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the hidden hand of god
CHAPTER
FIFTY:
WHEEL OF FORTUNE
Written by Rick
Archer
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Rick
Archer's Note:
If there is one
thing I am sure of, Hardship comes to us all at
some point.
There is an Arabic saying
that asserts Life is divided into two days.
Both days will be a Test. When Life is for
you, do not be proud or reckless. When Life is
against you, be patient. Good judgment and
Wisdom are born of Hardship.
I love that
quote. To me, this explains why EVERYONE, even
the most talented people, always seem to undergo
extreme hardship at some point. Looking back,
it is easy to divide my life
into Two Days. Hardship was my middle name
during the
Lost Years. Not that I would ever wish to
experience those problems again, but I have to say
my travails made me a much better
person. While I was down, I did my best to
learn from my mistakes.
Recently,
however, it felt like the Wheel of Fortune had changed.
It was uncanny
how my Darkest Day hardships had given me the exact training
necessary to be effective when it came time to pursue my
mission in life.
Here
on the threshold of the Magic Carpet Ride, I have entered my Brightest Day.
Now that my luck has turned, we see how Doors of
Opportunity continue to open without any need to ask
while
everything I touch turns to gold.
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Graduation Night at the
Rubaiyat is a perfect example. Drawing
on misfortune of the past, the night had been a major triumph.
Throughout the night, I felt like Melody Lane had been
part of my training. If so, it worked to perfection.
My disappointment at Melody Lane transformed me into the
most conscientious host imaginable at the Rubaiyat. I
served as catalyst for a phenomenal evening of dancing on
the part of my 20 students.
I was so touched by the energy I created, I recall asking
God if I could do this for the rest of my life. I am
completely serious. The
evening was such a
triumph, it sealed my determination to teach dance as long
as I possibly could.
Throughout this book I
have described a growing belief that I was being led down a Path
by a power greater than me. It was a slow moving stream to be
sure. Lately, however, during the 'Home Stretch' I felt
caught in a tidal wave of events which had dramatically accelerated my pace.
My trip to the Rubaiyat raised a disturbing idea. It occurred
to me the Force of Fate may have arranged that horrible night at
Melody Lane specifically to train me as host for the
Rubaiyat. Believing these two events were deliberate experiences imposed
on me by a higher power for a purpose, I concluded Rubaiyat and Melody Lane were
linked by Fate.
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056 |
Suspicious |
Coincidence |
1977 |
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The painful lessons learned at Melody Lane two years earlier help turn
Rick into a Pied Piper at Rubaiyat |
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048 |
Suspicious |
Messenger
Cosmic Blindness |
1975 |
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Rick's inability to think of a way to ask Katie for a date cost him
dearly. As for messages, Jack taught Rick how NOT to run a dance
studio while Katie indirectly reminded Rick to get a career. |
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However, despite my
triumph, I returned home in a melancholy mood due to
memories of Katie.
It is never easy to accept the strange twists
and turns of Fate, especially true where Katie was
concerned. The success of Rubaiyat cast a different
light on my acute failure at Melody Lane. Maybe I had
failed for a good purpose... or rather maybe I had been 'set
up' to fail for a good purpose. Perhaps I was meant to sacrifice Katie in
service of my dance career. If so, that was a tough
pill to swallow. I had been so much in love with her.
I guess I still was. No matter how sweet my victory
had been at the Rubaiyat, I was far too lonely to accept the
night
as adequate consolation for losing Katie. I
still could not believe I had walked out of Katie's life
without saying a word. I firmly believed I would never
meet another girl like her. And you know what? I
was right.
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The funny thing is I
will never even know if Katie liked me. It doesn't
matter. I carried the torch anyway.
I
recall Omar Khayyam's famous quatrain:
A Book of
Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread--
and Thou beside me singing in the Wilderness-- Oh,
let Wilderness be
my Paradise now!
Unable to forgive myself
for failing to reveal my feelings to Katie, I had been wandering
through the
Wilderness for the past two years. With just an ounce of
courage on my part, that could have been Katie instead of the Wilderness.
The hardest part was knowing Katie had quite possibly signaled hope
that we go together only to have me go brain
dead.
