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MYSTERY OF THE
TEXAS TWOSTEP
CHAPTER TWENTY FOUR:
ONE IN A MILLION
Written by Rick
Archer
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FINAL WEEKEND OF
SEPTEMBER, 1979
THE PRESSURE MOUNTS
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Victoria's obsession had Jennifer badly spooked. If I
could get Victoria to leave me alone, I believed I
could win a head to head battle with Jeff.
Jennifer had practically said so herself.
She didn't want 'to settle', her words. But she didn't want
to get burned either. Unfortunately, Jennifer
held the Upper Hand. She had her choice of two
men, so how was I going to win with Victoria's
tentacles all over me? This impasse with Victoria was pure agony. I have
never
handled worry very well. All weekend long I was on pins
and needles. Faced with the definite
possibility of losing the woman I wanted to marry, I
was haunted by visions of Jennifer walking
into the sunset hand in hand with Jeff.
On the
other hand, I did have some hope to sustain me. My instinct
said I had the inside track to Jennifer's heart.
However, the only way I could get my skittish
girlfriend to trust me would be to get rid of Victoria
ASAP. The uncertainty was so maddening, I could
barely tolerate
this endless waiting game. Now I knew how Michael
felt. Victoria had been threatening to leave him for months. I could not imagine how Michael
handled living with this nutcase.
• Michael thought he was losing
Victoria. Sitting at home every
Tuesday, Thursday, Friday and Sunday night, surely the dark
thoughts of what his
wife was doing behind his back had to hurt like
hell.
• Victoria thought she was losing me. She could feel it in her
bones.
• Jennifer
thought she was losing me. That is why she was
pursuing her backup option.
• I thought I
was losing Jennifer. Her decision to see Jeff
this weekend shook me to the core.
Conclusion? When people are
scared, they do stupid things. At least one of us, maybe
more, was bound to do something stupid. As it
turned out, that was the best prediction I made all
weekend.
I had no idea how this crazy
rollercoaster ride was going to end,
but I could not take much more of this. So far, waiting for
Victoria to make up her mind had gotten me nowhere.
Therefore sitting
back passively was no longer the answer.
I had to take some sort of action. I was
almost 30 years old. In all this time I had
yet to win a head to head battle with a romantic rival.
Despite my Epic Losing Streak, I liked
my chances with Jennifer. She
and I were a very
good match. Unlike Patricia who
found constant fault with me, Jennifer liked what
she saw.
Although she had not said it out loud, I believed
Jennifer was in love with me... or at least she had
been till Victoria put the fear of losing me into her. If I could
extricate myself from Victoria, I was certain I could
win this battle with Jeff. The thought of losing Jennifer was too much too bear, which was probably the same thing Victoria
and Jennifer felt about me. As for Michael,
in his case losing Victoria might be a relief at
this point. On the other hand, Victoria had
been an awesome wife until I came along.
Michael had to be so bitter. From where I
stood, Michael had done nothing to deserve
Victoria's two-timing treachery.
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SATURDAY
AFTERNOON,
SEPTEMBER 29
FAREWELL, MY FRIENDS
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Last Saturday the Clear
Lake Seven had reluctantly told me it was time to say goodbye.
They did not give a reason, but I am fairly sure it had
something to do with the difficulty of the September Acrobatics
I had warned them about.
In particular several couples had really struggled this
month, so I think they were starting to see my point. There was
incredible warmth as we hugged and said goodbye. I
told everyone I loved them dearly and took great pride
in their accomplishments.This was not the
complete end. On Saturday, September 29, Tommy and
Hazel drove up to Houston to take a private Acrobatics
lesson. Tommy was a big guy with the build of a
football linebacker. Hazel had the classic petite
figure of a cheerleader. Acrobatics came easy to this
gifted couple. They stuck around for two hours
learning all sorts of difficult acrobatics that only they
had the ability to master.
In late October Tommy
and Hazel won a hotly-contested dance contest at the
Lighthouse. To be honest, I did not know
about it or I would have gone to watch.
Their victory came against skilled couples that included
several professional dancers. Their victory was no
fluke. Nor was it based on a popularity vote like some
dance contests. Tommy and Hazel won because they were talented. No Teddy
Bear this time, but they did not seem to mind. The
reward was an all-expense-paid weekend in Cancun.
