and frowned. Someone from the Quaker
Meeting was calling to say the door to our dance studio had
been left unlocked. Judy hung up and looked at me.
The door needed to be locked.
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I was raised a
Quaker.
One
day in the mid-Nineties, my mother explained the Quaker
Meeting was having trouble
financing a new meeting house. Ever since my parents
moved to Houston in 1955, the Quaker Meeting was a
collection of nomads who wandered from location to location. Forty
years had passed and the Quakers still had no place to call
their own. Recently the Quaker Meeting had
located an affordable property in the
Heights area of town. However, as usual, they were badly
strapped for cash. The dream of owning their new Meeting House
seemed just beyond their reach.
The kindness of people I met
through the Quaker Meeting had
rescued me from a very rough childhood on several occasions. I
recognized this was my chance to return the favor.
I told my mother my dance studio remained empty on
Sundays until 4:30 pm. Why not let the Quaker Meeting use my
studio for free and stop paying rent
at their current location?
The Meeting accepted
my offer in a flash.
By the time the Millennium
rolled around,
SSQQ Dance Studio had doubled as the Quaker Meeting
House for several years while their new home was being
built. As it turned out, the Quakers loved the
studio. Quaker service involves quiet meditation.
They believe if one can silence their mind, they open
themselves up for God's inspiration. For that reason,
the privacy and absolute silence of my dance studio was
perfect for their needs.
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Although I had a
real soft spot for my Quaker friends, I did not attend
Sunday Meeting. The demands of running the studio were
so great that Sundays were indispensable as my only chance to
get some rest.
The
last thing I wanted to do was be back at the dance studio on my
day off. Knowing these people were trustworthy, I
gave them a key. This
allowed
me to stay home while the Meeting used
the studio on Sunday morning. Ordinarily the
Quakers were gone by 1 pm, but I did not mind if they stayed
longer. In 2000
Christmas Eve and Sunday coincided. This fortuitous
pairing allowed the Quaker Meeting to spend practically the
whole day at SSQQ.
There was a
business meeting at 10 am and then the group held their traditional
Christmas Eve candlelight service at 11 am. Next up was a sumptuous Potluck
dinner with an extended social gathering to follow.
Good tidings
of comfort and joy
to all!
Here on
Christmas Eve, everyone
was excited because their new home would soon be ready.
Naturally they stuck around longer than usual to enjoy
the warmth of the moment and expectations of the future.
To be honest, I don't even know who forgot to lock the door.
What I do know is this mistake initiated a chain of events that would lead to the
'Gypsy
Prophecy', one of the three most remarkable coincidences of my
life. Some say Coincidence is God's way of staying
anonymous. As my story unfolds, I will let you be the judge.
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So what went
wrong? The person with the key had
absent-mindedly left the premises without locking the door.
Two people who had stuck around for an extended chat made
the discovery. Uh oh.
That is what the phone call was
about. When Judy hung up the phone, she turned to me
with a frown. She said I needed to go to the studio
and lock the door.
I
was very irritated. This mistake would cost me an hour
on a day when I did not wish to be anywhere near the
studio. I would have
to spend half an hour driving to the studio,
then another half hour returning home. I
immediately began griping over the inconvenience.
Yes, I was
grouchy, but not at Judy. This wasn't her fault.
Since
the Quakers
were my responsibility, it was my job to go. However, without warning Judy
abruptly walked out the door. Shocked, I stared at my
9-year old daughter Sam who in turn stared back at me.
We were both taken aback. After several moments of silence,
Sam asked, "What is Mom so upset about?"
I shook my head. I was
just as confused as Sam. Our words
had not been heated. I was
irritated, but like I said, I wasn't angry at Judy.
Nor did I tell Judy that I expected her to drive to the studio. My instinct
said Judy's
mood was much darker than the moment
called for. I was right.
One
hour later, Judy returned. She
got right to the point.
"I want a divorce."
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My first
marriage was short-lived, a year and a cup of coffee. Pat was an
interesting woman. I could write a book or I
could write a paragraph. I think I will settle for the
paragraph. On paper, my first marriage was perfect. Pat had a lot going for her.
Very attractive, very talented. However, Pat liked to argue. In my opinion there was nothing to argue about. We
had money, we had health, we had jobs, we had security.
We didn't drink, smoke, gamble or cheat. So what was there to argue about? Well,
Jealousy for one.
Which was unnecessary because I only had eyes for my lovely
wife. However Pat didn't trust me. In her mind,
thanks to the countless women at the dance studio who
flirted with me, it was just a matter of time. Infuriated by
the needless bickering over Pat's fear that I
would stray, the tension became insurmountable. Pat knew it was hopeless too. One
night I came home and Pat was gone.
It was a shame
this marriage failed. Due to an incident in my past, I
was strongly opposed to cheating. My father had an affair with
the office secretary when I was eight. Desperate to
marry the woman, he insisted on a divorce. Mom said
no. The ensuing year of arguments drove me crazy.
I was so upset that my performance in the 4th Grade was
abysmal. My father was really angry at me.
Since he was a genius, how was it possible to have such a
stupid son? They took me to a psychiatrist to have me
tested. The psychiatrist suggested a very unusual
solution... put the kid in a private school where he will be challenged.
My father flipped out. No way he was going to spend
that kind of money! Besides, if I could barely pass
4th Grade in public school, I was sure to flunk out at St.
John's, the toughest school in the city. Forget it.
After arguing
with my father for a year, my mother finally gave in.
If my father would pay the expensive St. John's tuition
for three years, he could have his divorce.
He immediately forgot I existed. I only saw the man four hours a year for the
next nine years. I had lost a father in return for a good
education. In a way, I lost my mother too. She
became a nervous wreck who couldn't hold a job. At age
9 I was forced to begin raising myself. I didn't do
very well.
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Here is my
point. My father's affair turned me into an emotional cripple. Still bitter
about the affair that ruined my childhood, I swore I would
never do something like that to Pat.
But she wouldn't listen, choosing instead to nag constantly.
I appeased her at first, but then I grew a backbone. It is one thing to make a
mistake and be punished, but I refused to tolerate
these ceaseless tongue-lashings for something I didn't even
do. Since neither of us was willing to bend, the only solution was to give up
and move on.