Fatalist that I am,
perhaps I was never meant to connect with Katie, but rather to watch
Jack make an ass of himself. For that reason, Fate placed a
barrier between Katie and me. And what was the easiest way to
accomplish this? By making me too stupid to catch Katie's
obvious hint that she would like us to go to the event together,
i.e. Cosmic Blindness.
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It is
important to understand these thoughts were not
present at the time, but rather conclusions I
reached as my dance career came into focus.
Quite frankly I was too overwhelmed by my recent
series of lucky breaks to see the Big Picture.
However the day would come when I was not quite so
angry with myself after a major mistake. The
Katie incident is one of the reasons I came to
believe there will be times when our mind is
deliberately clouded in service of Fate.
Despite my
sense of loss concerning Katie, I had a strong sense
that a Divine Benevolence was weaving its mysterious
will through my life.
If I could put my personal feelings
aside, I was well aware my Rubaiyat success was
born of failure at Melody Lane.
Perhaps the whole point of the Melody
Lane disaster was to train me to be a more effective dance instructor.
If so, that possibility made it a little easier to
accept God's Will that I walk this
Path without Katie.
Why did I have to lose
Rachel? Why did I have to lose Katie? Because in the
process I was being given training that would be of great service in
the future.
It is not easy to
accept Fate sometimes, but at some point I had to
put my selfish desires aside. God's Will, not
my Will. As my dance career unfolded, I found
myself in position to repeat the success of Rubaiyat time after
time.
All Glory
belongs to God.
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SEPTEMBER, 1977,
HOME STRETCH,
Age 27
ROSALYN HANDS ME A PARTING GIFT
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Following my
successful August visit to the Rubaiyat, I was on pins
and needles wondering if
Rosalyn would let me keep the JCC class in September.
I prayed she had lost interest over the summer and would let me continue. Alas, such was not to be.
Shortly after Labor Day in
September I got the call I was dreading. When
Rosalyn asked, "How did
my class go
this summer?", I took careful note
of her words 'my class'. Although my heart plummeted,
I did my best to hide my disappointment. First I explained
things had gone well, then added
how grateful I was for
the opportunity. I promised to see Rosalyn next week when
her September
class resumed.
After I hung up the phone, I fell
to pieces.
Having experienced such intense satisfaction, I did not want to stop teaching. Maybe
I wrong about all these Destiny's Child daydreams. This
felt like the end the road. I
was really down, so I spent the rest of the day feeling sorry for myself. I could not accept
my Fate. It hurt like crazy to be given such a wonderful opportunity only to
have it taken away.
Two
days passed. Elena buzzed to say I had a phone call.
Still locked in depression over losing my Disco job, I was in no mood
to talk unless I had to. I asked Elena to find
out who it was.
"It is
Naomi from the Jewish Community Center. Do you want me to take a message?"
The JCC? Really? My
heart leapt for joy. What could this be about?
"It's okay,
Elena, I will take the call."
To my overwhelming
joy,
Naomi said she was looking for a Disco teacher. However,
I was surprised to learn Naomi was not from the Braeswood JCC where I had taught last summer.
Naomi explained she represented a new branch of the
JCC which had recently opened out in the Memorial area.
As we spoke, Naomi
explained that someone at
the Braeswood JCC
had passed along
my name to her. Naomi added that the
referral had included a nice compliment about me. Apparently
someone in the office heard I had
done a good job last summer.
That recommendation was good enough for Naomi.
Naomi said, "Would you
consider teaching for us this fall?"
"Yes, I would like
to help, but first I have a question. I
have been a member
of the Braeswood JCC for the past three years.
Not once have I ever heard
of a Memorial location. Why is that?"
"The
Memorial JCC just opened. It is practically brand new.
I am racing to put together a Fall schedule at this very
moment. I have to warn you
that we don't have much time to get publicity out on
this class. I don't think your class will be be very large.
Is
that okay? We will still pay you the same amount you
received last summer."
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I scoffed. Of
course it was okay. I was in no mood to play hard to get.
Nor did I care what the pay was. I simply
said, "When do I start?"