I
mention their accomplishment for a couple of reasons.
The progress Tommy and Hazel made as well as the
other six couples helped me believe I had real
talent as a dance instructor. Relevant to this
story, Tommy and Hazel benefitted greatly from my decision to
extend teaching the Clear Lake class into September. Without the difficult
acrobatics they learned in my continuation class,
there is a good chance they would not have won their contest
at the Lighthouse.
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SUNDAY
EVENING,
SEPTEMBER 30
TIGHT SPOT AT THE MEYERLAND CLUB
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It was Sunday night, September
30. Despite my personal crisis, I still had to teach my
fourth Meyerland class.
Week Four
started out with only half the people from the first
week. That was a very serious attrition rate, much
more than usual. I was not surprised.
Many of the ones who had come for the first week fashion show were never serious.
However, this smaller class could mean trouble. Given that
the clothing was
normal and no one resorted to cocktails to get through the
night, the remaining few were here to learn.
Indeed, my students seemed to being paying
attention. Ordinarily this was a good thing, but not for an
Imposter.
The fourth week
of class is usually easy to teach
because people start to get the hang of things.
However, due to my inexperience, I had not explained
the material very well. Nor had anyone
ever practiced. This explained why the group made little
progress. The Cotton Eyed Joe review should have been
done in five minutes. Instead we wasted nearly 20 minutes going over
it for the umpteenth time. It was slow going, but
I suppose that worked to my advantage.
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Joanne and I
reviewed what we called 'Transition Polka', man
forward, transition, man backwards, transition.
After the review, I told the men to put the women in their arms and
practice in a
circle around the room to music. Unfortunately,
Joanne made a mistake. The song she put on was
much too fast for these middle-aged people. It was too fast
for me as well. The Polka
is tough to dance if the music is fast, so the
inexperienced men
were understandably awful. Most of them could not
move their feet that fast. They frequently stepped on their
wives' feet and lost track of their steps. It was ugly to watch. Fortunately, they blamed themselves, not me. Close
call. No longer able to trust Joanne's judgment on music
selection, I decided to avoid music for the rest of
the night.
Seeing how
bad they were, I reviewed my 'step-together-step'
strategy. That idea
worked much better, so much better that I wished I had
done this at the start of class. Unfortunately,
that same thought occurred to one of the students.
A man named Bill spoke up. "Rick, your
step-together-step suggestion makes a lot of sense, but
why
are you telling us now? Why didn't you tell us
in the first week?"
As all eyes
went to me, Joanne turned white. I took a deep
breath, then replied, "Bill, to tell you the truth,
although I go dancing all the time, I am learning how to explain things as we go along. The interest in western dancing
is new here in Houston. Although I have taught
western in private lessons [a huge lie], I have never actually taught
Western to a group before.
In other words, I am something of a rookie. I
apologize for that and hope you will be patient
with me."
Other than
the nonsense about private lessons, I had
told the truth about being a rookie. I had no idea how the students would react. The
room got quiet, so I kept talking.
"Here's the deal. You guys
are helping me figure out how to explain things. Unfortunately, you
can always tell who the pioneers are. They are the
ones with the arrows in their back. That describes
you guys pretty well."
It was a corny line, but it worked well enough. People snickered
and the tension dissipated. I would live to fight
another day. Joanne
cornered me over by the record player the moment class ended. "I
almost died of fear tonight. Where did you come up with
that stupid line about the pioneers?"
"That's
an old joke I used in my Disco classes whenever
an acrobatic move wasn't working.
Sometimes I called them 'Victims'. Other
times I called them 'Pioneers' and they all laughed.
I figured the same line would work here too. I may not
know much about country dancing, but I am pretty good at
faking my way through awkward moments.
If you remember from the Acrobatics class you helped me teach at
the studio,
there were several times when I did not know what I
was doing."
"That's
true. I always wondered how you got away with
that."
"I
discovered students tend to blame themselves when a
dance move doesn't work right. As long as I don't
take credit for the mistake, the students seem to give
me the benefit of the doubt. I always make a point
of figuring out what I did wrong and introduce the
solution the following week. You have seen me do
the same thing here in this class. I may be a
fraud, but I do have a conscience. For example,
that step-together-step trick in Polka is an improvement
I shared. However I never expected someone
would notice. I was pretty nervous for a moment
there."