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Five years
later, I married Judy.
During our ten year relationship, we raised our precocious
daughter Sam and built SSQQ into a behemoth. Judy
played a huge role in the studio's phenomenal growth.
Thanks to her work with the Swing, Salsa and Ballroom
programs, SSQQ was
teeming. 1,400 students
streamed through our doors every week. This amazing
total is why I believe we had become the largest
independent dance studio in the country.
I was proud
of Judy. She had personally built the SSQQ Swing
program into something special. We had been recognized
two years in a row as the finest Swing program in Houston.
One would think with this kind of success, we would be
happy. Unfortunately, there was a fatal rift in our
marriage that never healed. The problem started in 1998
when I fired
a talented Swing instructor named Carnell. I
discovered he was teaching at a competing dance studio
behind our back. Even worse, Carnell had the nerve to
openly persuade SSQQ students to come check out his class at
the other studio. Carnell knew full well I had a
rule against teaching for other studios.
I had never encountered a more serious case of disloyalty.
Carnell created a major
scandal by accusing us of discrimination. Making his
claims in a very public way, I was incensed. He knew
quite well the reason I dismissed him was treachery, not race.
This had nothing to do with skin color. I would later
fire a white country-western instructor for the same reason.
With
vicious
rumors flying throughout the Swing Community, something had
to be done to restore our reputation. Since none
of the students at
SSQQ knew the true story, I decided to write an article
to explain the situation. To my dismay, Judy said no.
Do not say a word! Judy was extremely
upset by the meanness emanating from the scandal and feared the
added publicity would make things worse. I hate to say
it, but Judy was right. It would definitely get
worse before it got better. However, we had to fight back! To
say nothing would allow this lie to remain unchallenged.
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While Judy and I argued
over which direction to take, Sam was hiding in
her room and crying. When I realized how upset Sam
was,
I was mortified. Oh my God, I was subjecting Sam to
the same horror
my parents had
inflicted on me. There were many nights I fell
asleep crying out of fear and insecurity.
Still haunted by
those memories,
I had vowed never to put
Sam through this kind of nightmare. So much for good
intentions. Ashamed of myself,
I
gave in to Judy's wish and restored a semblance of peace. What
choice did I have? Judy had created the Swing program,
so I felt she deserved the final say. But that doesn't
mean I agreed with her. Judy and I were now a house
divided. Making matters worse, the fall-out from the
scandal spread like poison. Over the next two years,
we lost half our Swing students to the competing program.
Although Judy's new Salsa program more than covered the
loss, I was unable to forgive.
Judy was a good person, a good mother
and a good business partner. Despite our bone of
contention, Judy deserved much credit for the studio's success.
She had worked so hard to build the studio, how could I not
feel
gratitude? However, try as I might, I could not accept
her decision to allow this traitor to damage our reputation
and our studio.
During the
ensuing Ice Age, we slowly drifted apart.
Neither of us were particularly happy, but
the relationship was amicable. Since I was a 'stick together for the good of the child'
type, divorce was not on my mind. However, the moment Judy
asked for the divorce, I instinctively realized she was
right. This wound would never heal.
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"Okay,
Judy, I will agree to
the divorce if I can have
joint custody of our daughter."
Judy nodded her
assent. "That seems fair."
I had
wanted to be a better father to Sam than my own father had
been to me, but so much for wishful thinking. It broke my heart to know Sam
would suffer the same consequences of a broken home as I had.
Overwhelmed by an
all-encompassing sense of failure,
I needed to be
alone to lick my wounds. So I grabbed my keys and
drove to the studio for sanctuary. As I unlocked the
front door, it crossed my mind that if I
had driven here at 5 pm like I should have, I would
still be married. Talk about irony!
Tonight I would
spend
Christmas Eve alone in this empty
building. Not my idea of fun.
With nothing to do, I had plenty of time for
reflection. I'm not sure sitting here in the gloom was a good idea.
Christmas had been a time of many bitter moments during my childhood. Sure enough, throughout the night
the ghosts of Christmas Past dropped
by to haunt me. Gee, now I can add the memory of getting
divorced on Christmas to my growing list of Holiday Horrors.
There is no way
to wallpaper a divorce and disguise the ugliness.
As I sat alone in the dark,
I could not recall
feeling more miserable. Not only had I failed in two marriages, I had let my
daughter down. So much for that good
old Christmas Spirit.
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SUBCHAPTER 003
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SKI TRIP REVELATION
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January 2001
Despite my intense
depression, life must go on.
As word of my separation made its way through
the grapevine, one day in early January my
friend Tom Easley gave me a call. Tom
and I went all the way back to the days of
the Winchester Club in 1981.
Tom loved the studio so much that over the years he
had made the
place his second home. Tom met his wife Margaret at the studio in 1987.
They were married the same year.
Tom got right to the point. "Hey, Rick, I need a favor.
I want to go
skiing at Lake Tahoe with the gang, but I need a roommate
on short notice.
I
heard a rumor you might be available."
"What about Margaret?"
"Margaret doesn't want to go this
year. Why don't you come with me
instead?"
Tom's
invitation to go skiing was a real blessing.
I needed to get out of town and nurse my
wounds. How funny that Tom should come
to my rescue again. Tom had been
there to save me when my marriage to
Pat
broke up in 1986.
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Although I was the only newcomer on the ski
trip, I was hardly a stranger. In
fact, I was the Founding Father. Half
the people in this group of 40 had
participated in the annual ski trips I
organized back in the Eighties.
After I handed off the responsibility in
1988, the ski group had continued their
January ski tradition all the way to the
present.
As I looked around, I was amazed at all the
familiar faces. Virtually everyone had either met at
the studio
or joined the group through the invitation of someone from SSQQ.
Tom and Margaret had met at the
studio. The same could be said for
Charlie and Beverly Roberts, Gary and Linda Kryzwicki,
Doug and Sharon Hollingsworth, Irving and
Sharon Carter. Five SSQQ marriages on this trip!
And my divorce. But let's not
think about that. Instead I
concentrated on the good will I
created back in the Eighties.
Thanks to good times and
shared adventures, over the years this tight-knit group had formed deep and
lasting friendships. Why wait for
January? They saw each other
year-round at dance parties, birthday
parties, and holidays. I noted with
quiet satisfaction that my days as
'Leader of the Pack' had been
responsible for helping this group connect.