When Naomi said the
course was on Wednesday, I was elated. This gave me a
face-saving reason to disengage from helping Rosalyn with her
Wednesday class. Now that I had been the teacher, I was not
interested in returning to my boring assistant role. I called
Rosalyn. She was so warm over the phone that I
immediately felt guilty for wanting to avoid her class. When I told her
about the Memorial JCC, Rosalyn replied, "Oh good, you got the
job. They asked me to do it, but I told them I already taught
on Wednesday nights. That is when I suggested you."
Oh good grief.
Here I was mad at Rosalyn for reclaiming her class and
she was looking out for me the whole time. My guilt
immediately ratcheted another level higher. Hiding my mixed
feelings as best I could, I said, "Rosalyn, I may not see you
for a while, but I am very grateful to you for helping me get
started. Teaching dance is something I really love
to do. Thank you so much!"
Rosalyn replied,
"You are most welcome. I am glad this worked out so well. I
can tell how much this means to you."
After I hung up, I
shook my head in wonder. I
owed Rosalyn quite a debt for her amazing contribution to my
life. I
have always felt a deep sense of gratitude for Rosalyn's act of
kindness. I regret to say this was the last time I
ever spoke to the woman who opened the door to my career.
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And so, just like that, another door had just opened.
This job would serve as my third Stepping Stone. The
dream was alive.
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057 |
Suspicious |
Lucky
Break |
1977 |
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Rosalyn's Gift of a line dance class at Memorial JCC becomes Stepping
Stone Number Three |
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WEDNESDAY,
SEPTEMBER 28, 1977,
HOME STRETCH
memorial jcc
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Two weeks later I
began my Memorial JCC class.
The date was
Wednesday, September 28. Naomi was right
about the small class.
I was greeted by
5 women, all of whom were nearly
twice
my age. I didn't care.
5 people
tonight, 30 people last summer, it
made no difference. I wanted to teach dance and I
was hungry for any experience I could get.
Unfortunately,
this class was not
as easy to teach as I had expected. Although four of the ladies liked my class, there was
a
grouch named Esther who complained the entire time. Esther
was very difficult to please. Nothing I said or
did made her happy. In front of the other four
ladies, Esther made it clear
this class was not what she expected. Noticing how her negativity
affected everyone, I worried
that no one would come back next week.
At
the end of the night Esther and one other woman came up to talk to me.
I frowned as she approached. This old battleaxe had ruined
my class. Now what?
Esther
said she
wanted to learn how to partner
dance to Disco music.
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"I am sorry,
ma'am, but
I don't know
how
to partner dance."
Esther
immediately insulted me. "Why not? Aren't you a
Disco teacher? How can you call yourself a
dance teacher when you don't even know how to dance?"
I seethed at
Esther's
slap. The Porcupine inside me came within an inch of telling that woman exactly where she could go. I was
tempted to hand the woman the JCC catalogue and ask if she knew
how to read. The class description
said
'Disco Line Dances'. However somewhere in the back of my mind I thought of
Dr. Fujimoto, the man who threw me out of graduate school for my
tendency to get defensive and retort without thinking first.
With a grim smile, I noted how my Darkest Day at Colorado State had steeled me
to deal with this difficult woman. I took a deep breath and counted to ten.
Once I calmed down, I responded, "It is true that I do not know how to partner dance.
However
I am curious
to learn how to partner dance as well. I
promise to look around and see if I can find a place to
pick up some training."
That satisfied
Esther.
She
and her friend
left with a smile. Meanwhile I breathed a sigh of relief.
I had come very close to losing my temper.
This advanced degree of self-control was highly uncharacteristic, so
I quietly noted
that perhaps it was a sign of emerging maturity. With the
help of
Gaye Brown-Burke, my therapist and friend, I was determined to overcome my legion of weaknesses.
Unfortunately I was a slow learner. Next month, I would turn 28. At
this rate, I figured I would be 60 when I finally grew up.
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Thursday, SEPTEMBER 29, 1977,
HOME STRETCH
STEVENS OF HOLLYWOOD
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I had no idea what Disco
partner dancing looked like. I had
been Disco dancing three times since Manimal attacked me at the
Farmhouse
two and a half years ago. Not once had I observed anyone partner
dancing. I wasn't even sure it existed. That is when I
remembered seeing that weird dance called the Whip. Back in January 1976
I had signed up for a Disco line dance class
at Stevens of Hollywood. At the end of
class,
Lance Stevens,
the owner,
had entered the room to put on a
Whip
dance demonstration with his
wife Cliann.