Joanne
nodded. "You have no idea how scared I was,
especially when you
told them how you go Western dancing all the time.
What if someone asked you what clubs you've been to? You've never been
to a single Western club except for the Cactus Club."
"Good point.
I should not have said that."
Joanne was
not done chewing me out. "Where do you get the nerve to say stuff like that?"
I grinned
ruefully.
"Um, yeah, a little fib never hurt anybody."
Joanne
rolled her eyes. "A little fib? Give me a
break. That was a
giant Pinocchio! I could hang clothes on your
nose." Joanne paused for a second, then added, "You should be ashamed of
yourself."
I got very
quiet for a second. "You know what? I want to
teach dancing for the rest of my life. It is the
only thing I have ever been any good at. I would
die if I had to give up teaching. Right now,
Western is my only hope. If I have to lie to
scratch my way through this class, then I am prepared to do
that."
Joanne
nodded. "I understand and I don't blame you one bit.
But that guy gave you a dirty look. I think he
knows something or suspects something. So far you
have been crazy not to visit a club
and check things out. If you continue to behave
like this, you will get caught. By
the way, are you okay? You don't seem yourself
tonight."
No kidding.
I
had never been more depressed in my life. I wanted so much to tell
Joanne what was going on, but I knew
whatever I said about my twisted love life might hurt her. Deep down, I believe she
still carried a torch. So instead I whispered one
word: "Victoria..."
That's all I had to
say. Joanne's eyes grew
large, then she gave me a sympathetic
touch on the shoulder. "Hey, I have an idea. You want to go dancing? We don't have to go
the Cactus Club. What about Rodeo?
Maybe if you see some slow slow quick quick in action, you will
catch on faster."
It was a
good idea; it was the right thing to do. Joanne
looked at me hopefully, but I was too depressed over
Jennifer. Right now I was desperate to see if she had called.
"Maybe another time, Joanne. Do you want me
to walk you to your car?"
"No, I'm
fine. Are you sure you don't want to go
dancing? It might make you feel better."
"Maybe next
time."
Joanne
rolled her eyes. "All right, have it your way. Talk to you later."
After we parted, I wondered
what I had ever done to deserve a friend like her. I had
brought this woman so much pain and yet through thick and thin Joanne had never stopped
being loyal. Too bad I couldn't get the same kind of loyalty from Jennifer.
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After Joanne
left, I was about to leave when someone came over. It
was Sandy, the lady who hired me.
"I am so
glad I caught you, Rick!"
Considering my
nerves were shot, I immediately worried that something was
wrong. Fortunately it was a minor matter.
"What's up,
Sandy?"
"I forgot to
remind you there is no class next week. We are
having our annual fashion show next Sunday."
I could not help
but recall those insane Western outfits from Week One.
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"Will your
fashion show include some of the fancy western outfits I saw in
the first week of class?"
'Fancy'? Yes, I was being
insincere. Some of those outfits bordered on garish.
Too much, tone it down. I admire any woman willing to
take a fashion risk, but there has to be a limit.
Sandy laughed.
"That was pretty crazy, wasn't it? Yes, there will be
plenty of
Western fashion on display next week. Do you want to
come watch?"
Now it was my
turn to laugh. "You are talking to the wrong person.
However, now that you're here, can I ask you a question?"
"Sure.
What do you want to know?"
"How did this
class come about?"
"That is a
funny story. It was kind of an accident. One
of the ladies at the club knows Lynn Wyatt. Have
you heard of her?"
"Yes.
She's always in the gossip column. I also saw her
picture
on the Chronicle's list of the ten best-dressed
women in Houston."
Sandy nodded.
"That's her. Lynn's brother is Robert Sakowitz."
"Is that the man
who owns Sakowitz department store?"
"Yes, that's him. Sakowitz
is a high-end fashion store, which is why Lynn knows all the
top fashion designers in the country. Naomi is a
friend of mine here at the Meyerland Club.
She's also a close friend of Lynn Wyatt. Naomi wants
to join Lynn on the Best-Dressed List, so she is always
trying to get the inside scoop. Last summer Naomi ran
into Lynn at a
party and asked her what to expect in Fall fashion.
That's when Lynn passed
on a tip. From what I gather, Oscar de la Renta told
Lynn's
brother Robert that
Western apparel was going to be the new rage. Even
better, they had John Travolta lined up to make it happen.