The roll call didn't stop with the
married couples. Ted Jones, Margie
Saibara, Dan Taft, Ken Schmetter, Michele Collins, Tom Edens, and Jim Ponder had originally met
at the studio. Sad to say, during
the Nineties, I had lost touch with most of
these people. Now I was reminded how
much they cared about one another. It
gave me goosebumps to observe how happy they
were to reunite here in Lake Tahoe.
Grateful to be
invited back into the fold, their warmth
helped soothe my wounds considerably. I could not
help but notice how this trip had turned into the SSQQ version of the Big
Chill.
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I dealt with a
lot of strange emotions. For starters, I realized how
much I missed these people.
However, Sam had been too young to ski, so I
lost had touch during the Nineties.
Thank goodness
my friends kept this tradition going without me. Every day I skied with
friends who had met through SSQQ. It
was just like old times. The week I
spent with the group was a definite shot in the arm
because it restored some of my pride. Every day I
focused on the immense good will
created by the dance studio over the years.
I also
got in touch with a lot of regret.
The close ties I helped create back in the
Eighties were less evident at SSQQ in the Nineties. I had
no one to blame but myself. Back when I was single during the Eighties, I had used my freedom to organize
activities. However, once I married Judy, I lost my
edge and withdrew. I preferred to spend my free time with Judy and Sam than go dancing with the gang.
I wondered if there was a way
to instill this kind of spirit to the current generation at
the studio. Now that I
was free again,
maybe there was something I could do to bring
the
Magic of the Eighties into the new Millennium.
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SUBCHAPTER 004
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HOW IT ALL STARTED
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Rick
Archer's Note: For the
Gypsy Prophecy to make better sense, it would help
to know the background on how my dance career started.
Here are the six key events.
The first event
took place in 1964. I was 13 when an overnight onset of acne
turned my life into sheer hell. The attack was caused by an infection
that entered my lymph gland system. When I awoke, my
face was burning and felt swollen. The moment I looked in the mirror,
I screamed. I had gone to bed as a reasonably attractive young man
only to become a monster. This was the single most terrible moment
of my life. Without warning, I had been transformed
into a hideous leper. After the acne led to
permanent scarring, this ongoing nightmare
changed the direction of my life in a very sinister way.
Appalled by my appearance, this was
the start of my 20 year Epic Losing Streak around women.
I do not exaggerate. Twenty years.
The second event
took place in 1968, my Senior year at St. John's, a private
school in Houston. Due to
my disfigurement, I had turned into a serious discipline
problem. Moody, sullen, hostile, no one could tell me what to do, no one could
reach me. For the past two years, I had engaged in
weekly arguments with Mr. Murphy, Dean of the Upper School.
We fought over rules I didn't care for such as the
length of my hair, running in the hall, late to class, out
of uniform,
etc. Most of all we argued about my surly attitude
and lack of respect for him. Mr. Murphy was disgusted.
Due to my mother's inability to keep a job, I had been
granted a full scholarship. Mr. Murphy had a hard time
accepting the worst kid in the school was attending for
free. Looking back, I can definitely see his point. On the eve of
graduation, Mr. Murphy pulled me aside. Staring darts
at me, he delivered the sternest lecture of my life.
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"Your continued insolence is disgraceful. You think
disobeying me is amusing, but I have something to tell
you. You have
brought dishonor to this school. Your continued disregard
for the rules is
unforgivable. Let me add your ongoing impertinence towards me has
demonstrated a
total lack of respect for my authority.
If I had my
way, you would have had your scholarship revoked long
ago. You don't deserve it. In my opinion,
you should have been sent packing years ago. You do not belong here at this school. Your lack
of discipline makes it clear that you do not respect the
gift that has been given. You should be ashamed of
yourself for your glaring absence of gratitude.
Mark my
words, I predict
you will one day regret
you failed to learn
your lesson. You will leave here thinking you are too
superior to follow the rules, but I have news for you.
Someday you will learn the hard way that you are not as
clever as you think. You will argue with the wrong
person and it will cost you more dearly than you can ever
imagine. At that time, you will remember me."
Murphy's warning
struck home. I was so shaken by his venom,
for the first time all year I did not talk back.
Instead I watched in subdued fear as he stomped off.
As time went by, I would think often about his dire prediction. I referred to it as 'Murphy's Curse'.
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The third event
was my 1970 Magical Mystery Tour. Due to my
disfigurement, I did not date in high school. How
could I? It took two years for the acne to go away and then came the
facial scars. It broke my heart to realize
I was stuck with these scars for life. Besides, I was a
nobody at this school, the Invisible Man. Feeling
socially inferior at my rich kid's school, what was the point of
asking my beautiful classmates for a date? Unless it
was Be Kind to Vermin Week, all I would do was embarrass
myself further.
Deciding it was
easier to wait for college, this was start of the Epic
Losing Streak. With a fresh start, I figured I
would make up for lost time. Unfortunately, things did not go well during my Freshman
year dating project. I failed miserably.
In hindsight, what did I expect? I was four years
behind these college girls in social development. The
bitter end came when I got my heart broken in an unusually
cruel way by the girl I had a major crush on. Too afraid to go anywhere near a
girl for fear of getting hurt again, I turned into a hermit
for the next year and a half. As my loneliness
mounted, I slipped deep into depression. Late in my
Sophomore year, in desperation I visited the local Quaker
Meeting. These people were so kind to me, I found the
spark I needed to carry on. In addition, a mysterious
door opened. At the
suggestion of a Quaker man who befriended me, I began a
spiritual search that would last two years. In
particular, I was preoccupied with the concept of Fate.
After a great deal of reading and thought, the result was the
development of a firm belief in God and an equally firm
belief in the existence of Fate.
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The fourth key
event took place in Graduate School, 1973-1974. The Magical
Mystery Tour had turned my life around for the better. Although the
Epic Losing Streak was still present, at least my attitude
had improved. I wasn't quite the angry young man
anymore. In fact, my research had led to a desire to
make the world a better place. Infused with a desire to help other
people like my Quaker friend had helped me, I decided to
become a therapist. I studied hard, graduated with
honors and was accepted into graduate school at Colorado
State University.