I would later learn the Whip was the Texas equivalent of a
better-known dance called West
Coast Swing.
It had been 21 months since I had seen the Whip
demonstration. Since the Whip
was the only thing
I knew that might resemble Disco partner
dancing, I
phoned Stevens of Hollywood. Lance Stevens
answered the phone. Stevens said he had a Whip class on
Tuesday night I could
take, but it
had started two weeks ago. He added that Tuesday would be the
third lesson. Stevens said the Whip was a tough dance and
very few people succeeded starting this late. There was no encouragement in his voice. In fact, Stevens made it sound
like it wasn't even worth his trouble to bother.
"If you want to
come, that's up to you. Be
forewarned I will not slow my class down to accommodate
you."
I said I
would be there. The way I saw it, this was the only game in town.
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Tuesday, October 4, 1977,
HOME
STRETCH
Dorothy Piazzos
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"How can you
call yourself a dance teacher when you don't even know how
to dance?"
Esther's insult
had struck a chord. When it came to Disco dancing, I had no clue how to partner dance.
Since I was always looking for a way to improve my dancing,
Esther had aroused my curiosity. I recalled my visit to
Stevens of Hollywood back in January
1976. That was the night I met Roberta, the worst dance teacher I ever met.
Oddly enough, I owed a debt to her.
Roberta had asked me to come up to the front and teach a
line dance she had seen me demonstrating earlier to another
student.
To my distinct
pleasure, I had done a very good job explaining how the
pattern worked during my brief cameo. When the class
was over, the desire to teach a line dance class of my own
was firmly planted in my mind. As I entered of
Stevens of Hollywood
that night, this memory was fresh in my mind.
After all, this studio was where the dream had started. The
date was Tuesday, October 4, 1977.
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Stevens of Hollywood was located
on the edge of the Montrose area near the corner of Shepherd
and Westheimer.
Since I was
starting class in the third week, when I arrived Stevens knew
it was me who had phoned.
I was surprised to see I was the only person under 40. Stevens
looked me over, then shrugged.
"Okay, I warned you, but
since you're here, you might as well give it a try. However,
like I said, I don't
intend to hold my class
up waiting for you to catch up."
I noticed the edge in his
voice. What value was there in discouraging me?
I had a bad feeling about Lance Stevens. He was gruff and
impatient. Not an easy guy to like.
Stevens said I
was early. He told me to sit and watch the people warm
up. Class would start in ten minutes.
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I looked around. Compared to the
voluminous Dance City/Melody Lane building where I had
learned to Freestyle back in 1974, Stevens of Hollywood was not a large
dance studio. I estimate the main dance floor was 1500 square
feet plus there were three smaller side rooms. The place
was somewhat run-down and had a subdued air. When I
showed up for the Whip class that night, the class had 20 people.
Right before class
started, Stevens had a
surprise. He came over to me, then barked at a lady
talking to someone nearby.
"Dorothy, come over here.
I need you."
When
Dorothy arrived, a sour look crossed Stevens' face. He
almost seemed mad at me. His hostility made no sense.
Strange man.
Stevens spoke
gruffly to
Dorothy.
"Here's the young man I
told you about. Show him what he needs to know."
Then Stevens turned
to me. "Listen to Dorothy and maybe you will catch
on."
With that, Stevens turned his back and walked
away.
Gee, what a pleasant
introduction. Why was this man so harsh? Stevens reminded me of Fujimoto, my highly
critical graduate school professor. Just
what I needed... another Fujimoto. I definitely did not
like Lance Stevens.
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Fortunately,
Dorothy was nothing like Stevens. Dorothy was an
elegant white-haired lady, very pleasant,
very attractive. Somewhere in her 50's, Dorothy was
short in stature, well-dressed with a lovely scarf, perfectly groomed.
This lady could easily have belonged to the River Oaks Seven except for one thing.
Unlike my tormentors from yesteryear, Dorothy was very warm and
welcoming.
She introduced
herself as
Dorothy Piazzos, then asked my name.