Robert quoted something Oscar had said, "What John did
for Disco, he can do it again for Western!'"
"What is
that supposed to
mean?"
"John
Travolta's Disco movie inspired a bonanza of Disco fashion
wear.
I assume they expect John's new
movie will do the same thing for Western fashion."
"So someone bet
the farm on Western clothing based on John Travolta."
"Exactly.
And it worked! I hear western apparel is selling
like hotcakes. Meanwhile Naomi shared
what Lynn told her
with friends here at the Meyerland Club. The
next thing you know, several fashionistas went crazy and
cleaned out the Western section at Sakowitz
and Neiman Marcus."
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"Did their
shopping spree have something to do with this dance class?"
"Yes. As gossip
spread, other women in the Meyerland group went shopping
too. While they were at it, they picked up various items
for their husbands. Now the ladies needed an excuse to strut their stuff. Looking for an
opportunity to wear their fancy clothing in public, someone
suggested they incorporate a Western theme into the upcoming November Gala.
They hired a C&W band, arranged for catered barbeque and rented Western decorations.
Everything was set until one lady mentioned she had no
clue what western
dancing was supposed to look like. The women looked at each
other and suddenly realized not one woman in
the room knew
how to dance country. They were all under the
impression that someone else knew and could show them.
So they panicked and called me to arrange for lessons."
Despite my lousy
mood, I managed to smile. This was all starting to
make sense. With visions of an empty dance
floor at the November Gala, someone recommended Western dance lessons.
Since I had previously taught Disco lessons at Meyerland
back
in the spring, my phone number was on Sandy's list of people
to call.
"When you called
me around Labor Day, you said you had already called some other people."
"That
is correct. I knew you were a Disco teacher, so I
did not think of you at first. I opened up the Yellow Pages and called several
dance studios. They all said the same thing.
No one knew anything about Country-Western dancing.
I was getting pretty frustrated when I remembered you."
"On the day we
spoke, you also said you had other names you had not called
yet."
"I had a few
other studios to call. However I had no idea if any of them knew how to teach
Country. At that point I was just crossing my fingers
and hoping someone would say yes. I decided to take a
chance and call you."
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At that point
Sandy looked at her watch, so I took the hint. As I
drove home, I gave it some thought. Sandy said
she had made a dozen phone calls. If so, why
didn't someone more qualified than me take the job?
Maybe because there was no one qualified in the entire city.
Is that really possible? No. There was bound to
be someone. BUT WHO WERE THEY? HOW WAS SANDY
SUPPOSED TO FIND THEM?
Were there individuals who knew how to teach Western?
Of course there were. I am sure there were plenty of A&M graduates living
in Houston who knew enough to teach. However, they
were anonymous. Lacking word of mouth or
useful Internet searches to
track them down on short notice, Sandy had no choice but to
use the Yellow Pages.
Sandy said no one she called had any knowledge of
Western dancing.
Prior to my inspiration to ask Joanne, I made similar
phone calls to dance studios. When I asked for someone to help me learn Western, I
got the same answers.
No one seemed to know a thing about it.
Based on Sandy's experience as well as my own, I doubt
there was a single dance studio in Houston which offered Western lessons in 1979.
Why should they? For one thing, there was no demand, at
least not yet.
Why didn't Sandy
call me first? After all, she had hired me once
before. Sandy said it was because I was a Disco
instructor and she doubted I would be interested.
Which was correct, or at least it was correct till I heard
about the lucrative price tag.
However, after a
dozen rejections, in desperation Sandy called me. Although I
suspect Sandy knew I was full of BS, after getting turned
down a dozen times she had no other choice but hope I could deliver.
In other words, I got lucky. Or maybe it was Fate.
I
wondered about those people Sandy had called before me. $2,000 was
so much money, you would think someone besides me would be willing to take a
chance. But then again, maybe not. Maybe the
professionals
had the sense to avoid teaching a style of dance they knew little or
nothing about. As for amateurs such as graduates of
Texas A&M, they toiled in obscurity. Lacking any word of mouth, no one seemed to
know an amateur to contact.
Whatever the reason, I got the job due to my unique
talent. What unique talent was that? Was it my
gift for teaching dance? Oh, heaven's no. My unique
talent was my willingness to teach a dance class even though I had no idea what I was
doing. Not that I was proud of it, but I was the Master
of Fake it till you Make it.