And what about Murphy's
Curse? Although Mr. Murphy had predicted my downfall,
I sailed through college at Johns Hopkins without the
slightest disciplinary problem. To my great relief, I
had proven Murphy was wrong.
Ha ha ha. It felt good to have the last laugh.
In hindsight,
I should not have laughed so soon. I entered
graduate school feeling pretty darn sure of myself. I was the star of the incoming group
of graduate students. I had a full scholarship, I had the highest
grades and I had graduated from the most
prestigious university. I was young, I was bold, and I
intended to show my professors how smart I was.
Dr. Fujimoto
took an instant dislike to me. Head of the Clinical
Psychology Department, he put a bull's eye on my back and tore me to shreds with his withering
criticism. So what was my
fatal flaw? I couldn't seem to keep my big mouth shut.
The harder I tried to defend my ideas, the more he put me
down. This was a battle I could not win, but I was too
stupid to figure that out until it was too late. Dr.
Fujimoto made sure to throw me out at the first opportunity.
Murphy's Curse had finally struck.
And my Epic Losing Streak had reached Year Ten.
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The fifth event
was the 1974 Dance Class from Hell. After being unceremoniously tossed
from graduate school, my arrogance was a thing of
the past. I returned to Houston stripped
of all confidence. After finding a
thankless job investigating child abuse, I vowed to do
something about my acute loneliness. In the past,
whenever something went wrong, I gave up all hope of women
till the next stage of my life. If I can get a
scholarship to college, I will begin dating then. If I
can get a scholarship to graduate school, I will begin
dating then. Well, I did date in graduate school.
However, I failed again just as badly as I had back in
college. Ordinarily I would have turned back into a
hermit again, but there was no next stage to wait for.
The time to solve my legendary problems with women was now.
To be perfectly honest, I wondered if there was some sort of
Curse, some sort of black cloud hanging over my head.
Shaking off my tendency towards superstition, I refused to
avoid this problem like I had in the past. Always the bookworm, for one dollar I purchased a used
paperback on how to meet girls. The first
suggestion was to walk up and talk to them. That was out of the
question. I was so afraid of women at this point, I
was afraid to even approach them, much less speak up.
I wouldn't even know where to start.
The second
suggestion was learn to cook. Invite a girl over for
a meal and good things were sure to happen. This too
was out of the question. If it didn't involve peanut
butter and jelly, I was out of luck. So that left the
third suggestion. Take a dance class.
I got goosebumps when I read this.
I had a strong
instinct which insisted this was the solution to my
problems. They say that Instinct is the Voice of God.
There may be truth to that. Considering I was already at my wit's end, I
seized on this idea like someone had just thrown a life ring
to a drowning man. A modicum of dance skill might just
be what I needed to overcome
my Epic Losing Streak.
Unfortunately,
my first dance class was something out of Carrie,
the friendless misfit who was bullied into pathos. My
problems started immediately. Moments after I began my first dance class, I was confronted with the humiliating
discovery that I was beyond mediocre as a dancer. I was terrible, worst of the worst.
As if this wasn't bad enough, I was suddenly confronted by
demons from my past.
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The seven other students in the room were
well-dressed older women straight from Houston's
society pages. The River Oaks Seven oozed superiority.
They also oozed contempt. They spent the hour
glowering at my dancing in disgust. Their merciless disdain
made my maddening struggle so much more difficult.
To understand my
dilemma better, the River Oaks Seven symbolized tormentors
from my past. Back at St. John's, 50 or so mothers would
congregate daily in the SJS Commons Room for afternoon tea and
ambitious
social climbing.
These socialites would
take one look at my acne-covered face and sneer. Since
every student who attended my school was beautiful, I stuck
out like a sore thumb. My acute condition raised the
question how any St. John's parent could possibly allow this
disgrace
to happen in the first place. Sad to say, these women had a point.
My mother had foolishly delayed taking me to the doctor back
when he could have helped.
I could tell these
socialite mothers did not think I belonged at St. John's
anymore than Mr. Murphy did.
So when the River Oaks Seven began to stare at me the same
way, it was High School Hell all over again. Sick to
my stomach with shame, I felt spastic and grotesque.
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Trust me, I
wanted to run from that dance class just as fast as my feet
would carry me. However, just as I was about to leave,
my ancient St. John's bitterness reawakened. In order
to survive the pervasive disdain at St. John's, I had
developed the world's biggest chip on my shoulder.
I accepted that I was beyond inadequate socially, but
academically I had few peers at St. John's. So, yes, I did belong at
St. John's. And yes, I belonged in today's dance class no matter what
these nasty snobs thought of me. It was the return of that
ancient bitterness that gave me the courage to stand
up to the hostility of the seven women.
Unfortunately,
my defiance left me the moment class ended. I had
exhausted what little self-esteem I had left.
My pride was long gone thanks to Fujimoto. On my final
day, he ordered me to meet with him. Fujimoto
proceeded to explain
why I had been expelled from graduate school. During
our
meeting, he made it clear my tendency to argue, my
narcissistic need for attention and my
inability to handle criticism was at fault. The
implication was that I was too emotionally disturbed to be of any help to
other people. No doubt Mr. Murphy would have gleefully
agreed with him. I hate to say this, but I left
Colorado State feeling like a complete failure as a human being.
And now the
River Oaks Seven had just rubbed salt into the most
sensitive wound in my psyche, my concern about my
appearance. Although I was no longer a leper, the peaks
and valleys of the resulting facial
scars served as a daily reminder that I wasn't
particularly attractive. This is what had bothered me
the most during dance class. To my horror, having seven beautiful
women stare at my face with such merciless contempt had
reanimated the trauma of my acne ordeal. I had just
spent the past hour staring at my scars in the mirror.
As Friedrich Nietzsche would say, beware of staring into the
abyss; the abyss may start to stare back. Like
grinning, smirking demons, those scars taunted me with my
dreaded fear of being ugly.
As an aside to
the Reader, I wasn't ugly. In fact, I was a reasonably
attractive young man. BUT I DID NOT KNOW THAT!
What I saw in the mirror was not what other people saw.
