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MYSTERY OF THE
TEXAS TWOSTEP
CHAPTER SIXTY:
KARMA
Written by Rick
Archer
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LIMBO MONTH seven
THURSDAY
NIGHT,
JANUARY 10, 1980
REVERSAL OF FORTUNE
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It was
Thursday, January 10th.
This was the night
when Hank and Henrietta had squared off to angrily debate
the future path of Western dancing. After class,
several people stuck around to ask questions. Since I
did not have an 8 pm class, I was free to help the students
with their footwork.
When I was done, I assumed
I was the only person left at the studio, but I was wrong.
Lance Stevens was conducting a late-night private lesson on
the Main Floor. I had no choice but to walk past him
on my way to the front door. I could not but notice
Stevens glowering at me. Hate was written all over his
face.
The
oddest feeling came over me. My situation with Lance Stevens
was the strangest, most ironic turn of events I could possibly
imagine. My
insight was triggered by the angry and quite bewildered look on his face.
I began to see things from his point of view.
Stevens
was struggling mightily to comprehend the bizarre Flip-Flop in our fortunes.
I had 200 Western students, he had 50 Ballroom students.
Stevens was not
upset about money. My lucrative rent checks would
continue to pad his healthy bank account (thanks in large
part to me). No, what he was upset about was his
pride.
Keep in mind that Lance Stevens was the
recipient of countless teaching awards and
contest victories. In his eyes, Stevens was the Master
while I did not deserve to call myself a dance teacher. Ever since he first laid
eyes on me, Stevens held a very low opinion of my ability.
It was about this time two years ago that Stevens demanded
I take a private lesson from him to upgrade my dance skills.
Stevens decided if I was going to work for him, I needed to
learn proper Latin hip motion. When he ordered me to demonstrate my
hip motion, I was very awkward. What went wrong?
I could move my hips just fine when I wasn't thinking about
it. However Stevens made me so self-conscious I became
spastic.
Seeing me stumble across the floor trying to wiggle my hips, Stevens wondered why he
bothered to
hire me in the first place.
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Stevens
criticized me in a sharp tone.
"What
is wrong with
you, Archer? You can't even move your hips right! How do you
ever expect to be a professional dance teacher when you can't master something as simple as Latin
hip motion? You're supposed to be a Disco teacher
but you can't even dance."
Having been told by my
boss that I was a disgrace to the profession, I completely folded.
For the next ten minutes, I tried to move my hips
correctly as he demanded, but nothing worked right. Stevens was so disgusted he ended
the lesson at the halfway mark. He never offered to help me
again. Obviously I was not worth his time.
This was the start of
Stevens' ongoing disdain. Complaining to anyone willing to
listen, he referred to me as "The Dance Teacher who couldn't
Dance". When my friend Dorothy reported
his insult to me, I was irate. I could
move my hips just fine when Stevens wasn't barking at me.
But Stevens refused to cut me any slack. He
decided once and for all that I lacked the
talent to go anywhere in the dance business. In his
opinion, I was unfit to be a professional with the
exception of this abomination known as 'Disco Dancing'. He
would keep me around to save him the trouble of
teaching Disco himself. Otherwise he dismissed me as an unwelcome nuisance.
From that point on I more or less ceased to exist in his eyes unless
he wanted someone to boss around.
I admit my dancing was
sub-par at the start. However Stevens refused to see that my
dancing continued to improve over time. Strangely enough, there was a
Silver Lining to his negativity. It is my theory that
Stevens was so blinded by his low opinion that he underestimated my
potential. In particular, Stevens was guilty of extremely
poor judgment when he gave me permission to
rent rooms to teach classes of my own. I believe
Stevens said okay because I was so
mediocre I could never be a threat. Nevertheless,
Stevens should have had the sense to ask a few questions.
Nope. He said yes, then walked away. The less time spent
near me, the better.