Dorothy smiled and said she would try to catch me up. I
liked her immediately. Dorothy explained she
had taken the
Whip class before. She knew the dance well enough to help
if I got stuck, adding she was here as a
volunteer. I gathered Stevens had
told Dorothy earlier that I might be coming. Stevens
wanted her to give me some personal coaching so my
inexperience would not interfere with the progress of his group
class.
I didn't have a
problem with that. I enjoyed Dorothy's company.
As we chatted, I learned she owned
Pappagallos, a shoe store in the
ritzy Galleria shopping mall just down the street. Dorothy said she
loved to dance and was here to help any way she could.
Just as she finished her introduction, class started.
We know that learning to dance
had never come easily to me.
However, tonight was the exception.
To my surprise, I wasn't
all that bad in my first night of
Whip class. What? No
ordeal? No bomb scare, no River Oaks Seven? I was quite relieved. Due to my year of jazz
dancing with Patsy Swayze, the footwork gave me no trouble.
Dorothy's patience made
quite a difference as well.
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In a manner similar to
the
legendary Katie, Dorothy gently corrected my mistakes. Her
patience kept
me from tensing up with my terrible tendency to criticize myself.
Best of all, I liked the music.
Stevens played Rhythm and Blues, a type of music very
similar to Motown. My Disco-trained ear was unfamiliar with the
Blues, but I liked it
right off the bat. Stevens played one song I recognized...
Cleo's Mood by Junior Walker. It had a
strong beat and I craved those nasty saxophone riffs. The
Blues music made me want to learn this dance. I thought the
Whip was pretty cool.
However, there was
one problem. About ten minutes
into the lesson, Dorothy pulled me aside.
"Rick, I
don't want you to take this the wrong way, but you are really hurting me! You are
squeezing so hard I am worried your thumb is going to
bore a hole through my hand."
I was mortified!
I had no idea I was hurting Dorothy. After apologizing profusely, I confessed to
Dorothy I had not been aware of my mistake. Apparently I
was so nervous I did not know my own strength. "Dorothy,
please forgive me! I am so sorry!! But my problem is that
I don't know when I am hurting you. Would you do me
a favor?"
"I'll try.
What do you have in mind?"
"The next time I squeeze, will
you
shake your hand to make me aware?"
Dorothy smiled.
"That's a good idea. Of course."
Ten seconds later Dorothy
shook her hand. I was appalled. Good grief! Obviously I was
a lot more tense than I realized. Fortunately,
the shaking trick worked. As the evening progressed, every
now and then Dorothy would quietly shake my hand. That
helped me
become more aware of keeping my hands relaxed. Dorothy was very patient
with me, so I was able to break this bad
habit before the night was through. I could not help
wishing Lance Stevens was as patient as Dorothy. Every time he
looked at me, he frowned. What is it with this guy?
I did not know why, but I think Stevens disliked me from the
start.
Dorothy appreciated
that I cared enough to enlist her help in solving the problem. My
hand-squeezing problem
was an odd start to the evening, but it actually helped us
become friends. As for me,
ordinarily I did not handle criticism well. However, not once did
I bristle at Dorothy's constant fussing. That is because I felt an instant
rapport with this nice lady. Here she was going out of her way to help
me and I had nearly severed her hand. But did she bite my
head off for hurting her? No. Instead she was quite forgiving. I liked
Dorothy for it. In fact, I told her so. "Dorothy, you are
being really nice to me. I cannot tell you how much I appreciate
your patience."
Dorothy smiled and
squeezed my hand affectionately. I immediately flinched and said, "Ow!"
Seeing me rubbing my
hands together, Dorothy was
horrified. "Oh, no, did I hurt you?"
"No, Dorothy, I'm just
teasing you. I still feel guilty for hurting you earlier."
Dorothy put on a
mock frown, then punched me in the side of arm.
"OW!!"
"Did that hurt?"
"Yes! For
a small lady, you pack quite a wallop!"
"Good.
Serves you right for scaring me." Dorothy was
grinning as she said it.
Towards the middle of
the class, Dorothy
got a funny look on her face.
"Rick, you sure are picking this
material up fast.
Even though you missed the first two weeks, you are completely caught up. Are
you sure you have never taken a Whip class before?"
I smiled and thanked
her for the compliment. "This footwork isn't that hard.