Yes, the scars were there, but no one (but me) ever noticed
them. However, anyone familiar with human psychology
will agree that perception is reality. At this moment
in my life, I believed I was so ugly that no woman could
possibly fall in love with a guy whose face looked like
mine. This conviction was the root cause of the Epic
Losing Streak. So, yes, in a very real sense, I was
the victim of a Curse. I was cursed with the inability
to break free of the chains of my diseased mind.
Following the
Dance Class from Hell, I
retreated to my car and fell to pieces right there in the
parking lot. I was
just barely hanging on. Too shaken to drive, I sat
there paralyzed with despair. This was
Rock Bottom, the absolute lowest point of my
life to date. Murphy's Curse, Fujimoto's Dismissal,
the Epic Losing Streak, and now the return of my
feelings of ugliness courtesy of those damn women.
Topping it off, I was baffled by my inability to master even
the simplest dance step in class. Overwhelmed with
despair, I lost my temper. Looking up in the sky, I
screamed at God.
"What in the hell is wrong
with me!? Is it really asking too much to give me a
break for a change?"
For a variety of reasons, I had thought it was
God's suggestion to take this class in the first place.
I fully expected God had given me this idea as a way to
solve my enduring fear of rejection. So why would He turn around and pull the rug out from under
me? Now I was angry at God because this stupid dance
idea was hopeless beyond hopeless. How am I ever going
to get a girlfriend at this rate? One look at my scars
and one look at my dancing would send any woman running in
panic. The look on the faces of the River Oaks Seven
had made this perfectly clear. Shaking my head in
despair, I was more convinced than ever there really was some sort of Curse
hanging over me.
Fortunately, that is when
the dam broke. Overwhelmed with frustration, I must have
cried for ten minutes, maybe longer. I cried so hard
my clothes were soaking wet by the time I finally stopped.
For a while there I sat there numbly staring out the window. Once my composure
returned, I had a very unusual thought. During my
Magical Mystery Tour, I had been obsessed
with the concept of Fate. Right now it
seemed like everything that could possibly go wrong was
going wrong. It was almost like someone was
deliberately stacking the deck of cards against me.
That is when it hit. I had the strangest feeling that
today's ordeal might have something to do with Fate. My dance
class experience was gruesome to say the least. But
maybe it was too gruesome. Hmm.
Was God sending me a message?
This is
difficult to explain, but today's experience was so brutal
it felt... dare I say it?... Biblical. Today's dance
class was so far beyond my realm of imagination that I
became suspicious this had been some sort
of spiritual test. My next thought was even more
remarkable. I had no idea what was going on, but this class
must be very important for God to put me through this kind
of pain. For a moment there I
wondered if God
wanted me to continue taking this dance class, but then I
was filled with doubt. Why would God want me continue
after this debacle? I had no
business returning to that class. The
undeniable cruelty of those women plus my mysterious
inability to perform something as simple as 'Step-Together-Step'
augured poorly for any positive outcome. And that
wasn't all.
I despised my
dance teacher! At the end of class, I stuck around to ask
David to explain what I was doing wrong. Disco Dave was more than happy to help, so my spirits were
briefly elevated by finding
a friend amidst the darkness. However, when Disco Dave invited me back to his
apartment for a 'private lesson', I was incredulous.
What an insult! This guy had sized me up perfectly.
I was reeling, lonely, confused, totally out of control.
Get me alone in his home, offer me a soft drink, pop in a
secret Quaalude to
soften me up, and if I had one gay bone in my body I could
be David's afternoon road kill. How could things have possibly been any worse today?
I mean, think
about it, this was ridiculous! There is no way a
Beginning Line Dance class should turn into an Existential
Crisis. And what were those seven socialite women doing
there in the first place? Their presence was so absurd
that it actually violated my sense of Reality.
Seriously, this whole day had been non-stop Twilight Zone
material. At that moment, I shocked myself by laughing.
I know this sounds like I was losing it, but I thought it
was funny to think maybe God wanted to see if He could run me off.
Hmm. What
would happen if I stuck around? If I was willing to stick
around, then maybe God had a purpose for me. At
that moment I was overcome by a sense of awe. This
time I was sure of it. This is God's Will!
Okay, if it is that important, then I will try again.
On the spot I promised God I would continue to take dance
lessons for as long as necessary to become a good dancer.
For the first time that day I began to smile. My
surprising decision made me feel so good, I felt like my
Evil Spell had finally been broken. No, I did not
possess the telekinetic powers of Carrie to punish my
oppressors, but I could irritate them just fine by returning
to class. After all the failure I had faced over the
past year, this dance class is where I would make my stand.
Looking back,
this strange, utterly bizarre decision in the parking lot was the turning point
in my life. This
was my first Stepping Stone on the Comeback Trail.
However, I did not know that at the time. All I knew
was that I was playing a hunch with no guarantees. Despite a great deal of
fear, I kept my
promise and returned the following week. It wasn't
easy, but I held my ground and refused to let those seven
women chase me off. That which doesn't
kill you makes you stronger. Maybe so, but my progress
was glacial at best. I never quite figured out why I
could have precise footwork at basketball, but it took me
forever to learn the most fundamental dance step. What God
had failed
to explain was it would take a miracle to teach me how to
dance. One year later, no girlfriend and I still couldn't
dance. Two years later, no girlfriend and little
improvement. Three years later, my dancing was finally tolerable,
but still no girlfriend. Three years is a long time to
do something strictly on a hunch that had never been
confirmed. I shook my head in frustration. With
the Epic Losing Streak at 13 years and no girlfriend in
sight, what exactly was the
point of taking these stupid dance classes?!?
I wanted to
quit, but I had made a promise to God and I intended to keep
it. I am glad I did. Something very special
happened in the summer of 1977. I had been taking
lessons so long, my dance teacher Rosalyn had turned into a
friend. One day after class Rosalyn told
me she wanted to take the summer off from teaching.
Would I mind taking her place? I knew why she asked
me. Having repeated her class three times, I was the
only one who could fill in on short notice. I had my
doubts, but when she begged me to do it, I shrugged and said
okay. To my
surprise, totally by accident, I had just become a dance
teacher. This was my Second Stepping Stone.
I have a
question for the Reader. How many people do you know
who requires three years of dance classes to become at
best an average dancer? How is it possible to take three years of
dance classes in hopes of meeting a girl and still come up empty?