I have a good
idea why he gave me permission. There was a part-time instructor
named Alicia who had a standing private lesson with three
couples. Each week Alicia rented a small sideroom large
enough her purposes. I can only assume that Stevens
thought I was talking about something similar to Alicia when
he agreed to rent rooms to me. He thought I wanted a
room for 6 or 7 students. No, I wanted a room for 60
to 70. Alicia wanted a room once a week. I
wanted a room 15-20 times a week.
Okay, anybody can make a
mistake. However, here is the
contradiction. Our conversation took place in July
1978. It was now January 1980. Over the past
year and a half, Stevens had ample opportunity to see the
error of his ways. But he did nothing about it!
I analyzed the situation
as best I could. Unfortunately I could not imagine a single
Realistic reason why Stevens would continue to let me take advantage of this ridiculously one-sided
deal. As Arthur Conan Doyle/Sherlock Holmes once said,
once you have eliminated all the logical explanations, begin to
consider the bizarre possibilities. And what did I conclude?
This was such a
colossal error I was convinced Cosmic Blindness had to have been
involved.
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090 |
Suspicious |
Cosmic Blindness |
1980 |
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At the start of the C&W
Era, rather than Renegotiate, Lance Stevens remains
mysteriously paralyzed as Rick builds a lucrative Western dance program right under his nose. |
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So where
am I going with my latest journey into the World of
Mysticism?
I
believed the best explanation for Stevens' Reversal
of Fortune story was Fate and Karma.
Fate is
defined as a predetermined, unchangeable future.
Karma is the law of cause and effect whereby one's
actions influence their future outcomes. Fate
emphasizes that certain events are unavoidable,
while Karma operates on the principle that positive
actions lead to positive results and negative
actions to negative ones.
Theoretically Fate and Karma are not the same thing,
but I think they go hand in hand. To me, the
law of Karma says a person's actions dictate a
specific outcome sometime in the future. Let's
say your father warns that you will be grounded if
you are late. You are late, so now you get
grounded. To me, a Karmic outcome is a
person's Fate. Karma leads to Fate.
But why
split hairs? Who am I to lecture on
metaphysical details? I am not a guru, I am a
Seeker. So take everything I say as my opinion
only. Nothing I say is Fact, but rather
speculation and theory. Call it food for
thought.
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I have made it
clear that I firmly believe in Fate. One of my reasons involved the curious dynamics of the Rent
incident.
Lance Stevens was so blind that he failed to
realize he had given me permission to build my own
program under the roof of his studio. That was bad
enough, but he had more than enough time to clear his mind
once he saw what I was up to. What could explain his failure to renegotiate?
Was Lance Stevens really that stupid? Or did
Fate Blind his eyes? It was almost like
Stevens willingly allowed me to walk on him.
J.K. Rowling once said, "Talent
and Intelligence will not inoculate anyone against the Caprice of
the Fates."
Where have we
heard this before? Clay Felker. During his
Darkest Day, Clay Felker was oblivious to the motives of
Rupert Murdoch and lost his magazine as consequence.
Now during Felker's Brightest Day, his uncanny powers have
been restored. He has singlehandedly created a
phenomenon that affects every corner of the United States.
When you're hot, you're hot.
And when you're
not, you're not. Just look at Lance Stevens, the
arrogant Master. His walls were lined with certificates
announcing teaching awards and victories won during his
Brightest Day. And yet here in his Darkest Day,
Stevens has allowed a man far less talented to surpass him.
Ms. Rowling also
said "that humans have a knack for choosing precisely
the things that are worst for them."
Why would anyone
allow an employee to build an independent program under the
same roof? Nobody is that stupid, not even Lance
Stevens. To be fair, Stevens was college-educated. He
built his studio without help from anyone. But what if
this was his Darkest Day? If so, then I postulate that
Fate imposed Blindness on him the same way it once affected
Clay Felker.
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The Western Era
has just brought a sudden influx of new students to
me.
Never before had the one-sided ramifications of the deal he
made 18 months ago been more apparent. Due to a lack
of foresight, Stevens had unwittingly allowed me to become a
formidable business rival right inside his own walls.