Did you know I teach a Disco class?
My previous dance
experience helps me pick up the footwork."
Dorothy did a double-take.
"Do you really teach a Disco class?"
"Yes, ma'am, I teach
Disco over at the Memorial Jewish Community Center."
For some reason Dorothy got quiet.
She seemed to study me
more carefully.
I was curious why my
words had such an odd effect, but said nothing. Dorothy excused
herself to go to the restroom with a promise to return shortly.
While Dorothy was gone, Lance
Stevens came over
"I
hear you
teach a Disco
class."
His comment took me completely off guard.
Stevens was so gruff
with his approach, I hesitated. Which answer was more
likely to escape his wrath? I decided to tell the truth,
so I
said yes. Stevens
stared at me for a moment, gave an
odd hummph, then walked away.
Good grief, what
is this all
about?
After Stevens left, Dorothy
returned. She must have seen the perplexed look on my face
because she gave me a guilty
look.
"I'm sorry about
that.
I don't know why Lance is always so rude. When
you weren't looking, Lance asked me how you were doing.
I told him you are pretty good because you are a Disco instructor."
I grinned.
"Well, Dorothy,
I probably could have figured
out who ratted me out without your confession, but thanks for
telling me anyway."
We both laughed.
I enjoyed Dorothy's company a lot. What a shame Dorothy
wasn't my age because she was really nice. About ten
minutes before the end of class, Lance Stevens came over again.
This time he asked me if I knew the 'Worm',
the hot new move of the day. By coincidence, Elena had recently taught me the Worm, so
I responded positively. "Yes, sir, I
know how to do the Worm."
"Then show
it to me."
At his request,
I demonstrated the Worm.
I wiggled up and down and felt
ridiculous. Stevens rolled his eyes with
disdain and replied that's how he did it too. Yeah,
right, like I believe this stiff old grouch has ever done the Worm in
his life. Then
with his usual hummph, Stevens walked away.
Strange guy. I wondered why
Stevens
was always so grumpy. My previous four dance teachers...
David, Becky, Patsy, Rosalyn... had all been friendly.
Roberta had been friendly as well. Stevens was the exact opposite. This man did not have an
outgoing
bone in his body. In fact, Stevens seemed to have as big a chip on
his shoulder as I did. What is this guy's problem?
I also thought his
exchange over the Worm was kind of odd.
However, he was definitely checking me out for whatever
reason. Very
curious. Sure enough, at the end of class, Stevens came
back around for the third time. I groaned because I thought I was about to
get chewed out some more. Turns out I was right.
Stevens watched me
dance for a second, then commented, "Your footwork is okay, but
can you get rid of the bounce?"
Irritated, I said
nothing. However I nodded to indicate I got the message.
To my surprise, Stevens was here
for another reason.
"Listen, my Disco teacher just quit.
You want to take her
place?"
I was stunned.
Heck, this guy doesn't even like me and now he's offering me
a job? Before Stevens could change his mind, I
said, "Sure. Of course I will.
I love teaching dance."
"Good. The class
has about 15 people.
Can you come back Thursday night at 7?"
Well, there goes
Thursday night volleyball at the JCC, but I nodded yes. This felt
like a good opportunity. Due to the awkwardness of
the moment, I was about to go, but then I realized
Stevens
wasn't done yet. He felt
compelled to offer a lecture.
"I would
teach
the class myself, but
I detest Disco
music.
I would
rather pay someone
to teach the class than be forced to listen to
that Disco crap.
I grew up with Big Band
music.
That was the finest
music ever recorded. And now we have this abomination
called Disco music. I think it's awful. Civilization
has taken a giant step backwards."
If Lance
Stevens was to be believed, America was in peril.
I smiled as a vision
of Barbarians using a Disco soundtrack to invade New York City
crossed my mind.
I loved Disco music,
but I had the sense to keep my mouth shut. Shades
of Fujimoto, I had
already learned the less said around Lance Stevens, the better.
When
Stevens finished his rant, he gave me a hard look.
"Are you
reliable? Are you going
to be here?"
"Yes, sir, of
course. I am very reliable."