Wouldn't an ordinary guy say this is bullshit and try
something else? Most of all, who is retarded enough to
actually believe God wants him to
do this?
On the other
hand, look what
just happened! Out of nowhere, I had just been
handed a humble part-time job teaching the Hustle to a group
of beginners. I had the eeriest feeling that
something very unusual was going on here. Was it
possible there had been a point to all those aimless dance
classes after all? Since there was no way to know for
sure, I filed the thought away for future reference and got
to work. As a dancer I wasn't much better than my
students, but at least I
knew Rosalyn's patterns well enough to explain a simple line dance.
This was the summer I learned the guiding principle of my
dance career... Fake it till you Make it. I didn't have to
be a great dancer, I just had to know a little bit more than the
people I was teaching. That much I could do.
My students
liked me and I had fun, so I was sad when Rosalyn returned
in September to reclaim her class. To my surprise,
another door opened in October. I decided to take a
non-disco Whip class at a dance studio called Stevens of Hollywood.
Since I started three weeks late, an older lady named
Dorothy was assigned to dance with me. She was
impressed when I caught up, so I said I had once taught a
Disco class and the steps were familiar. Dorothy must
have said something. At the end of the class, Mr.
Stevens, the owner came over and said his Disco teacher had
just quit. Do I want the job? Sure! As I
drove home, I thought this was kind of weird. Without
any sort of interview, this man had just hired a total
stranger. He had no idea whether I was any good or
not. In fact, Stevens didn't even ask for a phone
number. All he said was show up tomorrow night.
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I soon learned
why the owner could have cared less. My new class had
ten line dance students who greeted me with the same
enthusiasm as a homeless man. I wish I could report I
lit a fire under these people, but such was not the case.
Each week one less student showed up. Given their
listless attitude, I would have never guessed this job was
my third Stepping Stone. When I had all of five
people show up for my last line dance class in December, I
was very depressed. For some time now I had sensed
that interest in Disco was fading. Rosalyn agreed.
She had been bored for some time. As the attendance in
her classes dwindled, she lost interest and quit. Who
could blame her? After all, neither of us were doing
it for the money. When the party's over, turn out the
lights.
My fourth
Stepping Stone took place in January 1978. Not many
people know this, but if Saturday Night Fever
had not come along when it did, Disco would have gone the
way of the dinosaurs in 1978. Given the dreary ending
to my final class in December, imagine my shock when I was
mobbed the following month by 200 new students.
Practically overnight, Saturday Night Fever
had created an intense surge of interest in Disco dancing.
Not only that,
for some reason, here in January I seemed to be the most
popular teacher in the city. This made little sense
because I had zero reputation. However, they say don't
look a gift horse in the mouth unless it's the Trojan Horse.
I accepted my instant popularity as a sign that
Stevens of Hollywood must be a lot more famous than
I previously realized.
Thanks to Saturday Night Fever,
my dance career escalated like an avalanche all year long.
I was beyond thrilled. Now convinced this is what I
was meant to do all along, I wanted to teach dance for the
rest of my life. This was the moment the Magic
Carpet Ride soared into the sky.
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SUBCHAPTER 005
-
EPILOGUE
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Life can only be understood backwards; but it
must be lived forwards. --
Søren Kierkegaard
In the
Introduction, I promised the unusual events of my
life would offer strong empirical evidence to
suggest Fate plays a vital role in our lives.
This is the right time to emphatically make my point.
The January-78 Stepping Stone was the
event that launched my dance career into the Upper
Stratosphere. However, I left out one very
important detail.
For my
book to make sense, sometimes it is necessary to
look back in time and share what I learned further
down the road. The January-78 Stepping Stone
is the perfect example.
As I said, I was swamped by a tidal wave of students
when I returned to Stevens of Hollywood
in January 1978. Lance Stevens, my boss, was
an extremely arrogant man. Since I was a
rookie, he had me convinced the reputation of his
studio was the reason all these people were
streaming through the door. As I would come to
learn, Stevens was full of shit. He had
nothing to do with this mob. Not
only that, Stevens was so pompous I doubt seriously
he ever figured it out.
So it
must have been me, right? Well, I would like
to think so, but no, it ain't me, babe. Not a
chance. When I faced the mob of 200
students in January, not one of these people had
ever heard of me. Furthermore, as they waited
for their class to start, I doubt seriously anyone
imagined they were staring at the future owner of
the largest dance studio in America. When I
said I was a nobody, that was the truth. They
didn't know my name, they didn't know I could barely
dance a lick and they didn't know I had little
experience as a teacher.
If it
wasn't Stevens and it wasn't me, why were all those people
there? When was I going to find the time
to figure it out? Within two months, I was
teaching six nights a week and working my daytime
job as well. Besides, I had taken Stevens at
his word and assumed his studio had some sort of
cult following. Consequently I never gave the
phenomenon of my instant popularity any real
thought.
So when
did I figure it out? Hmm. Somewhere
around 2018. No doubt you math majors don't
need me to point out that was 50 years after the
fact. Dumbfounded by my discovery, I recalled
the Kierkegaard quote immediately. Let me just
say that it is a blessing to be 70 years old as I
write. Thanks to my age, all these weird
events make so much more sense as I understand my
life backwards.
Do you
know what the Peter Principle is? A Canadian
professor named Lawrence Peter suggested that each
time an employee gets promoted, he or she comes one
step closer to their level of incompetence.
Over the years, a loyal employee will gradually be
given more responsibility. Rising through the
corporation, the day will come when that person gets
promoted to a level they do not have the
talent to handle. At this point they will
inevitably fail.
So how
does this relate to me? I am unique. My situation was the perfect example of the
Reverse Peter Principle. You see, I was
already incompetent before I even got promoted.
In fact, it was my sheer incompetence that made me
famous to begin with. Although I am teasing a
bit, there is a kernel of truth here. I can
make a strong case that my incompetence was the
secret of my success. Okay, I have beaten
around the bush long enough. Let me explain
the preposterous reason behind my sudden 1978 Fame.
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Lance
Stevens was completely wrong when he took credit for
the January 1978 mob, but it took me until 2018 to
realize why he believed that. The responsibility lay
with an adult
education program known as Courses a la Carte. CALC catalogues were distributed throughout Houston. They could be found
in movie theaters, convenience stores, drug
stores, grocery stores, restaurants, coffee shops, etc. If someone wanted to take an
art class or a computer class, all
they had to do was pick up a catalogue and browse.