So what should he do about me? Stevens had a real
problem on his hands. If he fired me, no doubt every
one of my students would walk out the door. They had
absolutely no loyalty to him. It said 'Stevens of Hollywood' on the door, but the checks
were made out to Rick Archer.
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Based on the
hostile look Stevens gave me, obviously
he was well aware that things were not right. As each western
student strolled in, I was making money hand over fist.
Meanwhile Stevens was paying rent of his own, plus cleaning fees, floor
maintenance, accident insurance, water bills, phone bills,
electricity, and whatever else. Stevens paid all the
overhead while I paid him a pittance at 15 bucks an hour.
It was very close to hitching a free ride. I almost
felt sorry for him... almost.
Do you
believe in Karma? The law of Karma says
whatever you do is bound to come back to you. At
the start of our relationship, I had been under the
thumb of Lance Stevens. The man worked me to
death, paid me next to nothing and showed zero
gratitude for the Disco fortune I handed him. Now look what
happened.
Stevens was forced to bear the humiliation of
watching me
make
all this money in return
for peanuts in rent. Even worse, it was his own fault!!
Now it was Stevens' turn to feel exploited. He had no
business giving me
permission to build a program under his roof. That was weird
enough. But why didn't he do something about
it? That was even weirder. To me this
eerie reversal of fortune had Karma written all over
it.
Stevens was
getting royally burned by Country-Western. It blew his mind to discover Western dancing turned out to be lucrative after
all. How could he have been so blind? But the
worst part had to be watching a clod like me ride high on the
comeback trail. In December Stevens had observed
my number of students reduced to a trickle due to
the Death of Disco. He gleefully expected me to
quit in January only to see 200 students stream
through his doors. Every night of the
week, 40 to 60 cheerful new students walked in.
Like a vampire, I had mysteriously risen from the Land
of the Undead.
By
allowing me to teach classes for myself under his
roof, my one-time boss had permitted something akin
to a malignant tumor to grow unchecked under his
nose. Not only did I no longer work for him,
my program was dramatically larger. Okay, Stevens
has
finally figured out he had made a bad deal, so why not do something
about it? There was no lease, no legally binding
reason to maintain the unpleasant status quo. And yet
Stevens inexplicably remained too blind to correct
his error. What was wrong with this man?
Does Stevens not know the meaning of the word 'Renegotiate'? Stevens was a college
graduate, but you could have fooled me.
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Are these events enough to
justify a belief in 'Charmed Life'?
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089 |
Serious |
Synchronicity
Lucky Break |
1980 |
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In January at the dawn of the Urban Cowboy-inspired Western Era, Rick is stunned
to discover he is the only Western teacher in Houston (just like Disco two years
earlier). Lucky breaks abound: Right Place at Right Time.
Meyerland Club, Joanne, Fright Night, Class Factory Spotlight
Effect. Despite Rick's Blindness towards Western, even his mistakes fail
to harm him. These factors combine to
make him Houston's first C&W teacher. |
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088 |
Suspicious |
Lucky Break |
1980 |
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At the
exact moment Rick is convinced Country-Western is worthless and his dance career is over, Deborah of Class
Factory calls to say the phone is ringing off the hook and the mailbox is full
with 100 C&W Registrations. |
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087 |
Suspicious |
Lucky Break |
1979 |
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Just when
Deborah of Class Factory is about to hire a different Country-Western
instructor, Rick is able to secure her help thanks to last night's Fright Night
Awakening. Timing is Everything. |
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086 |
Serious |
Lucky Break
Cosmic Blindness |
1979 |
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Fright
Night: After spending nearly a year believing Country-Western was worse than the
Black Plague, Rick is stunned to discover 'Cowboy' is not a disgusting honky
tonk, but rather an exquisitely beautiful dance hall.