Stevens
still wasn't done. He stood there and took another long look without saying anything. Then without a smile,
he glanced at Dorothy, gave his usual hummph, then pivoted and walked away. The
entire exchange
lasted
all of three minutes. Dorothy watched
the whole thing transpire. After Stevens left, she giggled and gave me a big
hug. I had a strong hunch Dorothy had played a key role in
this unusual situation. However, despite my questioning, Dorothy refused to reveal
anything. Nevertheless, there was no doubt in my mind that
Stevens had hired me based on her evaluation. She was looking out for
me. Pure and simple,
Dorothy's Simple Act of Kindness had gotten me this
opportunity. I was glad to have this new job, but
I had my doubts about Lance Stevens.
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On my drive home
that night, I should have been
overjoyed, but instead I frowned. Lance Stevens reminded
me of Fujimoto far too much for comfort. Who
wants to work for this guy? However, I really wanted this job. It had been
over three years since they sent me packing
from Colorado State. Had I finally developed the skill
to play the game? I certainly hoped so. If I wanted
to keep this job, then remind me to keep my mouth shut around this bitter man.
It was
odd how Stevens had handled this situation. He
had just handed a dance class to a young man who was
a total stranger. Lance Stevens did not like
me. Nor did he have a good opinion of my
dancing. I knew this because Stevens had been
critical in a negative way way during class. I was also troubled
over the way I had been hired. There was no interview.
Stevens did not ask about my previous experience, he
did not ask for a demonstration of my line dance
material, nor did he ask for a resume or
recommendation. Stevens did not ask where I taught
previously or for how long. He did not ask
what I did for a living. In other words,
Stevens did not want to know a damn thing about me.
I figured my sole qualification for the job was
being
in
the right place at the right time.
Stevens disliked Disco music so much, he hired the
first
kid off the street just so he did not have to go to the
trouble of
looking for anyone.
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Unfortunately I was unable to get Dorothy or
Stevens to fully explain why this job was conveniently
available. According to Dorothy, I
replaced an unnamed female instructor who had been teaching
a Disco line dance class. When she said that,
I wondered if it had been Roberta. Dorothy
added the woman was not fired, but rather quit
suddenly. This left Stevens with only two days
to find a replacement for an ongoing class.
Not only
had I 'accidentally' stumbled into a job at
an established dance studio, my latest lucky break
seemed linked to the previous ones. It started
when Roberta let me take over her class 20 months
ago. This unlikely event gave me the idea of
teaching dance someday which in turn inspired me to
continue the Dance Path with Patsy Swayze, then with
Rosalyn. My 'Bomb Scare' event led to
my JCC job last summer. My summer JCC job led
to my Memorial JCC job. An insult from Esther
at Memorial JCC had guided me back to Stevens of
Hollywood, the same place where this circle had
started. I believed this series of connected
events could not possibly be an accident.
Given
the magnitude of this 'Right Place at the Right Time'
coincidence, my sense that something very much out of the ordinary was taking
place in my life grew even stronger. In the short span of five months, this
Stevens position was the third teaching job in a row
that had been handed to me.
Typically people apply for jobs. Not me.
Once I substituted for Rosalyn, I never had to lift a finger.
And so the fourth
and final Stepping Stone fell into place. I had no
idea at the time, but this position would lead to
something very special.
Dorothy's kindness had opened the Door to my
Destiny.
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058 |
Serious |
Lucky Break
Coincidence |
1977 |
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Out of the blue, Lance Stevens offers Rick a Disco Line Dance class job.
Right place at the Right Time.
This job would prove to be Rick's Big Break, Stepping Stone Number Four |
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THURSDAY, December 15, 1977
age 28
end of the road
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To my dismay,
my glorious dreams evaporated in
December. It began when my
Memorial JCC class was not renewed for January due to
low attendance. On
Thursday, December 15, the other shoe dropped. My
line dance class at Stevens of Hollywood had been plagued
with low energy right from the
start.
When only five people
showed up
for my final Stevens class,
it
died with a whimper. I was very
upset. Back in
October, this class had started well enough.
However attendance had
dwindled in November. So did the energy.
However I did not blame myself.
For some time now I had sensed interest in Disco
music was
fading. More than likely,
the Disco Era had run its course.
Unbeknownst to me, my instincts were correct. Experts
in the music industry were seeing the same growing
apathy. Well aware that sales
of Disco music were way down, trend-spotters predicted
something new was sure to take over the following year.