The
January 1978 issue of Courses a la Carte had 'Stevens of
Hollywood' listed to teach
a January Disco line dance and freestyle class. Although the listing
specified 'Lance Stevens' as the instructor,
he intended for me to teach the class if it made.
However, Stevens did not bother to tell me he assumed
Disco would die a miserable death over the December Holiday.
For that matter, so did I. I didn't need
Stevens to know Disco was dying
rapidly.
Nobody... repeat Nobody... had the slightest
idea Saturday Night Fever would hit
like a ton of bricks. Since it was a sleeper
movie with a very small advertising budget,
SNF creeped into Houston theaters with zero
fanfare. But it turned out to be a good movie.
Not only did it have an intriguing script, John
Travolta was on fire. His freestyle and
partner dance scenes captured everyone's attention
in a big way. Throughout December the word of
mouth spread like wildfire. Go see
Saturday Night Fever!
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Meanwhile, throughout December, my upcoming Disco class
was being advertised in the January 1978 CALC catalogue.
All month long, people would walk out of the
movie thinking, "Gosh, wouldn't it be fun to
dance like John Travolta?"
As they
left the theater, they would walk right by a
Courses a la Carte catalogue and think to
themselves, "Hmm, I wonder if there is a Disco
course listed in there?"
There
was indeed a Disco course listed. Not only
that, we know I was going to be the teacher.
So
Courses a la Carte was the secret of my
popularity. But let's
not stop here. There are so many levels of
irony, you definitely want to hear the full
story.
During
the month of December, after people took a good look
at the Disco class listing, they could not help but
notice the phone number for Stevens of
Hollywood printed right below. Some idiot
had printed the dance studio phone number under the
course listing. This was a critical mistake
because it
allowed potential customers to
bypass Courses a la Carte, the middle
man, and call the dance studio directly.
What
customers should have done was call Courses a
la Carte to register, but with the studio
phone number staring them in the face, they called
Lance Stevens instead. With the phone ringing
off the hook for January Disco lessons,
Stevens of Hollywood had suddenly become
Houston's Disco Epicenter! And since these
people were calling him, Stevens was tricked into
thinking his studio was hot stuff. Plus there
was another reason people were calling him, but we
save that for just a moment.
Lance Stevens had no idea what
was going on because he had no
interest in Disco and no interest in Courses a la Carte.
About a year ago someone from the office had called Stevens
to ask permission to list a
Disco class in the CALC catalogue as an experiment.
Throughout 1977, the Disco class had made him so
little money that he lost interest. The Disco class was so unimportant, he didn't even
bother to cancel it. If a few students showed
up, he would just hire some loser like me to teach the class
and forget about it.
Now,
however, this
CALC situation had paid off like a
sudden oil well discovery. However, even
though this was a very lucky break for Stevens, he
remained blissfully ignorant why he was getting all
these phone calls. Since
Stevens never bothered to open a CALC catalogue, he
had no idea that some idiot's mistake was
responsible for all these phone calls.
Instead, due to his vanity, Stevens took all the
credit.
So, now
that we know how Stevens got rich, are we done yet?
No. It gets even better. Much better.
The time has come to discuss how my Incompetence
made me famous.
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Back in
January 1978, I took this mob of 200 students for
granted. I did not have the slightest idea how
Courses a la Carte was involved nor
did I ever imagine was there was a second reason
for my sudden popularity. It took me fifty
years to figure out the real reason why I had
so many students. As I later learned, I was more or
less the ONLY Disco
teacher in Houston.
Yes, of
course there had to be other Disco teachers in
Houston, but thanks to CALC, I was the
only one to benefit from city-wide publicity.
The others probably had no way to advertise their
services on short notice. Or maybe there was
no one else. Rosalyn was gone and I
never heard of anyone else. I very well could
have been
the only teacher. So this raises
an interesting question.
Why
didn't some hot shot Disco dancer or a dance
professional like Disco Dave immediately begin
offering lessons?
There
was anywhere from five hundred to two thousand
people in Houston who were better Disco dancers than
me. But no one realized what was going on
behind the scenes in December fast enough to put a
Disco course together in time for January.
This was the beauty of
Courses a la Carte. My Disco class
was the only class in town that anyone knew about.
However,
there was also a bizarre hidden reason why the phone
was ringing off the hook at Stevens of
Hollywood for which I will take complete
credit. My mediocrity paid off in a huge way.
Ask yourself how a
man with little teaching experience, no personality, and no
dance skill come possibly be the only Disco teacher in
Houston. The answer lies in the Reverse Peter Principle. Believe it or
not, my utter incompetence as a dancer worked directly in my
favor. I
know this is far too weird for a normal person to make sense
of, so let me explain. Let me start with a
question.
At a high school
prom, who teaches those kids how to dance? The answer
is no one. With the exception of the self-conscious kids
who hide the shadows, most teenagers just get out there and
give it a try. The same thing goes for adults.
Freestyle dancing does not require skill.
Two margaritas are usually sufficient to inspire even the
most limited spastic to shake his booty and think he's sexy.
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Saturday Night Fever
is what
made Disco Partner Dancing popular. However Disco
Partner Dancing did not exist in Houston prior to
the movie. Pre-1978, a night of
Disco dancing involved Freestyle and
line dancing. Because Freestyle
and line dances were so easy to learn, no one (but me)
bothered with lessons.
Now it
is true that Disco Partner Dancing required dance
teachers. Footwork, leads, timing, patterns
and acrobatics
made Disco Partner Dancing nearly
impossible to learn on one's own. But not
Freestyle and Line Dances. Why pay money?
Why bother driving across town for a dance class?
Just get out there and dance! Margaritas and
Marijuana would do the rest.
With so little
demand for lessons, there was not enough money in Disco to
attract professional instructors. But an amateur like
me wasn't in it for the money. I was teaching Disco
just for the fun of it.
Since the pros preferred to be paid, they ignored
Disco like the plague. This is why the professionals were
taken completely off guard when Saturday Night Fever
first appeared.