A last
second decision to ask Sally to dance saves Rick from exposure as a fraudulent
Western dance instructor |
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084 |
Suspicious |
Lucky Break |
1979 |
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Due to the mysterious circumstances
by which Victoria sent
Joanne into Disco Exile, Joanne's decision to switch to Country put her in the
right place at the right time to save Rick's dance career. |
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Suspicious |
Lucky Break |
1979 |
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When the Meyerland Club opportunity falls into Rick's lap, the offer is
too lucrative to turn down. Rick accepts the offer despite his distaste
for all things Western and lack of knowledge. And so the Gamble begins. |
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As the 1980
tidal wave of Country-Western students entered the studio, what strange thoughts do you
suppose passed through Stevens' mind? I
imagine my unexpected comeback was a head-scratching mystery
to Lance Stevens. Seriously,
considering how inept Stevens believed me to be, he
had to wonder how a guy with limited dance talent managed to
pull this off.
While Lance
Stevens was busy trying to solve the mystery of my success,
I was doing the same thing. How much Good Luck can a
man receive before he becomes suspicious? Here at the dawn of the
Country-Western Era, I was convinced my success was
way beyond my talent and ability. It seemed like no
matter how hard my ignorance and bad attitude caused me to
mess things up, my good luck rescued me time and again.
For sake of argument, let's assume I am right
that
Fate placed me in this enviable position for a
purpose. To me, this continuous series of lucky breaks
defied any sort of Realistic explanation. I did not
understand 'why', but the omens were unavoidable.
Please forgive if I assume too much, but I decided I must be living a
charmed life. If so, surely God had a reason
to hand me these lucky breaks. In that case, I
accepted responsibility to do the best I could. Actually,
I could go one step further than that. Believing this
was something I was meant to do, I wanted to teach dancing
for the rest of my life.
My relationship
with Stevens lasted three years. During this time, I
identified 40 mysterious incidents that struck me as well
beyond the ordinary. Stevens was witness to many of
these incidents. Watching me survive one jam after
another by the skin of my teeth, do you suppose the
explanation of a Charmed Life ever crossed Stevens' mind?
Probably not.
Stevens was not
an open-minded man, definitely not prone to entertain
mystical possibilities. More likely, he wrote off all
these lucky breaks to some sort of Vegas hot streak.
Okay, I can write anything off as a fluke. But THREE
YEARS? How many hot streaks last three years?
How can Stevens dismiss three years of watching a disgrace
rise to the top of his profession without at least a twinge
of Twilight Zone terror?
"How does the least talented dance
instructor I have ever met continue to succeed
beyond his wildest imagination?"
The poor man
must have been perplexed. Stevens was very bitter as
well. No one likes to get beat by an underdog.
So now my
thoughts returned to Karma. I am convinced that
Stevens and I were engaged in a Karmic Relationship.
Typically the purpose of a Karmic relationship is to teach
an important lesson among other things.
For example, Victoria
was a Mentor sent to teach me how to run a dance
studio.
Joanne was a Mentor sent to
introduce me to Western dancing. Glen was a
Mentor sent to train me to be a dance
professional.
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What about Lance
Stevens? Although I did learn things from him, I would
hardly call him my Mentor. On the other hand, maybe
Stevens was not sent to teach me a lesson, but rather I was
sent to teach him one.
Actually I think
I was sent to serve two purposes.
I helped Stevens
make a fortune during the first year of the Disco Era.
This was the most money Stevens ever made in his career, so
we can assume I served him well during his Brightest Day.
But what about his Darkest Day?
Stevens was a gifted man who
deserved his many accolades. He had every
right to feel superior. Unfortunately, he had grown arrogant during
his Brightest Day. Now it was time for his
Darkest Day. Imagine how humiliating it was
for Stevens to be upstaged by a
inexperienced, clueless, untalented amateur. I
believe that was the role I was meant to play.
Could anyone have
ever
imagined a stranger Reversal of Fortune?
Mind
you, I say none of this to brag. In no way do
I consider myself superior as an instructor to Stevens
(although I hope he learned to treat his students with more
respect). I never
plotted against Stevens or tried to outdo him.
In fact, I took very little pleasure in doing this
to him. On the days
when Stevens was not being a jerk, I actually felt
sorry for him. It was a cruel Fate to be
upstaged by a nobody in his own studio.
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THE TEXAS TWOSTEP
CHAPTER SIXTY ONE: limbo
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