The problem with popular music is the
limited life span. No
matter how wonderful a certain type of music has been,
eventually people tire and move on to a new sound. In
other words, I was not the only person who saw the
warning signs. Word on the street predicted interest in
Disco music would fade rapidly in the
new year.
When Lance Stevens came into
my class, one look at the five
students prompted him to shake his head in disgust.
Frowning, he only stayed for one minute. Well
aware of his disapproval, I was heartsick
with fear.
Sure
enough, Stevens was waiting for me when class was over. To my surprise, he blamed me for
the poor attendance. Stevens said he was unimpressed
with my teaching ability. I did not see that coming,
but given tonight's low attendance,
there was nothing I could say to refute his low opinion.
Given that he only watched for
one minute, it was a cheap shot to be sure.
Fortunately, I knew I had done a creditable job, so I
took his low opinion in stride and refused to blame myself. I
could have argued with Stevens, but why bother? What
difference would it make?
Stevens seemed pleased to see my December
class dwindle to nothing. I did not know why, but
Stevens had disliked me from the moment we met.
In addition, he despised everything about Disco
Consequently, he was delighted to
be handed a simple reason to
criticize me and get rid of me at the same time.
Stevens handed me my final paycheck and said, "Don't get
your hopes up, Archer. I
doubt seriously you will have a class in January.
This Line Dance class
doesn't make me any money and
I am tired of fussing with it. I
will probably just cancel the class. However, if
I change my mind, I'll call you. But don't count on
it."
Judging by his cheerless expression, I figured it was
best not to hold my breath. I wasn't fired, but I
wasn't asked to return
either. I went home that night mired in depression. It
was fun, but now it's done. Feeling miserable and
confused, I could have sworn my teaching positions were
leading me somewhere, but I was wrong. So much for
wishful thinking. This looked like the end of the road.
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FRIDAY, December 16, 1977
A LAST-MINUTE
RESCUE
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Boy, was I in
for a surprise. On the same night I assumed my dance
career had reached its conclusion, I got an unexpected reprieve.
During
the night Saturday Night Fever
rolled into town.
Since SNF was a low-budget
movie, there had been no preliminary advertising.
On Friday morning I noticed
a movie listing in the newspaper. A brief review
said the movie was about Disco dancing in Brooklyn.
Curious, I
left work early on Friday afternoon and caught the very
first showing. I left the theater with mixed feelings. I
thought the movie was great, but I was not very optimistic.
Given what I knew, it would take a lightning bolt to revive
the corpse of my beloved Disco.
Considering there had been all of three people in the
matinee audience, I doubted seriously Saturday Night
Fever had the power to resuscitate a dying trend.
My worst fears were confirmed when I did not hear from
Stevens for the rest of December. Firmly convinced the
party was over, I spent the Holidays filled with
disappointment. The irony is that I
suffered needlessly. Thanks to word of mouth,
Saturday Night Fever burned
hotter than a Supernova during the last two week
of December.
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Once again my loner ways had worked against
me. I remained clueless because no one said a
word to me. There was no girlfriend to
tell me. No guy friends either. I lived alone
and did not talk to neighbors. Preferring to play sports
at night, I did not watch the evening news. Elena had not
seen the movie and no one else at work had any interest in
Disco. Consequently I operated in total blackout.
Want to know something strange?
I
imagine I was the only person in the
entire city who mourned the expected death of Disco.
When I say that no one gave a darn about
Disco anymore, I am completely serious. Disco music had
its day, now get out of the way. Well aware there was
no chance in hell that Disco would rise from the dead, I was
forlorn.
I had been led
to believe my four Stepping Stones
had
foretold an important new direction,
so imagine how crushed I was crushed
to see my dream flicker out. I
was very confused. I could not
understand why God would
arrange all these lucky breaks only to break my heart.
December was indeed the cruelest month.
Clueless and sad, I spent
the Holidays under the assumption that my beloved Disco had
kicked the bucket. That knowledge
ripped me to shreds. Why did Disco have to die just
when I was getting started? But we never know what's waiting just around the corner, do
we?
At this very moment, the Magic Carpet Ride was warming
up
its engines.
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