It also explains why
the only Disco teacher in
Houston was a rhythmically-challenged amateur named Rick
Archer. It is
embarrassing to admit, but I would bet the farm there was
not a single person in Houston who took Disco lessons
more seriously than me. Who else was pathetic enough to require
THREE YEARS to learn to dance?
However, in the
process, I had accidentally accumulated three years worth of
dance patterns. Now isn't that curious?
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So try this on for
irony. Let's assume only half the people who streamed
out of the movie theater noticed the Courses a
la Carte catalogues sitting over in the
corner. How would these people find a Disco
class in January? They would ask around.
Nope.
Wrong answer. There were no other dance
teachers but me and no one knew I existed. The
answer back in 1978 was the Yellow Pages.
Someone sees
Saturday Night Fever and makes 'Dance Lessons' their
New Year's Resolution. They pull out the
Yellow Pages and call around. So this person
calls a number. "Sorry, we don't have a Disco
instructor, but please call back in a week or so."
They call another studio. Same answer.
They call a third studio. Same answer. Every Dance
Studio they call comes up empty. Since
most people can learn Disco moves FOR FREE just by getting out on the dance floor,
not one studio in town had a professional instructor
who offered Disco lessons in January.
The situation
was incredible beyond comprehension.
Every professional dance instructor in the city has
been caught flat-footed by this unexpected
super-hit. So the person keeps calling until
finally they reach Lance Stevens. He says, "Yeah, we have a Disco
class in January. Come on over!"
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So why
did it take me fifty years to figure out that I was THE ONLY DISCO
TEACHER IN HOUSTON in January 1978? The
missing piece of the puzzle did not show up until
2018.
My first
clue came from Disco Dave in 1975. Dave was the
dance teacher who propositioned me at the end of my
Dance Class from Hell. I think Dave felt
pretty guilty about what he had done because he was
very relieved to see me return the following week.
He was the consummate professional from that point
on. After taking lessons from David for an
entire year, I was very disappointed the day he
pulled me aside to say
he was canceling his class.
"Why are
you quitting your class, David?"
"Because my director told me it
is a waste of
money. He's tired of paying me more than I
bring in. At first we thought the class
would grow, but you know as well as I do that
attendance never exceeded 10 people over the
past year."
I
nodded. That was true.
David
frowned, then smiled ruefully. "I'm sorry to
cancel because I know how much you loved taking my
class.
Who would have ever thought you would became my most
dedicated
student! But let's face it, Rick, there's no
money in Disco."
My
second clue came in January 1978. Always the
curious one, I would ask various students how they
heard about my class. Half the people
mentioned Courses a la Carte.
The other half said Yellow Pages. They told me how they had called other
dance studios only to find they didn't have a Disco
class.
They just kept calling around till Lance Stevens
answered the phone. This is how I learned
about the mysterious absence of competing Disco instructors.
However,
I did not understand the Dance Business well enough
to guess the reason was they were too competent and
there was not enough demand to bother.
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The
third clue came when I began to write my book 50
years later. Casting about in my file cabinet
for scraps of information to help jog my memory, I
noticed some old Courses a la Carte
catalogues lying around. The moment I saw the
'522-7477' phone number directly below the Disco
listing, a red flag popped up. Gee, what a
stupid thing to do. I bet that cost Courses a la Carte a pretty penny.
No wonder Stevens got all those phone calls!
As my
mind wandered, I remembered the strange absence of other
instructors. I also remembered how Disco Dave
had told me there was no money in Disco. Dave
was right. There was no money in Disco until
partner dancing came along. For the first time ever, I realized
why there had been no hot shot dance teachers to compete
with me. I was the only dance instructor
for the simple reason that I was just doing it on a
lark.
Then I
had a sudden realization. I had long wondered
why Lance Stevens hired me off the street with no
questions asked. The answer was simple.
Back in October 1977, he didn't have anyone else to
ask. Disco was dying so fast at the end of
1977 that I was the last man standing. I was
filled with goosebumps. This was so weird! How many
people lived in Houston at the time? About a
million. So what did that make me? One in a
million.
Back in
October, what were the odds that I would show at
Stevens of Hollywood at the right time?
There were twenty Ballroom studios for me to choose
from, so
one in twenty. So did that make the odds one in twenty million?
I could go on and on, but you get the idea. This odds
of being the ONLY Disco teacher left in Houston and ALSO
being hired at the only studio in Houston listed in
Courses a la Carte were astronomical.
And I owed it all to my incompetence. How
did I ever get so lucky?
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After
the storm hit, there would soon be other
teachers. Fortunately, I made sure to put my one month
head start on the field to good use. As I
said, those three years of dance lessons had
prepared me well. Armed with a treasure trove
of line dance and freestyle patterns, I hit the
ground running and did a good job. In the
meantime, I was clever enough to begin developing a
partner dance program to entice my January students
to stick around in February.
I was so
well-prepared in January 1978 that I developed a
reputation as a top-flight dance instructor.
Imagine that. To my great satisfaction, I
developed a loyal following. Not only did my
January students stay with me in February, their
positive word of mouth brought many of their friends
to the studio in the months to come. The
success of January guaranteed my name would stay at
the top of the list throughout 1978. By the end of
the year I was making more
money teaching dance than I did at my child abuse job. I
swallowed my courage and went all in as a dance instructor.
To be
honest, it took several years before I truly grasped
the big picture. After all, Life can only be understood backwards.
However, once I figured it out, this
situation was downright eerie. Looking back at those
Stepping Stones, they diagrammed an amazing path.
The most important part of all was my decision to
commit to more dance lessons after my insane Dance
Class from Hell. As a result, I ended up
taking three
unsatisfying years of line dance lessons based strictly on
my
flimsy hunch that God wanted me to do
this.
Considering
there was no pay off for three years, no one in his right mind
would have blindly continued such a ridiculous thing. Anyone else would have
quit long ago. However, thanks to my Leap of Faith,
now I realized those three years of futility had 'accidentally'
prepared me for the chance of a lifetime.
I had
trained for a career as a dance instructor without the
slightest idea what was going on. Was this Fate?
Well, what would you call it?
There is an
Arabic saying that God will move Two Mountains if that is
what is necessary for one to achieve his Destiny. In
my case, considering I was the most improbable candidate for
success
imaginable, that is exactly what God had done.
I rest
my case.
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