When Sandy
called, out of all the dance teachers in Houston, I stood
alone. I was the only
person in a huge metropolitan city with a population well over a million
who had extensive prior experience at teaching something he knew absolutely
nothing about. What
would be the
odds? One in a million.
Weird coincidences like this help explain why I
developed my belief in Fate.
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THE YEAR OF LIVING DANGEROUSLY
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Suspicious |
Coincidence
Lucky Break |
1979 |
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When the Meyerland Club opportunity falls into Rick's lap, the offer is
too lucrative to turn down. Rick accepts the offer despite his distaste
for all things Western and lack of knowledge. And so the Gamble begins. |
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LYNN WYATT, OSCAR DE LA
RENTA, BILL BLASS |
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Rick Archer's
Note:
I was amused to discover my foray into
Country-Western was created by a
fashion binge at Sakowitz. Looking back, there
was a curious incident that meant nothing to me at the time,
but made complete sense as I wrote this book 40 years later.
First, some background.
In June 1978
Clay Felker stumbled upon Gilley's.
While his buddy Aaron Latham wrote the story that would
become the script for Urban Cowboy, I imagine
Clay Felker spent the summer selling the movie concept to
various studios.
In September 1978, the
Ballad of the Urban Cowboy and America's Search for True Grit appeared in
Esquire. My guess
is Paramount Studios was already
committed to the movie at this point, so the Wizard of Oz
turned his attention to spin-off projects.
First, Felker
contacted every media outlet in Houston to begin hyping
Urban Cowboy.
Second, Felker
went about selling the music rights to the highest bidder.
Third, Felker
spoke to his New York contacts who dominated the country's
fashion industry. New York City is considered the
heart of the U.S. fashion industry. Thanks to his many years at the
magazine, I imagine Clay Felker knew most of the movers and
shakers on a personal basis.
Indeed, Manhattan's 'Garment District' is home to the
major fashion labels. It handles all the various
aspects of the fashion process from design to wholesaling.
Fourth, Felker contacted Lance McFaddin, owner of the
biggest chain of Disco dance clubs in Houston. One of
these clubs was élan, the magnificent private
membership nightclub that catered to socialites,
wealthy businessmen and celebrities. Whatever Felker
said to McFaddin, it worked. Considering Cowboy
opened in February 1979, it stands to reason that
negotiations between Felker and McFaddin took place in
September-October 1978.
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Now for the curious incident. In October 1978 Victoria and I went
Disco dancing after
class to élan. While we were there,
there was an announcement made over the public
address system that Bill Blass, the well-known
fashion designer, was in attendance.
Victoria, always the fashion hound, sprinted
to the VIP area to get a
glance. Curious, I went along with
her.
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We got there
just in time to see Mr. Blass stand up and acknowledge the
warm applause. Sitting with Bill Blass at his table
were two other men dressed in business attire. Noting
their serious expressions, I got the impression these three
men were in the process of making a deal. In
Hindsight, I think there is a strong possibility those other
two men were Lance McFaddin and Clay Felker. After
all, elan was McFaddin's club. What
better place to entertain the famous designer?
I had
no idea what was going on when I began
teaching at the Meyerland Club a year later. I knew there were
strange changes
taking place such as the Western Dance Club Transformation
and the new Country fashions, but I did not know what to
make of them. However, when I began writing this book
40 years later, I wondered if one of the men at the table
was the man responsible
for the Western takeover in Houston. Was the
Wizard of Oz marketing
his fashion ideas to Bill Blass that night? I could easily imagine the sales
pitch.
"Hey, Bill, let's use
John Travolta and Urban Cowboy
to sell some Western clothing!"
No doubt Felker
made a similar pitch to Oscar de la Renta.
In February 1979, Cowboy became Houston's first new Western club.
That was McFaddin's operation. In
May Travolta came to town to begin filming. I assume Felker
had told everyone about this
during his October 1978 conversations. In August the new Western
fashions went on sale here in Houston. You don't suppose
Bill Blass had something to do with that?
In September I
began teaching at the Meyerland Club.
I firmly believe I owed this lucky break to Lynn Wyatt's 'Oscar
de la Renta' hint to Naomi. As they say, one thing
leads to another. But in my case, could this story
possibly get any weirder?
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